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Augustus: A Novel [Paperback]

John Edward Williams
2.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

Nov 9 2004 Vintage
A brilliant and beautifully written novel in the tradition of Robert Graves’ I, Claudius, Augustus is a sweeping narrative that brings vividly to life a compelling cast of historical figures through their letters, dispatches, and memoirs.

A mere eighteen years of age when his uncle, Julius Caesar, is murdered, Octavius Caesar prematurely inherits rule of the Roman Republic. Surrounded by men who are jockeying for power–Cicero, Brutus, Cassius, and Mark Antony–young Octavius must work against the powerful Roman political machinations to claim his destiny as first Roman emperor. Sprung from meticulous research and the pen of a true poet, Augustus tells the story of one man’s dream to liberate a corrupt Rome from the fancy of the capriciously crooked and the wildly wealthy.

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Review

Augustus is a masterpiece.” –Los Angeles Times

“One is drawn deeply into a world whose complexity, luxury, political cynicism, public gullibility, and violence seem very much like our own.” –The New Yorker

“Williams has immersed himself in ancient history, its figures, its conflicts, its complicated intrigues and its often primitive turmoil. In his vivid panorama, The Golden Age sparkles with an eloquence, at times, approaching the poetic.” –The Plain Dealer

“Out of the events surrounding one of the pivotal moments in Western history . . . John Williams has fashioned an always engaging, psychologically convincing work of fiction.” –The New York Times

Augustus is a vividly imagined re-creation of classical Rome, but its intuitive grasp of the experience of immense power makes it an unusual, and superior, novel.” –The Boston Globe

“Novel or history, this is an excellent book. . . . a superior work of the imagination.” –Playboy

“It would be easy to over-praise this novel; but there does not seem any adequate reason why this temptation should be resisted, especially as Mr. Williams in his turn resists the obvious one of allowing irony too prominent a part in the proceedings.” –The Economist

“A pleasure to read. . . . A most polished performance.” –Boston Herald Traveler

“Strong and striking. . . . Intelligent and intuitive, this excellent historical novel makes the world of Ancient Rome a place in which we feel instantly at home.” –Publishers Weekly

“A novel of extraordinary range, yet of extraordinary minuteness, that manages never to sacrifice one quality for the other.” –The Financial Times

From the Back Cover

Augustus is a masterpiece.” –Los Angeles Times

“One is drawn deeply into a world whose complexity, luxury, political cynicism, public gullibility, and violence seem very much like our own.” –The New Yorker

“Williams has immersed himself in ancient history, its figures, its conflicts, its complicated intrigues and its often primitive turmoil. In his vivid panorama, The Golden Age sparkles with an eloquence, at times, approaching the poetic.” –The Plain Dealer

“Out of the events surrounding one of the pivotal moments in Western history . . . John Williams has fashioned an always engaging, psychologically convincing work of fiction.” –The New York Times

Augustus is a vividly imagined re-creation of classical Rome, but its intuitive grasp of the experience of immense power makes it an unusual, and superior, novel.” –The Boston Globe

“Novel or history, this is an excellent book. . . . a superior work of the imagination.” –Playboy

“It would be easy to over-praise this novel; but there does not seem any adequate reason why this temptation should be resisted, especially as Mr. Williams in his turn resists the obvious one of allowing irony too prominent a part in the proceedings.” –The Economist

“A pleasure to read. . . . A most polished performance.” –Boston Herald Traveler

“Strong and striking. . . . Intelligent and intuitive, this excellent historical novel makes the world of Ancient Rome a place in which we feel instantly at home.” –Publishers Weekly

“A novel of extraordinary range, yet of extraordinary minuteness, that manages never to sacrifice one quality for the other.” –The Financial Times

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2.0 out of 5 stars Well Researched but Disjointed April 29 2003
Format:Paperback
If you love Roman history, you'll love this book. It'll give you interesting and new details, as well as new perspectives from which to look at the history of the late Republic and early Roman Empire.

If you don't have any background in Roman history, however, this book may mystify you. It's extremely detailed and well-researched. There are some arguments that can be made about his using kid-gloves with Augustus regarding Cicero's death, the proscriptions, and a number of other dastardly deeds. These are never Augustus' fault, and if they are, well, they are what any of us would have done in his place the author seems to say. And Marc Antony is not just presented here as a loser, but also as a madman. Still, this is a book about Augustus written with great affection, so I don't find anything unnatural about the author choosing to interpret all events in his favor.

The story is written in non-chronological order in the form of letters and journal entries, from various perspectives. I personally felt that this made the story hard to follow. Moreover, because of this, it's almost impossible to get to know any of the characters particularly well as they must share the stage with so many others. If there is any character we get to know well, it is Julia, who all but steals the show. This is unfortunate because the one person we end up knowing the least is the subject of the book. Augustus.

When you close the book at the end of the night, you have learned a great deal, but you know little more about Augustus the person than before you started reading. And that's regrettable.

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Amazon.com: 4.6 out of 5 stars  31 reviews
72 of 73 people found the following review helpful
5.0 out of 5 stars Many Suffered From Close Contact with Augustus - But Not Readers of this Work Jan 28 2007
By Douglas S. Wood - Published on Amazon.com
Format:Paperback
John Edward Williams won the 1973 National Book Award for 'Augustus' and deservedly so. This amazing piece of literature masquerading as historical fiction (and I like historical fiction) draws the reader into the world of Gaius Octavius, later to be Augustus, first emperor of Rome.

Williams tells his tale by the unusual technique of presenting letters, journal entries, and memoirs. By this method he allows the reader to gradually enter, indeed become immersed in, the world of Augustus, his family, friends, enemies, and most important, his Rome. 'Augustus' traces his rise from the vulnerable adopted son of Julius Caesar through a steady accretion of power as he becomes first a triumvir (with Mark Antony and the nonentity Lepidus), and then settles in as emperor of the world.

The historical record for Augustus's life has gaps that challenge an author and Williams grasps the challenge deftly, just as Augustus grasped power. We see Augustus as an aloof, cold and calculating politician whose assiduous pursuit and cautious exercise of power allows him to hold that power for over four decades, but always using that power for Rome, always for Rome, his Rome.

Yet many people suffer from their close contact with this man - his equally calculating wife Livia, for one, his dear friends Maecenas and Salvidienus, to name two more, but none more so than his daughter Julia. The last third or so of the book focuses on the break between Augustus and Julia. Williams presents an interesting and shocking explanation for Julia's exile - at least an explanation that Augustus believes or claims to.

The penultimate chapter draws Augustus's life to a close with a lengthy letter to Nicolaus of Damascus in which a dying Augustus bemoans his fate and the weight of authority he has had to bear - it is really most unattractive for one of the most powerful men in history to indulge in such self-centered despair, but it also rings true because Augustus spent his life denying himself so many pleasures in order to hold on to power for the good of Rome, as he convinced himself. In the end, Augustus saw himself as the embodiment of Rome - anything that threatened his power, threatened Rome. This is so well done that one finds oneself becoming angry with Augustus, who is after all just a character in this brilliant work of historical fiction.

'Augustus' is not an easy read. Prior knowledge of the historical era certainly aids the enjoyment and comprehension of the book. Ultimately, however, this remarkable work of historical fiction and literature deserves the highest recommendation.
38 of 41 people found the following review helpful
4.0 out of 5 stars Brilliant conception with a plot that drags in places May 27 2005
By Charlton Griffin - Published on Amazon.com
Format:Paperback
For me, the greatest interest in this novel was the explanation of how Augustus came to power at such an early age. Like most educated people, I , too have read histories that cover this period in detail. And yet, descriptions of events that historians gloss over with one sentence statements are not really enlightening. Here's an example of such a description from a typical history book: "Augustus, using the power of his uncle's name and money, soon became a force to be reckoned with in Rome." Well, excuse me, but there is a lot left out of a statement like that. And history books are full of such examples. Precisely HOW could an eighteen year old kid persuade enough people to have confidence in him so that he could effectively challenge a military veteran and street fighter like Mark Antony? This is where John Williams shines. He gets into the interstices of history and demonstrates the human element at work in ways that can be understood. Step by step, we follow a callow youth as he becomes the most powerful man in the world.

The plot does tend toward some confusion as a result of the device of using correspondence to carry the story. This means that digressions in the plot must take place in order to make the letters, diaries, etc. seem realistic. However, once you're accustomed to this device, the story manages to maintain its own velocity...PROVIDED that you are interested enough and knowledgable enough about Octavian to want to know the kind of details that emerge. If you are like me, you are absolutely dying to know.
26 of 27 people found the following review helpful
4.0 out of 5 stars Good complement to "I, Claudius" May 3 2005
By Daniel Berger - Published on Amazon.com
Format:Paperback
This complements the better known "I, Claudius." Comparing the two has me wondering what's actually known about that era, and I will probably read more about it as a result.

Williams, for example, portrays Augustus' third wife Livia as maneuvering coldly and relentlessly, but within the bounds of propriety, to position her son Tiberius as Augustus' successor.

Graves, meanwhile, shows Livia in a darker light, responsible for numerous deaths in so doing while somehow maintaining her image of virtue. And he makes her the central character.

Williams does a better job than Graves at capturing Rome as Augustus found it - rotting and a republic in name only, controlled by a few families - and the Rome that Augustus fashioned, economically healthy, at peace, with the most powerful families held at bay, an orderly government that citizens of all classes could depend upon, and led by an emperor who himself led a plain life as a moral example. I didn't realize so many of the key names of Latin literature - Livy, Horace, Vergil - lived at that time and were intimates of Augustus.

"I, Claudius", seen through the eyes of Livia's grandson, perhaps does better at portraying the shocking and lurid decadence marking the beginning of the empire's decline. But "Augustus", starting earlier with Julius Caesar's assassination and Octavian's rise to power, does better with the broad sweep of Augustus' life and detailing this peak period of the Roman Empire, before the real decline began. It's more upbeat. Williams does a nice job using Julia to capture the tragic contradictions at the heart of the period.

The format, with the story being told through letters of various characters to each other, can be a bit disjointed. I think this is a product, however, of Williams' determination to cover all key events in Augustus' reign. It can be a bit tedious as many detailed non-fiction histories are, but Williams generally keeps the story moving. He has an interesting life and times to work with.
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