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on September 16, 2002
Where was this masterful book "Arranging Music For the Real World" when I needed it" As a young "road" musician, early in the stages of arranging, I used to ask reputable arrangers how they had become so knowledgeable and learned to write so well. Unequivocally they all gave the same answer, "I studied and analyzed scores of the 'Masters.'" The author of this excellent book, Vince Corozine, uses this unique concept (the basic principles of arranging and orchestration), as the basis of his book, showing how composers of the past used them and how they effectively may be used today to achieve a fresh contemporary sound. Mr. Corozine has fulfilled his goal admirably, with the inclusion of music of all genres: jazz, symphonic, pop, choral, Broadway, film, and television scores. Not only does he display samples of his own compositions and the "Masters," he demonstrates his works beautifully on a CD which comes with the book. If you feel your arrangements and compositions lack the excitement, tonal color and sophistication that you so desire, then this book is your answer. As a professional musician and music educator, I highly recommend "Arranging Music for the Real World."
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on June 22, 2002
I have to admit to some personal bias in posting this review. A few years ago, I commuted from my home in Hampton, Virginia, down to North Carolina to take some composition lessons with Vince Corozine. Vince showed me some preliminary chapters from a book he was working on and asked me to read and make some comments on what he had done. His goal was to discuss contemporary arranging techniques and compare those techniques with the compositional style of the great composers of the western European tradition. I have just finished reading the complete book for the first time and I think that Vince fulfilled his goal admirably. In addition to being a master composer/arranger and an inspiring teacher, Vince is also a warm and generous person. These traits are in full bloom in this book. Along with providing a wealth of information about arranging and composition, the tone of the book reflects Vince's joy of music making and his willingness to share his encyclopedic knowledge of the subject. I especially liked Chapter 6, A Brief Historical Survey of Orchestration, where Vince compares orchestration styles from the Baroque to the Impressionistic periods. Vince has included numerous examples from his own arrangements and original compositions, which reinforces the fact that this is no mere academic exercise. There are abundant musical examples in the text and an accompanying CD, which includes selections, most or all, arranged or composed by Vince. This book is sure to be a welcome addition to the literature , as both a manual of instruction and as a reference work in itself- a great contribution from one of America's outstanding composer/arrangers.
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on December 26, 2002
Corozine's text has been sorely needed by studying arrangers for quite some time; classical focused books have addressed instrument ranges and effects applicable to those specific instruments through orchestral literature, and commercial ones give little information on practical uses of specific techniques. Corozine's text not only covers these two areas, but also is careful to contrast different treatments of arranging the same music. The accompanying compact disc is very helpful in illustrating Corozine's points. In all, a book I wish I had while studying for my own master's degree in arranging in the mid 1990s. Well done!
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