- Paperback: 254 pages
- Publisher: Univ Tennessee Press; 1 edition (Nov 12 1990)
- Language: English
- ISBN-10: 0870496700
- ISBN-13: 978-0870496707
- Product Dimensions: 23.4 x 15.4 x 1.3 cm
- Shipping Weight: 363 g
- Average Customer Review: 4.3 out of 5 stars See all reviews (3 customer reviews)
-
Amazon Bestsellers Rank:
#303,223 in Books (See Top 100 in Books)
- #51 in Books > Home & Garden > Crafts & Hobbies > Dye
|
||||||||||||||||||
|
||||||||||||||||||
|
||||||||||||||||||
| |||||||||||||||
Product Details |
Product Description
Book Description
"This is the most comprehensive manual written on natural dyes since the early 1800s. Jim Liles has rescued ancient skills from near-extinction and shared them in a book that will inspire, challenge, and guide the modern dyer."—Rita Buchanan, author of A Weaver's Garden, and editor of the new Brooklyn Botanic Gardens Handbook on Natural Dyes
" . . . a must for every dyer. The recipes are explicit and detailed as to success and failure."—Mary Frances Davidson
For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies. The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter. By 1915 few non-synthetics were used by industry or craftspeople. The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten.
In The Art and Craft of Natural Dyeing, J. N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes and a practical manual for using pre–synthetic era processes on all the natural fibers--cotton, linen, silk, and wool. A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group. Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat, troubleshoot, and achieve specific shades.
The book will appeal not only to beginning and veteran dyers but to students of restorations and reconstruction as well as to craftspeople--spinners, quilters, weavers, knitters, and other textile artists--interested in natural dyes for their beauty and historical authenticity.
The Author: J. N. Liles is professor of zoology at the University of Tennessee, Knoxville. He has taught at Arrowmont School and other regional craft schools and has exhibited his work at the Arrowmont School, the Southern Highland Handicraft Guild Folk Art Center, and the Carol Reece Museum.
" . . . a must for every dyer. The recipes are explicit and detailed as to success and failure."—Mary Frances Davidson
For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies. The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter. By 1915 few non-synthetics were used by industry or craftspeople. The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten.
In The Art and Craft of Natural Dyeing, J. N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes and a practical manual for using pre–synthetic era processes on all the natural fibers--cotton, linen, silk, and wool. A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group. Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat, troubleshoot, and achieve specific shades.
The book will appeal not only to beginning and veteran dyers but to students of restorations and reconstruction as well as to craftspeople--spinners, quilters, weavers, knitters, and other textile artists--interested in natural dyes for their beauty and historical authenticity.
The Author: J. N. Liles is professor of zoology at the University of Tennessee, Knoxville. He has taught at Arrowmont School and other regional craft schools and has exhibited his work at the Arrowmont School, the Southern Highland Handicraft Guild Folk Art Center, and the Carol Reece Museum.
Book Description
"This is the most comprehensive manual written on natural dyes since the early 1800s. Jim Liles has rescued ancient skills from near-extinction and shared them in a book that will inspire, challenge, and guide the modern dyer."—Rita Buchanan, author of A Weaver's Garden, and editor of the new Brooklyn Botanic Gardens Handbook on Natural Dyes
" . . . a must for every dyer. The recipes are explicit and detailed as to success and failure."—Mary Frances Davidson
For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies. The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter. By 1915 few non-synthetics were used by industry or craftspeople. The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten.
In The Art and Craft of Natural Dyeing, J. N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes and a practical manual for using pre–synthetic era processes on all the natural fibers--cotton, linen, silk, and wool. A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group. Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat, troubleshoot, and achieve specific shades.
The book will appeal not only to beginning and veteran dyers but to students of restorations and reconstruction as well as to craftspeople--spinners, quilters, weavers, knitters, and other textile artists--interested in natural dyes for their beauty and historical authenticity.
The Author: J. N. Liles is professor of zoology at the University of Tennessee, Knoxville. He has taught at Arrowmont School and other regional craft schools and has exhibited his work at the Arrowmont School, the Southern Highland Handicraft Guild Folk Art Center, and the Carol Reece Museum.
" . . . a must for every dyer. The recipes are explicit and detailed as to success and failure."—Mary Frances Davidson
For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies. The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter. By 1915 few non-synthetics were used by industry or craftspeople. The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten.
In The Art and Craft of Natural Dyeing, J. N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes and a practical manual for using pre–synthetic era processes on all the natural fibers--cotton, linen, silk, and wool. A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group. Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat, troubleshoot, and achieve specific shades.
The book will appeal not only to beginning and veteran dyers but to students of restorations and reconstruction as well as to craftspeople--spinners, quilters, weavers, knitters, and other textile artists--interested in natural dyes for their beauty and historical authenticity.
The Author: J. N. Liles is professor of zoology at the University of Tennessee, Knoxville. He has taught at Arrowmont School and other regional craft schools and has exhibited his work at the Arrowmont School, the Southern Highland Handicraft Guild Folk Art Center, and the Carol Reece Museum.
Tag this product(What's this?)Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organize and find favorite items. |
What Other Items Do Customers Buy After Viewing This Item?
Customer Reviews
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most helpful customer reviews
5 of 5 people found the following review helpful
5.0 out of 5 stars
Best Ever Book on Natural Dyeing!,
By Stine (Winnipeg, Canada) - See all my reviews
This review is from: Art Craft Natural Dyeing: Traditional Recipes Modern Use (Paperback)
I have read all the current and out-of-print books on natural dyeing that are available, and I have tried a large number of the "recipes". This is the only book I would recommend. The information is factual, as opposed to annecdotal--a fault most of the others suffer from--and you actually get the colours given, if you follow the steps accurately. It is definitely the best book if you are interested in the classic natural dyes, such as indigo and madder, and it is the only one I have found that gives you a good procedure for Turkey Red! If you use this book, you won't need any others (although they are fun to read!).
4 of 4 people found the following review helpful
5.0 out of 5 stars
astonishing work,
By Virginia (ny) - See all my reviews
This review is from: Art Craft Natural Dyeing: Traditional Recipes Modern Use (Paperback)
This is one of the most amazing books I have ever come across. The amount of information on this all but forgotton craft is astonishing, and a tribute to the dogged diligence of the author. As to the dye recipes, every color of the rainbow is brought forth - and the concoctions made solely from nature for producing them - including information on dyeing hard to dye cottons and linens. An amazing guide from this master of natural dyeing.
1 of 2 people found the following review helpful
3.0 out of 5 stars
The DISSERTATION on Natural Dyeing.... whew!,
By A Customer
This review is from: Art Craft Natural Dyeing: Traditional Recipes Modern Use (Paperback)
Although packed with a vast amount of information on natural dye history and formulas, this book reads like a dissertation. It's lengthy and exacting on all accounts. If preparing and using natural dyes sounds like something "fun" to do, this book may just leach all the excitement right out of you.
Share your thoughts with other customers: Create your own review
Want to see more reviews on this item?
|
|
Listmania!
Look for similar items by category
- Books > Engineering > Bioengineering > Biochemistry
- Books > Engineering > Chemical
- Books > Home & Garden > Crafts & Hobbies > Dye
- Books > Home & Garden > Crafts & Hobbies > Textile Arts
- Books > New & Used Textbooks > Engineering > Chemical Engineering
- Books > Professional & Technical > Engineering > Bioengineering > Biochemistry
- Books > Professional & Technical > Engineering > Chemical
- Books > Science > Chemistry
Look for similar items by subject
Feedback
Would you like to update product info or give feedback on images?
|
