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Product Details
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Negri then seeks to define artistic beauty in this new era, and this he does in terms of concepts that have become fundamental to his thinking - singularity, multitude, abstraction, collective work, event, the biopolitical, the common. Art is living labour, and therefore invention of singularity, of singular figures and objects. But this expressive act only achieves beauty when the signs and language through which it expresses itself turn themselves into community, when they are contained within a common project. The beautiful is not the act of imagining, but an imagination that has become action. Art, in this sense, is multitude.
Negri then seeks to define artistic beauty in this new era, and this he does in terms of concepts that have become fundamental to his thinking - singularity, multitude, abstraction, collective work, event, the biopolitical, the common. Art is living labour, and therefore invention of singularity, of singular figures and objects. But this expressive act only achieves beauty when the signs and language through which it expresses itself turn themselves into community, when they are contained within a common project. The beautiful is not the act of imagining, but an imagination that has become action. Art, in this sense, is multitude.
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Most helpful customer reviews
5.0 out of 5 stars
a great discussion of contemporary art theory,
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This review is from: Art and Multitude (Paperback)
Art & Multitude is a great book for anyone interested in contemporary art theory. It is pretty theory heavy, and rarely looks at the work of particular artists, focusing more on cultural and philosophical thought, so if you want a book that discusses individual works and artists this is probably not for you. However the theories can definitely be applied to almost any contemporary artists, especially those whose work looks at politics, economics or social dynamics.Despite its small size it's actually quite dense, and I was glad to see that I could get a lot of information from each fairly short chapter. As it mostly consists of letters that Antonio Negri wrote while in prison (he was a bit of a rebel, and definitely lived what he wrote about) it has a good mix of conversational and academic tone. A reading of Art & Multitude is furthered by, and to a certain extent might need, an understanding of some previous thinkers, such as Kant (especially his theory of the sublime), Heidegger (particularly his ontology) and Marx (who he focuses on quite extensively, addressing his political, social and economic thought). It might also be good to look at other writings by Negri to provide a context for this book, such as Empire, where he collaborated with Michael Hardt. He mentions the concept of "immaterial labour" numerous times in this book, and I'm not sure that I would have really understood the concept without having read Empire. Since this book is so short and dense the general social and philosophical context is very helpful, though you can still get a lot out of it without it.
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