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Arabesque (Bilingual) [Import]


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Frequently Bought Together

Arabesque (Bilingual) [Import] + Captain Newman MD (Sous-titres français) [Import] + Prize [Import]
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Product Details

  • Format: Dolby, Dubbed, Subtitled, Widescreen, NTSC, Import
  • Language: English
  • Subtitles: French, Spanish
  • Dubbed: French, Spanish
  • Subtitles for the Hearing Impaired: English
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Universal Studios
  • Release Date: April 5 2011
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (20 customer reviews)
  • ASIN: B004I1K066

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Customer Reviews

4.2 out of 5 stars
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Most helpful customer reviews

1 of 1 people found the following review helpful By E. A Solinas HALL OF FAMETOP 50 REVIEWER on Aug. 25 2011
Format: DVD
An arabesque is an artistic motif with repeating forms and patterns. It seems like the ideal title for the movie "Arabesque," a fun if repetitive little thriller about a professor thrown into international intrigue. The middle of this movie is light on plot, but there's plenty of action, romance, large machines, and a rather surprising twist at the end.

At the behest of an Arab prime minister, Prof. David Pollock (Gregory Peck) is sent to spy on a corrupt businessman named Beshraavi (Alan Badel). Beshraavi needs a mysterious cipher decoded, and he keeps David a prisoner while he works on it. What's more, he plans to kill the professor once he's done.

But David is able to escape with the help of Beshraavi's mistress, Yazmin (Sophia Loren) -- who turns out to have a secret agenda of her own. Now the professor must weave his way through enemies at every turn, along with the mystery woman he can't quite bring himself to trust. And if he doesn't decode the cipher in time, the entire world could be in jeopardy.

"Arabesque" is a movie that doesn't know what to do with its middle section -- it starts off strong, spends a long time spinning its wheels, only to rise up and blossom again in the last twenty minutes. But if "Arabesque" is not a strong political thriller, it's certainly an enjoyable popcorn movie.

The middle section of it isn't bad, just repetitive: scrabble for cipher, fight, follow, rinse, repeat. And they put in some... interesting padding to spice it up, such as a Big-Lipped Alligator Moment where a doped-up Peck meanders down a freeway, playing "matador" with the cars. That was a WEIRD scene.

So what does it have that's good?
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By Photoscribe on July 14 2003
Format: VHS Tape
This movie is ALMOST as good as its immediate predecessor with Grant and Hepburn. It's without a doubt Gregory Peck's best comedy, Roman Holiday or no. Stanley Donen again pairs two mega-stars who normally don't make movies together, (though in the case of Grant and Hepburn, they SHOULD have!) and produces good chemistry. Peck has great, clever lines and so does Loren in spots. However, there are a couple of scenes in the movie that keep me from giving it the full five or four star treatment.
This is a Peck, may he rest in peace, that you haven't seen before. His flippant, tossed-off lines suit the situations the writers have put his character in to a tee. He plays a professor reluctantly helping a slimy character, who KIDNAPS him to acquire his services, to decipher a piece of paper with a hieroglyphic inscription on it that a lot of people seem to be after. That hieroglyphic ISN'T exactly what concerns them, though!
Loren and the general intrigue, drag the poor man through being drugged out of his mind on a well-used freeway riding a bicycle, being abducted by yet more shady types, (a short-haired hipster and his gang), and evading armed arabs in a helicopter on horseback. Peck's character, however, dilutes any sympathy he'd get for all this by holding a knife to the exquisite Ms. Loren's throat early in the film! What's even weirder is that Loren SMILES at him after he does it since they were both trying to escape the mansion Loren was being held in. The whole thing was HER idea!
All the while, Peck throws out bon mots like there's no tomorrow, making you wonder why he didn't make more comedies, (Peter O'Toole, George Hamilton and Candice Bergen would make you think the same thing in breakout comedies THEY'VE made!
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Format: VHS Tape
Sophia Loren, one of the world's wonders, is excellent in this tale of espionage and mistaken identity. What I would give to have her trapped in my shower as she finds herself behind the curtain in college prof Gregory Peck's. Oh, what a lucky man!
Peck possesses his usual classic "cool" as his character and Loren's are forced to elude capture by evil Arabs bent on derailing a peace process. Alan Badel is elegantly evil as the head honcho behind the conspiracy.
And, contrary to an earlier reviewer, the memorable score was composed by American legend Henry Mancini. I know because I own a copy! Mancini's trademark use of subtle horns is highly effective in creating a feeling of doom during the tense moments. His rollicking themes utilized during the various "chase" sequences shows why he was an Academy Award winner.
Stanley Donan, know for directing the much-similar "Charade" starring Audrey Hepburn and Cary Grant, does an outstanding job at the helm of "Arabesque."
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By Antonio Arch on Feb. 14 2000
Format: VHS Tape
Fans of Maurice Binder's work will want to own this film on video. The opening sequence must have made the trip to the theatre worthwhile and I expect that many may be reminded of Binder's work on the James Bond Films when they see the opening titles of this film.
The other great aspect of this movie is its wonderful score, the work of the legendary John Barry. For years I was unable to find a recording of the soundtrack and am happy to hear that it has recently become available again.
The film itself is adequate, a fun romp through England with Peck and Loren and the two do actually manage a sort of polite chemistry, Perhaps not unforgettable, but still playful enough that you might enjoy the film. The film is typical of Donen and that period and perhaps tries to capitalise on Donen's past works and their success. He makes full use of Loren's sex-appeal, style and when not being perfectly set and photographed, she is allowed quite a sense of humour with the role. I was impressed by the whole package (the video package, not the Loren one, although both are impressive).
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