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Art of the Bawdy Song

Baltimore Consort , Purcell; Aldridge; D'urfey Audio CD
4.5 out of 5 stars  See all reviews (11 customer reviews)
Price: CDN$ 20.46 & FREE Shipping on orders over CDN$ 25. Details
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1. Aniseed Robin
2. Cuckolds All A-Row
3. I Gave Her Cakes And I Gave Her Ale
4. Taking His Beer With Old Anacharsis
5. Fye, Nay, Prithee John
6. Cold And Raw
7. The Miller's Daughter
8. Will Said To His Mammy
9. The Old Fumbler
10. Walking In a Meadowe Greene
11. Celia Learning On The Spinnet
12. Tom the Taylor
13. My Lady's Coachman John
14. The Irish Jig Or The Night Ramble
15. Come Sirrah Jacke Hoe
16. Dainty Fine Aniseed Water
17. Most Men Do Love the Spanish Wine
18. Argreers
19. Gathering Peascods
20. My Lady And Her Maid
See all 33 tracks on this disc

Product Description

Product Description

Product Description

Pièces de Purcell, Weelkes, Blow, d'Urfey, etc. / The Baltimore Consort & The Merry Companions - date de sortie : 01/09/1998

Customer Reviews

4.5 out of 5 stars
4.5 out of 5 stars
Most helpful customer reviews
1 of 1 people found the following review helpful
4.0 out of 5 stars A sly and rollicksome good time! Nov. 29 2002
Format:Audio CD
On this recording, the Baltimore Consort and the Merry Companions are full of fun, both blatant and tongue-in-cheek. Soprano Custer La Rue and the instrumentalists of the Consort are joined by a quartet of classical male singers (Peter Becker, Alexander Blachly, Paul Shipper and James Weaver) with quite a theatrical sense of humor. The two groups take turns presenting ribald tavern songs of merry old England, interspersed by light, catchy instrumentals listed in the credits as the "Prelewd", the "Interlewd" and a "Fresh Ayre". Drinking, sex and other bodily functions are both celebrated and ridiculed in songs that are cleverly worded and enthusiastically sung, and in at least one case, accompanied by a mysterious instrument (reminiscent of P.D.Q. Bach) called a "fartophone". Especially amusing are the "catches" or rounds, and the new meanings that result from the staggering of words when several different verses are all sung together. It sounds silly, and is silly, but that's the point of it all--celebrating the "earthier flavor" of life 17th and 18th century England. My copy came with a parental advisory sticker stuck fast to the case, but my mother didn't seem overly concerned, and in fact enjoyed it too when I played it for her! For more fun Renaissance vocals, both salacious and serious, try "All At Once Well Met: English Madrigals" by the King's Singers, and "The King's Singers' Madrigal History Tour: Italy, England, France, Spain, Germany" by the King's Singers and the Consort of Musicke.
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1 of 2 people found the following review helpful
5.0 out of 5 stars Prelewd to Postlewd Feb. 16 2006
By FrKurt Messick HALL OF FAME TOP 500 REVIEWER
Format:Audio CD
The Baltimore Consort, an ensemble of six players, was founded in 1980 with the purpose of performing 'broken consort' pieces of Elizabethan origin. 'Broken' here refers to the instrumentation - treble viol/violin, flue/recorder, lute, cittern, bandore and bass viol. Their repertoire expanded beyond these beginnings to include broader British fare, as well as French and Italian music of the time. This is a happy expansion, as it made this disc of older, bawdy (for its time) music possible.
The Baltimore Consort play with life and vigour, with a good deal of improvisational flair, not being bound to texts and going through the production of notes as if mechanically. This is true to the spirit and nature of the early music, in which performers often had to 'play by ear', neither being able to read music nor having printed music even if they could. This is particularly true of the songs on this disc, where many are derivative of anonymous jokes and stories, and much of the music is likewise folk-tune and anonymously composed.
Some of the songs can be rather shocking. As Mary Anne Ballard writes in the accompanying notes, 'We must remember that in the days before indoor plumbing and pooper-scooper laws, everyday life was of an earthier flavour than it is today.... The men of the singing clubs and the ladies of stage poked fun at themselves and their companions with wit, pleasantry and contrivance.'
The names of many of the composers of these pieces have been lost to history, particularly the more folk-song oriented ones. However, some well-known composers are represented among the pieces here - Purcell, D'Urfey, Aldridge, and others.
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5.0 out of 5 stars Fun, good July 24 2011
By Curtis
Format:Audio CD|Verified Purchase
This is a good, fun recording of early music. I bought this copy to replace the one I lost in the divorce. Couldn't do without it.
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3.0 out of 5 stars Wonderful and awful in equal parts Dec 18 2001
Format:Audio CD
This is a great collection of songs,mostly taken from d'Urfey's "Pills to purge melancholy", along with some catches from Purcell etc included. It's hard to find the ideal recording of this sort of ribald stuff- it seems each recording has some flaws.
The Baltimore consort, with Custer La Rue as chief vocal have done an incredible job with this music. I never get tired of her lovely voice, and the life she brings to these songs. The instrumentals are fabulous (mixed consort settings on period instruments). Two of the best numbers are "cold and raw the wind did blow"...and "my thing is my own"- these typify the wonderful momentum and gorgeous musical phrasing they bring to the music- five stars for them.
Unfortunately, the album includes songs from a group of male vocalists who gathered together as "the merry companions". What a huge mistake. The inside of the program notes shows them gathered around some tankards of ale. I think they must have spent too much time drinking and no time at all thinking (or rehearsing). The vocals are brash and not well-tuned and for such lively content, they are sometimes sluggish too. They went for the "rugged tavern" sound at the expense of the music. If I were at a tavern or renaissance faire, and heard some drunken louts singing these catches, I'd love it- what wonderful fun! But this is a CD that I paid to listen to, and they should have rehearsed. I don't like to pay for this kind of impromptu junk- if D'Urfey and Purcell bothered to write it down and set it to notes, the performers should get it right and it should sound like music. Often they have chosen to set these in too low a register, or without instrumentals that might help lift up the sluggish character.
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Most recent customer reviews
5.0 out of 5 stars A delight for ear and mind
This style of music has always appealed to me. Having had the opportunity to perform in various groups that specialized in the music of this period, I thought that I had a pretty... Read more
Published on Nov. 26 2001 by Cervus Green
5.0 out of 5 stars Gorgeous melodies, scandalous lyrics!
From the opening instrumental this CD fills the listener's mind with images of sunny open fields, a busy Medieval or Renaissance city, or better yet, a popular corner pub complete... Read more
Published on Aug. 1 2001 by Rick Douglas Janssen
5.0 out of 5 stars Explicit lyrics????
The first (and maybe the only) record I have that has a sticker that says "parental advisory explicit lyrics". Read more
Published on July 31 2001 by Juan Pablo Pira
4.0 out of 5 stars Not for all tastes. . .
. . .but a really fun item nonetheless!
This charming CD is filled with beautiful music from the Elizabethan Age. Read more
Published on April 20 2001 by David Zampino
5.0 out of 5 stars Not for tender ears, but oh so much fun to listen to!
This album, "The Art of the Bawdy Song," is more in line with typical tavern music of the Renaissance. Read more
Published on Dec 20 2000 by Harold T Thomas
5.0 out of 5 stars What the Boys in the Back Room Will Have
I'm delighted to find this recording of some songs I learned many years ago but never, for obvious reasons, hear performed. Read more
Published on Feb. 6 2000 by Milt Fancher
3.0 out of 5 stars Good but not as boisterous as I had hoped.
I had hoped this CD would be filled with high spirited songs of mead-drinking debauchery, unfortunately, the songs they chose to record were a little too somber for my taste. Read more
Published on Nov. 15 1998
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