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Review
“It’s the only horror story I’ve read recently that finds adequate metaphors for the self-destructive properties of anger.” (New York Times Book Review )
“...[I]nnovative, sharp, and absolutely chilling...” (Brian Keene, Bram Stoker Award winning author of Ghoul and Dead Sea )
...Combines a witches brew of toxic styles, mixing in bits of Stephen King, Lovecraft, Poe, and Peter Straub, then pours out a thoroughly nasty concoction all her own. (Madison County Herald )
“THE KEEPER is a brilliant debut, heralding the arrival of a major talent. This disturbing, spooky novel is written by someone who knows about dread, and imagery, and fear, and who knows that a good ghoststory needs soul.” (Tim Lebbon, author of DUSK and BERSERK )
“Sarah Langan’s debut novel THE KEEPER kept me up, late into the night. Do I bear her a grudge? Of course not! I’m hoping for a whole shelf of novels by Langan, and many other sleepless nights.” (Kelly Link, author of MAGIC FOR BEGINNERS )
“Assured...Langan’s characters come brilliantly to life...this is horror on a big scale, akin to the more ambitious work of Stephen King...this effective debut promises great things to come.” (Publishers Weekly )
“[THE KEEPER] will scare the heck out of you.” (4 stars! --Lindsay Hunter, OK! MAGAZINE )
“A beautiful, suspenseful novel... that sets out to do exactly what it should: scare the reader with a combination of well-crafted prose and page-turning velocity.” (Baltimore Sun )
“A genuine creepfest that recalls, in the best way possible, the early work of Stephen King….Langan has the control of a pro….this solid sophomore effort proves that the uncanny ability of The Keeper to burrow into readers’ heads and stay there was no fluke.” (Publishers Weekly (starred review) )
“...The new author on the block is definitely a keeper...” (-Edward Bryant, Locus )
“Langan’s idiosyncratic blending of supernatural horror and character-driven, psychological insight proves captivating and pleasurably bone-chilling.” (Booklist )
“[THE MISSING is] as engrossing as a dagger poised at one’s throat.” (J.C. Patterson )
“Sarah Langan is one of the bright new hopes of horror — and intelligent, literary, ambitious author capable of scaring the ever-loving crap out of her readers.” (Romantic Times BOOKclub )
“Believable characters, deft writing, and an intriguing take on the haunted–house tale.” (Romantic Times BOOKclub )
“[A] distinct and juicy flavor all its own. THE KEEPER begins what should be a very fruitful career.” (Peter Straub, New York Times bestselling author of IN THE NIGHT ROOM )
“Echoes of Stephen King resound throughout Ms Langan’s rich depiction of a mill town...the first fruits of a most promising career.” (Washington Times )
“A dark and bracingly bleak tale of supernatural terror. Its brooding atmosphere comes as much from the social and psychological as from the ghostly, and best of all, from the quality of the prose.” (Ramsey Campbell, author of SECRET STORY )
“Akin to the more ambitious work of Stephen King...this effective debut promises great things to come.” (Publishers Weekly )
“A subtle, bleak tone and well-drawn characters elevate this one above the pack.” (--Rue Morgue )
“Deft and disturbing, THE KEEPER twists expectations into surreal surprises. Sarah Langan’s tale of haunted lives and landscapes is hypnotic reading - an assured and impressive debut.” (Douglas E. Winter )
“...[I]nnovative, sharp, and absolutely chilling...” (Brian Keene, Bram Stoker Award winning author of Ghoul and Dead Sea )
...Combines a witches brew of toxic styles, mixing in bits of Stephen King, Lovecraft, Poe, and Peter Straub, then pours out a thoroughly nasty concoction all her own. (Madison County Herald )
“THE KEEPER is a brilliant debut, heralding the arrival of a major talent. This disturbing, spooky novel is written by someone who knows about dread, and imagery, and fear, and who knows that a good ghoststory needs soul.” (Tim Lebbon, author of DUSK and BERSERK )
“Sarah Langan’s debut novel THE KEEPER kept me up, late into the night. Do I bear her a grudge? Of course not! I’m hoping for a whole shelf of novels by Langan, and many other sleepless nights.” (Kelly Link, author of MAGIC FOR BEGINNERS )
“Assured...Langan’s characters come brilliantly to life...this is horror on a big scale, akin to the more ambitious work of Stephen King...this effective debut promises great things to come.” (Publishers Weekly )
“[THE KEEPER] will scare the heck out of you.” (4 stars! --Lindsay Hunter, OK! MAGAZINE )
“A beautiful, suspenseful novel... that sets out to do exactly what it should: scare the reader with a combination of well-crafted prose and page-turning velocity.” (Baltimore Sun )
“A genuine creepfest that recalls, in the best way possible, the early work of Stephen King….Langan has the control of a pro….this solid sophomore effort proves that the uncanny ability of The Keeper to burrow into readers’ heads and stay there was no fluke.” (Publishers Weekly (starred review) )
“...The new author on the block is definitely a keeper...” (-Edward Bryant, Locus )
“Langan’s idiosyncratic blending of supernatural horror and character-driven, psychological insight proves captivating and pleasurably bone-chilling.” (Booklist )
“[THE MISSING is] as engrossing as a dagger poised at one’s throat.” (J.C. Patterson )
“Sarah Langan is one of the bright new hopes of horror — and intelligent, literary, ambitious author capable of scaring the ever-loving crap out of her readers.” (Romantic Times BOOKclub )
“Believable characters, deft writing, and an intriguing take on the haunted–house tale.” (Romantic Times BOOKclub )
“[A] distinct and juicy flavor all its own. THE KEEPER begins what should be a very fruitful career.” (Peter Straub, New York Times bestselling author of IN THE NIGHT ROOM )
“Echoes of Stephen King resound throughout Ms Langan’s rich depiction of a mill town...the first fruits of a most promising career.” (Washington Times )
“A dark and bracingly bleak tale of supernatural terror. Its brooding atmosphere comes as much from the social and psychological as from the ghostly, and best of all, from the quality of the prose.” (Ramsey Campbell, author of SECRET STORY )
“Akin to the more ambitious work of Stephen King...this effective debut promises great things to come.” (Publishers Weekly )
“A subtle, bleak tone and well-drawn characters elevate this one above the pack.” (--Rue Morgue )
“Deft and disturbing, THE KEEPER twists expectations into surreal surprises. Sarah Langan’s tale of haunted lives and landscapes is hypnotic reading - an assured and impressive debut.” (Douglas E. Winter )
Product Description
Built on the Upper West Side, the elegant Breviary claims a regal history. But despite 14B's astonishingly low rental price, the recent tragedy within its walls has frightened away all potential tenants . . . except for Audrey Lucas.
No stranger to tragedy at thirty-two—a survivor of a fatherless childhood and a mother's hopeless dementia— Audrey is obsessively determined to make her own way in a city that often strangles the weak. But is it something otherworldly or Audrey's own increasing instability that's to blame for the dark visions that haunt her . . . and for the voice that demands that she build a door? A door it would be true madness to open . . .
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Customer Reviews
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Most helpful customer reviews
4.0 out of 5 stars
A modern take on the classice haunted house story,
By
This review is from: Audrey's Door (Mass Market Paperback)
Audrey Lucas has found the perfect New York apartment and, best of all, it can be had for a very un-New York price. This is especially good since she is currently living out of a hotel after having left her boyfriend. Of course, there is the possibility that unit 14B, the rent, and the building itself, known as the Breviary, are all too good to be true. For instance, the apartment could still be haunted by the ghosts of the five previous tenants--you know, the ones who died violent deaths.
Sarah Langan's most recent novel, Audrey's Door, is a haunted house story, one that readily acknowledges its roots to such classics of the genre as The Haunting of Hill House, Hell House, Rosemary's Baby and The Shining. Langan does so through plot and narrative, as well as with a brief intro listing those titles that most influenced her. Of course, to say that, as a reader, I was reminded of King, Jackson and Levine is no bad thing. It's like telling someone the meal they prepared reminds you of Christmas. It's meant as a compliment. Like all great haunted house stories, including the ones mentioned above, Audrey's Door is actually about a haunted character. As it is in The Shinning and Rosemary's Baby, the supernatural elements in Audrey's Door can often, if not always, be chalked up to Audrey Lucas's troubled mind. Audrey and her instability are so well drawn, in fact, that if the supernatural aspects of the novel were stripped away, we would still be left with a solid portrait of a damaged individual not unlike that described in Lamb's She's Come Undone or even--though to a lesser degree--French's The Women's Room. In many ways, Audrey Lucas reminded me most of Mo Hayder's character, Grey, from The Devil of Nanking. The strength of the characters in Audrey's Door is not limited to Audrey herself. Langan has created an engaging cast of supporting characters, each one well designed and developed, each one given their own arc. Audrey's boyfriend Saraub and boss Jill, in particular, are masterfully defined. In Jill's case, the reader goes from hatred to sympathy to dislike to respect and back again, from scene to scene. Saraub, as the main character's boyfriend, is given a far greater role than most horror writers tend to give a male protagonist's girlfriend. Audrey also has a madhouse's worth of odd neighbours. These people would make for a great sitcom if they weren't so disturbing. Think Seinfeld if Kramer had been a diminutive red-head and Newman an old lady wearing a moth-eaten evening gown and a mask of facial reconstruction. But in the end, every haunted house story must come back to the building and its history. With the Breviary, Langan has pulled out all the stops. This thing has it all, from a crazed architect to its role in a crazed cult and a history of crazed tenants. I pictured it as a cross between two of Manhattan's greatest architectural landmarks: The Dakota and the Ghostbusters firehouse. I apologize to the author if I was way off but, suffice to say, it worked for me. I absolutely loved The Keeper, Langan's first novel, and in Audrey's Door, she seems less self-conscious, more comfortable, more at ease. The imagery she conjures up in Audrey's Door is no less effective than it had been in The Keeper, but here it seems more effortless. The Keeper was the work of a brave, bold new voice in horror literature, Audrey's Door, by comparison, is the work of a true craftsman who's found her groove and is just a few steps from joining the ranks of the horror masters.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
3.8 out of 5 stars (62 customer reviews) 9 of 10 people found the following review helpful:
5.0 out of 5 stars
Very, very scary,
By Margaret Dybala "too many books, too little time" - Published on Amazon.com
This review is from: Audrey's Door (Mass Market Paperback)
Pre-release customer review from the Amazon Vine™ Program
Audrey's Door is an absolutely first rate novel of suspense and horror. It is so thrilling to discover a new favorite! I've always enjoyed writers like King and Straub, and thought that someone as good just wouldn't come along in my lifetime. This author may prove to be worthy of joining the list of excellent horror writers. Not since I first read Shirley Jackson's The Haunting of Hill House have I succumbed so totally to the mood of this genre.
The storyline? A young woman with a sad past and bright future finds a surprisingly low cost rental in Manhattan -- a beautiful building (and she is an architect) with an interesting history, a huge apartment with cathedral ceilings, stained glass windows, 50-foot hall way, and all for just $999 a month! What a steal! But wait! It seems that terrible things may have happened in that apartment rather recently, and in the building throughout its history. I guess that is a typical opening to many books of this genre -- but, trust me, in the hands of this artist, there are some interesting twists and turns in the story, and all the characters are drawn beautifully -- really filled in so that each one is a fully realized person in the story. I loved the main characters, with all their flaws -- Audrey, with her obsessive compulsive disorder and shame about her personal history, her wonderful boyfriend of India Indian heritage, her crazy mother, her boss... all of these are just great characters. I hope this book gets all the attention it deserves! I plan to take a weekend in the near future and read all of this author's books! 6 of 6 people found the following review helpful:
3.0 out of 5 stars
Horror?,
By Julie H. Rose - Published on Amazon.com
This review is from: Audrey's Door (Mass Market Paperback)
Pre-release customer review from the Amazon Vine™ Program
Sarah Langan is receiving much praise from fellow writers, judging from all the blurbs. That's fine; her writing is good.
I enjoyed "Audrey's Door" but not because it was a good horror story. If I were to judge it on that criteria alone, I would give it less than 3 stars. I never felt in the grips of anything approaching terror or even apprehension. Though this book is supposed to be about the haunting of an apartment building with an interesting past and architecture, the real haunting is that of the story's characters; Audrey's and her mother's OCD, her boyfriend's family issues, and her boss who has a dying child. The "horrors" of the building and it's past and present occupants felt like side issues. While the scenes of horror unfolded, I read, unmoved, and even somewhat confused. This criticism aside, in spite of a book that seems confused about what genre it is (or an author who hasn't grown enough to pull this thing off), Langan touches upon some meaty issues: mental illness, family attachments, growing up "different", coming to terms with one's past, and even "making friends". I rooted for Audrey to be strong, make friends, do well at work, and let herself commit to love. If all of this sounds like the stuff of a young adult book or "chick-lit", you'd be right on target. Not really my cup of tea, but good enough to keep me interested for Langan does a fine job with her character development. But, if you're looking for a gripping tale of horror, this is not it. 4 of 4 people found the following review helpful:
4.0 out of 5 stars
Great Buildup to an Abrupt and Unsatisfying Climax,
By Z. Fu - Published on Amazon.com
This review is from: Audrey's Door (Mass Market Paperback)
Audrey was a survivor. She survived her father's abandonment, mother's deteriorating psychological state and her own drug dependency. She came out of the other end with enough scars to last a lifetime: obsessive compulsive disorder, an inability to form healthy relationships with friends and co-workers, and frequent dreams/hallucinations/visions. She moved to NYC to complete her study of architecture, then started working her way up on the proverbial corporate ladder. Her visions intensified after moving to a supposedly bargain apartment in upper west side building with an ill history, Breviary. What follows is a story of a woman walking a fine line between total mental breakdown and bizarre supernatural encounters.
Sarah Langan took great care at molding characters, especially the neurotic protagonist and her perverse neighbors. She described Audrey's memories of her past, OCD and social inadequacy in great details. For a while, I even forgot that I was reading horror fiction. I simply wanted to find out more about the characters. Audrey's return trip to see her comatose mother in the second act is my favorite portion of the novel. That is not to say that Langan skimmed on mystery, suspense and chills. On the contrary, the story is full of dread and forebodings. It features many memorable skin crawling scenes. In one such scene, Audrey was making a business presentation to company's owners and senior management. She then "saw" the mysterious visitor from her last night's nightmare standing with his back facing her and persistently scratching the back wall. Audrey's Door is both great horror and character study until the end. The climax is a big let down. The world of the supernatural is the book's Achilles heel. Langan did not explain why Breviary necessarily intended to usher in dark forces if the building itself was already sentient, mad and evil. The connection between the supernatural and Audrey's and her mother's psychology is tenuous. It seems to this reader that Langan clobbered together the loose pieces so as to quickly wind down the story. It is odd considering this is her third "ghost" story. Other than that, the book is a fascinating look at troubled female psyche. |
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