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Wang has always shown a sure, caring hand when it comes to cross-generational angst (see Dim Sum: A Little Bit of Heart, The Joy Luck Club, Smoke). Here, he encourages Sarandon in a remarkably brave, exposed performance as an aging adventuress whose imagination continually outstrips her ability to make dreams come true, whose charm is both her ticket to ride and a dead end. Portman's pout of strained adolescent distaste soon wears thin, but when The Phantom Menace's kabuki princess momentarily thaws, she projects a lost child's terrible shock and confusion. Hollywood-sized and scripted by the numbers, Anywhere but Here lost ground to Tumbleweeds, a similarly themed but more nuanced indie (with Oscar-nominated Janet McTeer), and it can't hold a candle to Barbara Stanwyck's Stella Dallas (1937), top of the line in this particular genre. But for any daughter who's looked into her mother's face and--yikes!--seen a possible future, this trip's definitely worth taking. --Kathleen Murphy
There is really no story here, just a series of situations for mother and daughter to bicker over so we can be convinced how intense a love-hate relationship they have with one another. The characters spent the entire movie trying to confuse us as to which of them was more immature.
This is a classic example of how good acting cannot save a bad screenplay. Both Sarandon and Portman did an outstanding job of playing their characters. But each of them were playing characters that were so repellent that there was nowhere to turn for relief. Of the two, Portman evoked a sense of pity for poor Ann, who had to be stuck with such an obnoxious and putrid mother. Admittedly, I have to give Sarandon credit for doing such a fine job of making Adele so distasteful.
I rated this film a 3/10, despite fine performances by both leads. I just don't feel it is entertaining to spend two hours watching two puerile characters snipe at one another. I would only recommend this movie to women who had bad relationships with their mothers (probably a large demographic now that I think of it) for the obvious identification factor. Perhaps this film will make them feel a little better that they are not alone in their frustration and anger. For all others, I would suggest pushing bamboo under your fingernails as an attractive alternative to this torturous film.
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