- Audio CD (April 1 2008)
- Number of Discs: 1
- Format: Original recording reissued
- Label: Harmonia Mundi
- ASIN: B0012OQZWK
- Amazon Bestsellers Rank: #39,920 in Music (See Top 100 in Music)
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Product Details |
Track Listings
| 1. Orfeo: Dall'amor più sventurato - Nicolo Porpora |
| 2. Idaspe: Ombra fedele anch'io - Riccardo Broschi |
| 3. Idaspe: Qual guerriero in campo armato - Riccardo Broschi |
| 4. Adriano in Siria: Mancare Dio mi sento - Gerolamo Giacomelli |
| 5. Concerto a quattro no 4 in C minor: 1st movement, Grave - Baldassare Galuppi |
| 6. Concerto a quattro no 4 in C minor: 2nd movement, Allegro - Baldassare Galuppi |
| 7. Concerto a quattro no 4 in C minor: 3rd movement, Andante - Baldassare Galuppi |
| 8. Polifemo: Oh volesser gli Dei... Dolci freschi aurette - Nicolo Porpora |
| 9. Artaserse: Or la nube procellosa - Johann Adolf Hasse |
| 10. Artaserse: Per questo dolce amplesso - Johann Adolf Hasse |
| 11. Merope: Quell' usignolo - Gerolamo Giacomelli |
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Customer Reviews
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4.8 out of 5 stars (4 customer reviews)
11 of 11 people found the following review helpful
5.0 out of 5 stars
Elusively gorgeous, May 3 2008
By MK - Published on Amazon.com
This review is from: Arias for Farinelli (Audio CD)
This recording has fascinated me ever since I first heard the original release in 2002. The music is hauntingly beautiful of course, but there is more to its spell. I remember one sumptuous August night when this album prompted my husband, whose own feelings toward Baroque opera are, well, lukewarm on a generous day, stop in his tracks and remark: `It sounds different in twilight. This music belongs to twilight time.' So true! There is something wondrously indefinite, even aloof, about this selection and this interpretation. Many have commented on the masculine hue of Vivica Genaux' voice on this album. I am not so sure. Her approach is not masculine or feminine or queer or whatever one might pick from the contemporary lexicon blandly intent on labelling everything. It does not fit into any of these categories. Baroque music does not either. It predates modern understandings of sensuality. It was explicitly written for sensuous pleasure, but it was not molded into a regime of truth that emerged much later. This recording creates an emotional atmosphere that is deeply concerned with beauty and pleasure and fundamentally unconcerned with core essences. There are other ways of performing this music--Cecilia Bartoli's hyper-feminine spectacle and intense commitment in `Opera Proibita' is as astounding, albeit in a different way. The selection here is more understated and more tightly stylized, and it is perhaps more hypnotizing as a result.This is an album to which to pause in your tracks and let the everyday deliquesce: to take pleasure in and learn from a different era.
1 of 1 people found the following review helpful
5.0 out of 5 stars
A leap forward in the castrato search, Nov 28 2010
By Rollo Tomassi - Published on Amazon.com
This review is from: Arias for Farinelli (Audio CD)
Two issues confront us here: 1) Is this a good album?, and, more controversially, 2) Does this sound like what Farinelli must have sounded like? The answers:1) Indubitably. As other reviewers have noted here, this recording is pure pleasure from beginning to end, as much for the wonderful accompaniment of Rene Jacobs and the Akademie fur Alte Musik Berlin as for Ms. Genaux herself.
2) In recent years I've greatly enjoyed the performances of various modern countertenors (Bowman, Chance, Daniels, Ragin, Scholl, Fouchecourt, et al. and Jacobs himself) in baroque castrato roles. But in an accompanying essay to this recording, Jacobs makes the case that countertenors can't cover these roles the way a good mezzo of a certain color and weight (such as Ms. Genaux) can. While I'm not 100% persuaded, recordings such as this have me leaning strongly in this direction. Genaux's combination of flexibility and power make it easy to imagine that, indeed, Farinelli may have sounded something like this. All the arias here are heavily ornamented, just as a bravura castrato would have done. The CD begins with two arias by Nicola Porpora, the Neapolitan composer and singing instructor of Farinelli (Carlo Broschi), that are the most beautiful on the disc. (Note to baroque conductors: MORE PORPORA OPERA RECORDINGS NOW. The Handel lode is nearly played out, and Porpora, Handel's competitor in London for a brief period, has many works which are almost if not equally as sublime.)
5.0 out of 5 stars
A unique voice, Feb 10 2010
By David W. Witter "tango man" - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: Arias for Farinelli (Audio CD)
I heard this lady live a few months ago, and decided I ** had ** to have one of her CDs. A totally unique voice -- almost "unisex", really belonging to another age. And she totally conquers the extremely difficult and ornate Baroque literature. Fascinating listening.
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