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5.0 out of 5 stars
Excellent and accurate, Jan 15 2009
Many movies and documentaries about Nazism fail because the their view of history is implausible. To really grasp the nature of Nazism, you need to understand why tens of millions of Germans found it appealing. This documentary does precisely that.
When we view Nazism today, we see nothing but violence and destruction. When many Germans looked at it in the 1930s, they saw a government interested in filling their lives with beautiful art, proud new buildings, and vigorous, healthy young people. In the broad sense, this is the "architecture" this documentary is discussing. For Nazism, German society was something to be built into a thing of beauty and strength.
William Shirer, a correspondent for CBS Radio, noted the last when he covered the German advance into France. The prisoners the Germans captured, he said, were pitiful specimens of young men--pale, weak and unfit for the physical demands of war. Doing the Depression, Britain and France did nothing to help their young men grow up healthy and strong. In contrast, the German soldiers were fit and tanned from an outdoor life.
But as this documentary shows, Nazism's obsession with beauty and strength had a dark side. Eugenics, an fad popular among progressive intellectuals in other countries, became a controlling principle in Germany. In 1933, the nation began to sterilize Germans it regarded as "unfit." In 1935, it legalized abortion for them. In 1939, it began a euthanasia program to rid the nation of those already born. It's hatred of Jews, Poles and Slavs was merely an extension of policies that had already been applied to the German people themselves. In fact, the mass murder of Jews used techniques, including gas chambers disguised as showers, that had been developed and refined for the euthanasia program.
I have only one criticism of this documentary. Throughout there is an attempt to portray Hitler as a third-rate artist. That's true, but the implication that no first-rate artist could be as evil as Hitler is false. Even Hitler's foes admitted that he was an extremely talented speaker. Talent in that area didn't keep him from being evil nor would have talent in art.
--Michael W. Perry, editor of Dachau Liberated : The Official Report
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1.0 out of 5 stars
Drink lots of coffee before watching this., July 2 2004
I am a student of third reich history and when I heard of the release of this film I managed to see it at an independent theatre. While there is a great deal of interesting documentary footage and fair analysis this has got to be about the dullest documentary I have ever seen. There is no style to the directing or editing. The narration is even worse. The good points are negated by the overall stale production. This is certainly not a film to even rent let alone purchase. (Unless you are an insomiac.)
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4.0 out of 5 stars
NAZISM AN ART? INTERESTING PREMISE, BOGGED BY MONOTONY, July 17 2003
Google lists nearly 200 films about Adolf Hitler, most of them documentaries such as Leni Riefenstahl's Triumph of the Will and Fuhrer: Rise of a Madman. The Architecture of Doom was perhaps the first to propose the notion that Hitler embraced the art of politics after failing as a painter, suggesting that Nazism was a reflection of the dictator's perverse aesthetic tastes. In its deconstruction of the Nazi movement, the movie is novel and shows an interesting, perhaps true, perspective. But what minor grouse I have is with the narrative, which is just shy of 2 hours or so and sports a frequent monotone of showing Nazi art. Yet, thankfully, it doesn't detract substantially from the intriguing perspective that Hitler's whole pet project was perhaps more of a dogged pursuit of an aesthetic. This documentary is definitely worth a watch if you are interested in the Third Reich in any way.
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