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As You Like It Paperback – Jun 18 1998


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Product Details

  • Paperback: 96 pages
  • Publisher: Dover Publications (June 18 1998)
  • Language: English
  • ISBN-10: 0486404323
  • ISBN-13: 978-0486404325
  • Product Dimensions: 20.9 x 13.2 x 0.6 cm
  • Shipping Weight: 86 g
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: #128,288 in Books (See Top 100 in Books)
  • See Complete Table of Contents

Product Description

Review

An excellent introduction to Shakespeare for the junior reader.―The School Librarian --This text refers to an alternate Paperback edition.

Book Description

Like every other play in the series, As You Like It has been specially prepared to help all students in schools and colleges. This version aims to be different from other editions of the play. It invites you to bring the play to life in your classroom through enjoyable activities that will help increase your understanding. You are encourage to make up your own mind about the play, rather than have someone else's interpretation handed down to you. Whatever you do, remember that Shakespeare wrote his plays to be acted, watched and enjoyed. --This text refers to an out of print or unavailable edition of this title.

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Most helpful customer reviews

2 of 2 people found the following review helpful By Cry the Name on March 27 2002
Format: Mass Market Paperback
Whew...this story has an even faster plot turn about than Austen's Pride and Prejudice. If one is not careful, you--like me, may suffer "plausibility whiplash." That said, As You Like It is a delightful example of Shakespearean comedy. Jaques is one of my favorites from Shakespeare's stable of characters. Things get renewed, folks get married, fortunes are restored. Good Stuff. I must also mention how much I like these Signet Classic Shakespeare texts. They are darn fine (good intros, critical pieces, and source info) and dirt cheap.
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1 of 1 people found the following review helpful By Donald Mitchell #1 HALL OF FAMETOP 10 REVIEWER on Oct. 14 2001
Format: Audio Cassette
As You Like It has many qualities to attract readers and audiences. Rosalind is one of the great heroines of all romantic literature. The play has more outstanding speeches than almost any other that has ever been written. Astonishing plot complications are quickly resolved in the simplest possible way, reflecting a playwright's tour de force. The Forest of Arden appears as a character in creating a magical atmosphere whereby all perceptions change, and all are healed. Right wins out, especially in drawing on good character . . . even from formerly badly behaving people. And for those who love marriages, this book has one of the most impressive ceremonies of all time in literature. Humans have never looked nobler in the end than in this play. Yet the play also abounds with some of the greatest lines of Shakespeare's fools that cause all of us to see that humility is more called for than pride or ambition. Certainly, As You Like It will make you feel the presence of an unmatched genius, that should inspire even the most arrogant to feel humbled in the Bard's presence.
My recommendation is that you first see a performance (whether in person, or on a recording). If that's not possible, try for an audio. Many outstanding actors have been taped. After you have the sights and sounds of the play firmly in mind, then read the play. You'll find that your earlier experiences will unlock more of the play's depths, imagery and pleasures for you.
Where in life is being true to your word very important? How can you improve your life by being more reliable in this way?
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1 of 1 people found the following review helpful By darragh o'donoghue on July 5 2001
Format: Paperback
'As you like it' is one of those Shakespearean plays that is considered 'great' by critics, but never really found true popular acclaim, perhaps due to the absence of charismatic characters (the romantic hero is particularly wet) or compelling dilemmas.
It shares many features with the great comedies - the notion of the forest as a magic or transformative space away from tyrannical society ('A Midsummer night's dream'); the theme of unrequited love and gender switching from 'Twelfth night'; the exiled Duke and his playful daughter from 'The Tempest'. But these comparisons only point to 'AYLI''s comparative failure (as a reading experience anyway) - it lacks the magical sense of play of the first; the yearning melancholy of the second; or the elegiac complexity of the third.
It starts off brilliantly with a first act dominated by tyrants: an heir who neglects his younger brother, and a Duke who resents the popularity of his exiled brother's daughter (Rosalind). there is an eccentric wrestling sequence in which a callow youth (Orlando) overthrows a giant. Then the good characters are exiled to Arden searching for relatives and loved ones.
Theoretically, this should be good fun, and you can see why post-modernist critics enjoy it, with its courtiers arriving to civilise the forest in the language of contemporary explorers, and the gender fluidity and role-play; but, in truth, plot is minimal, with tiresomely pedantic 'wit' to the fore, especially when the melancholy scholar-courtier Jacques and Fool Touchstone are around, with the latter's travesties of classical learning presumably hilarious if you're an expert on Theocritus and the like.
As an English pastoral, 'AYLI' doesn't approach Sidney's 'Arcadia' - maybe it soars on stage. (Latham's Arden edition is as frustrating as ever, with scholarly cavilling creating a stumbling read, and an introduction which characteristically neuters everything that makes Shakespeare so exciting and challenging)
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1 of 1 people found the following review helpful By "fiammetta" on May 2 2000
Format: Mass Market Paperback
As You Like It boasts one of Shakespeare's most vivid, romantic, and just plain fun heroines, Rosalind. She breaks all the rules and then makes up her own; she fools her true love into wooing her while he is absolutely unaware of who she is.
Then there's Jaques. Melancholy, cynical, yet hysterical in his own way; pay special attention to his "All the world's a stage" speech at the end of Act III. And don't forget Touchstone, the fool...
I don't want to give the plot away. There are so many surprises, so many unexpected twists-- this is one of Shakespeare's more complicated (if not deeper) plays. If at all possible, try to see at least one performance of it. The one I most recently saw had the entire audience in stitches from the first act to the final, multiple weddings and all.
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By EA Solinas HALL OF FAMETOP 50 REVIEWER on May 2 2011
Format: Paperback
Out of all the great Shakespeare's plays, "As You Like It" is undoubtedly... the fluffiest. This is cotton candy. Fortunately, cotton candy isn't too bad as long as you don't eat too much of it. And while the ending is excessively tidy, "As You Like It" is a charming little play with the full array of Shakespearean tropes -- transvestitism, love triangles, and mass confusion.

Backstory: The cruel Duke has deposed his far nicer brother, and the ex-Duke has run off into the Forest of Arden. At the same time, a young man named Orlando has been cast out by his cruel brother Oliver.

Then the Duke decides to exile his niece Rosalind, despite the pleas of his daughter Celia. So Rosalind (disguised as a boy), Celia and the jester Touchstone run away into the Forest of Arden the following night, and soon encounter the exiled Duke and his followers. So does Orlando and his faithful servant Adam.

Because of a previous meeting, Rosalind and Orlando are already in love. But not only does he not recognize her, but because she's disguised as a boy she's attracted the amorous intentions of a local shepherdess. And to make matters even more complex, Touchstone is in a love triangle of his own, and Oliver has stumbled into Arden as well. Is everything going to end well?

The biggest problem with "As You Like It" is the fact that the ending is just a little too tidy -- while it's plausible that the romantic tangles would be smoothed out, there's an conveniently-timed twist that stretches believability to the point of snapping. Fortunately, the rest of it is a pleasantly fluffy little story filled with Shakespeare's sparkliest, sunniest storytelling.
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