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4.0 out of 5 stars
Washington's debut is promising, April 14 2004
This review is from: Antwone Fisher (Full Screen) (DVD)
I must admit (shamefully) that this did move me to tears. It is definitely a sad story, but unfortunately it is too true, and not only in the ghettoes. Antwone Fisher's story shows the importance of families in the emotional development of human beings at the earliest age. In a time when we have been bombarded with guilt-stories we tend to shake off what we consider as another attempt at making us feel guilty. But this story isn't about making anyone feel guilt. It shows the struggles that face people who have not had the security of a family, and it helps those who haven't experienced that sort of insecurity relate to those that have. I'm not a big-fan of love interests either, but I think it was important to show that his girlfriend played a role in his rehabilitation. One thing I did not like about the movie was Denzel's character almost compelling Fisher to lose his virginity. I don't think this sends the right message especially to those young people who may be watching this movie, but then what movies do? The acting wasn't bad, although the movie had that Hollywood feel to it. I think some stories get through even if they are painted with tinsel-town's brush, and for this to have been Denzel's debut as a director adds to the specialness of this movie. I hope he comes out with another one sometime soon. On another note, it's good to see a positive potrayal of Afro-American people on film, there have been too many 'gangsta' films coming out of Hollywood of late. Finally, watch this movie to get a perspective on your own life.
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5.0 out of 5 stars
Healing a Sensitive and Talented Young Man - Very Good!, Mar 2 2004
This is a very moving movie. I did not have any idea that it was in any way biographical until the end of the film. Who knows how much license has been taken and who cares. Derek Luke does a great job in portraying a talented and sensitive young man whose harsh life has trained him to lash out as his only means of protection. Denzel Washington, whom I can never not enjoy on screen, is naval doctor Jerome Davenport who is assigned to decide of Fisher should be discharged from the Navy as unfit after yet another brawl. Davenport and Fisher develop a close relationship in a way that becomes rewarding but limiting for both, but Dr. Davenport has the professionalism to urge Fisher to seek out his real family. Fisher does and learns a lot about himself and gains some healing connections with his life. Denzel Washington also directed this movie and I think he did a fine job. This is a good movie for young people (if not children) to watch. It can teach adolescents something about the problems and emotions they are facing.
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5.0 out of 5 stars
Director Denzel Washington comes up with a real winner, Feb 7 2004
I live in a city that is off the beaten path, especially when it comes to movies. "Lost in Translation" never came here and "Crouching Tiger, Hidden Dragon" only made it to the local art theater. I remember when "Boyz in the Hood" came to town there was a story about it in the newspaper that made it sound for all the world that it was a foriegn film, and there is a sense in which that is true because the idea of living in a place where police helicopters are buzzing overhead all the time is beyond our experience. But even though films by African-American directors do not always manage to make it up this far into the Northland, I have made a point of checking them out when they are released on video and DVD. One of the main reasons is that directors like Spike Lee and John Singleton are making films that speaks to the African-American experience in America. This seems self-evident, but I have to tell you that very few movies have spoken to me directly about my life; I have identified with the television series "thirtysomething" and "Once and Again," at vastly different times in my life, more than anything else. But I can still appreciate the sense of purpose I almost always find in these films. We have all heard the alarming statistics about how many African-American children are raised in homes without a father and the devastaing impact that has had on generations of such children, and on one level "Antwone Fisher" is about one such child. This 2003 film begins with a dream in which Antwone walks into a room and finds his entire family gathered for a big meal. Then he wakes up on the U.S. Navy aircraft carrier on which he serves. The next thing we know Antwone is getting into fights if anybody says the wrong word to him. The captain hits him with a list of punishments and also requires him to see a therapist, Jerome Davenport (Denzel Washington), before the ship sails again. Antwone refuses to talk and in the tradition of "Good Will Hunting" Davenport waits him out. Eventually Antwone begins to tell his story and we learn of his horrific childhood. Antwone's father was murdered before he was born, which was in the prison where his mother was surving time. When we see him as a boy he is in a foster home where he is abused emotionally, physically, and sexually. All of his problems stem from what happened then and Davenport helps Antwone to put the pieces together. But the final part of the healing process is Davenport's insistance that he has to go and find his family, whatever there is left to be found, and confront the last of his demons. At this point we discover that everything in the first hour-and-a-half of "Antwone Fisher" has been mere prologue to the powerful series of scenes that conclude the film. The story behind this film is almost as impressive as the film itself. Fisher was a security guard at the Sony Studio when his screenplay was bought and Denzel Washington decided to make it in his first try at director. Then throw into the mix Derek Luke, a newcomer who was cast in the lead role and the end result is even more impressive. We are told at the end of the film that Fisher based the screenplay on his life but dramatized some of the scenes, which is always the case, though rarely admitted so boldly. Of course such a comment immediately makes your curious as to what was changed and why, but I quickly decided I did not care. That was because I liked the way the film ended and I do not care if it "true" or not because of the way it rings true, which is what matters most in film. What makes "Antwone Fisher" worth the seeing is the value it places on family, most notably by it absence, but also by the idea that it is out there if it you can find it.
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