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Joyce Maynard's memoir At Home in the World is an attempt to make peace with herself. At times, however, it's hard not to see it as an act of war--on her parents and, most notably, on J.D. Salinger. Maynard's account of her year-long relationship with the reclusive writer is the centerpiece of the book and the publicity pivot on which it turns. And how not? She first encountered Salinger when he wrote her a fan letter following her world-weary but not necessarily wordly wise New York Times Magazine cover piece, "An Eighteen Year Old Looks Back on Life." He was then 53 and, as Maynard paraphrases, wanted her "to know that I could be a real writer, if I would just look out for myself, as no other person is likely to." By the time she was 19, she was living with the increasingly controlling Salinger and doing her best to adhere to his regimens, from homeopathy at any price to a mostly macrobiotic diet heavy on frozen peas. (Lamb burgers, formed into patties and then frozen--before being cooked at a dysentery-friendly 150 degrees--also figure heavily.)
What's worse, he does his best to turn the hugely driven young woman into a mistrusting, publicity-shy prig, not to mention helping her perfect her already anorexic bent. Maynard is such a skilled writer that it's hard not to take her side as the relationship falters. In fact, even when it's going well, it's not easy to sympathize with a man whose idea of an endearment is, "I couldn't have made up a character of a girl I'd love better than you." But Maynard is as hard on her younger self as she is on the great man. Though she had published intimate essays since her early teens, and long been feted for her "honesty," it has taken the overachiever many years to realize that she had carefully left out her most personal burdens--her father's alcoholism, her mother's nighttime "snuggling" and overwhelming intrusions, the distance between her and her older sister.
Still, At Home in the World is more than a clearing-house for past parental and amorous wrongs. It's a cautionary tale about using language and the pretense of truth to obscure key realities. One of the many curiosities in this discomfiting book? Salinger dreamt that he and Maynard had a child together: "I saw her face clearly. Her name was Bint." The World War II veteran then looks up the word. "What do you know," he says. "It's archaic British, for little girl." Maynard never, even now, has questioned his definition. In fact, it's slang, used especially in World War II, for prostitute. When Salinger forced the 19-year-old to clear her things out of his New Hampshire house, she was still unaware of the word's force. "On the window of Jerry's bedroom, where the glass is dusty, I write, with my finger, the name of the child we had talked about: BINT." --Kerry Fried
Maynard, novelist (Baby Love; To Die For) essayist, columnist and Web-page chatteuse, was a freshman at Yale in April 1972 when the New York Times Magazine published her cover article, "An Eighteen Year Old Looks Back on Life." Of the hundreds of letters she received, one from the reclusive J.D. Salinger, then 53, praising her talent and warning her against the dangers of early success, struck a particular chord. Maynard quickly wrote back and, following a summer of letters, phone calls and visits to Cornish, N.H., she dropped out of Yale and moved in with him. Maynard's observant, straight-faced presentation of what are nonetheless often hilarious events chez Salinger has to be one of the shrewdest deflations of a literary reputation on record. What's plain and most damaging is the nature of Jerry's interest in Joyce, who looked about 11 and who arrived for her first visit in a dress almost identical to one she wore in first grade. Maynard poignantly describes her alienation and isolation, which Salinger reinforced before cruelly discarding her. Unable for legal reasons to quote Salinger's letters, Maynard nevertheless makes the reader see why his words so captivated her: "I fell in love with his voice on the page," she says. Once she moved in, however, Jerry began to sound like an aging Holden Caulfield, abrasive and contemptuous. Maynard takes too long setting up her family history pre-Salinger and far too long recounting her life since, inadvertently revealing why Salinger and others seem to have wearied of her. But her painstaking honesty about herself lends credence to her portrayal of Salinger as something worse than a cranky eccentric. This will be a hard story to ignore. First serial to Vanity Fair.
Copyright 1998 Reed Business Information, Inc.
Depressing. J.D. Salinger pictured as he no doubt really is - a self centered jerk who has inappropriate attractions to younger women. Hard to enjoy his writing after reading this. Read morePublished on Sept. 5 2004 by Harris Macklin
I heard about this book several years ago, and
did not expect to find myself reading it. I knew
of Joyce Maynard from her columns in "Parents",
which I... Read more
Does a person have a right to her own life story? Guess not. Strange as it must have seemed to the apparently unquenchable ego of the unsavory hermit who preyed on Joyce Maynard,... Read morePublished on Oct. 12 2003
During her freshman year at Yale in 1972, Joyce Maynard published a story in the Sunday New York Times Magazine called ``An Eighteen-Year-Old Looks Back on Life''. Read morePublished on Jan. 1 2003 by Allan Heydon
This is a don't miss, one of the best autobiographies of the last decade. Joyce Maynard's subject, here and elsewhere, is Joyce Maynard. Read morePublished on Dec 20 2001 by Richard B. Schwartz
In the style of Ms. Maynard, I will begin by writing lots of things about myself that can hardly be of interest to you. Read morePublished on Dec 7 2001 by Eric Krupin
I was prepared not to like "At Home in the World" because of the adverse publicity and bad reviews heaped on it. Read morePublished on Aug. 12 2001 by Ardeth Baxter