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Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk." Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is uncontestable he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater."
The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson --This text refers to an out of print or unavailable edition of this title.
Story of an overbearing 40-year-old comic who meets a woman, their off-again-on-again relationship. Occasionally funny.Published 7 months ago by ellison
This movie may have been a classic in its day, but I think it may be past its prime. I have only ever seen one other Woody Allen film, and maybe those who particularly enjoy his... Read morePublished on June 15 2012 by awdryden
There is no substitute for incredible dialogue and genuine insight into the human fabric. Annie Hall is and always will be the "classic" of romantic comedies. Read morePublished on Sept. 15 2009 by Robert J. Poremba
Woody's self searching and unique form of humor make this a brilliant movie. Diane Keaton is the perfect co-star. Read morePublished on July 13 2004 by J. McAndrew
People just adore Annie Hall. I like Annie Hall. Manhattan and Hannah and Her Sisters work better for me but I can think of about a billion worse ways to spend 90 minutes than... Read morePublished on July 6 2004 by J
Woody Allen is definitely a "love him or hate him" kind of guy. If you hate him, then you're probably not even reading this. Read morePublished on June 18 2004 by S. Johnson
I have a confession to make.
Until now, I've never seen a Woody Allen movie.
Boy, I sure was a "miss out".
Annie Hall, made in 1977, is a classic. Read more
This was the best movie Woody made from the time when he was still making great movies! It centers on Woody's on and off relationship with the ditzy Annie. Read morePublished on May 6 2004 by Michael A. Newman
The first thing that grabbed me about this film was the interaction with the viewer. When Woody Allen starts the film by illustrating its themes directly to the audience with a... Read morePublished on April 22 2004 by Jacob Reidt