As a regular reader of speculative fiction, particularly of the progressive and surreal variety, somehow I have remained ignorant of Gregory Frost's unique work. Well, better late than never. Frost examines the dark side of the human condition with a sly surrealism that is so subtle that it becomes creepy and disarming. Even in his occasional comedy tales - like this volume's sly opener "The Girlfriends of Dorian Gray." This collection is a multi-genre powerhouse of Frost's best work, but keep in mind that genre exercises such as supernatural creatures, science fiction gadgets, and fantasy settings are just window dressing for Frost's main phenomena of interest. Great examples are "A Day in the Life of Justin Argento Morrel" in a which a stereotypical sci-fi spaceship is the setting for an incisive tale of madness and betrayal, "Collecting Dust" which looks at the disintegration of the American family via a family that is literally disintegrating, and "The Bus" which uses a rather cheeky evil vehicle to examine how society feeds off the unfortunate. Frost also deserves props for his unique takes on historical fiction, like "In the Sunken Museum" in which Edgar Allan Poe is driven to real madness in a museum based on own his tales of madness, and "From Hell Again" which is an offbeat look at the old mystery of Jack the Ripper. And finally, the apotheosis of Frost's mastery is the stupendous "Madonna of the Maquiladora" - a devastating critique of human suffering and exploitation - which combines science fiction, religion, and social commentary more effectively than any short story I've ever seen. [~doomsdayer520~]