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Author Unknown: Tales of a Literary Detective [Paperback]

Don Foster
4.1 out of 5 stars  See all reviews (34 customer reviews)

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Book Description

Oct 1 2001
From the professor with an extraordinary gift for unmasking the authors of anonymous documents comes the inside story of how he solves his most challenging cases.

In Author Unknown, Don Foster reveals a starling fact: since no two people use language in precisely the same way, our identities are encoded in our own language, a kind of literary DNA. Combining traditional scholarship with modern technology, Foster has discovered how to unlock that code and, in the process, has invented an entire field of investigation--literary forensics--by which it becomes possible to catch anonymous authors as they ultimately betray their identities with their own words.

Foster's unique skills first came to light when a front-page New York Times article announced his discovery that a previously unattributed poem was written by Shakespeare. A few weeks later, Foster solved the mystery that had obsessed America for months when he identified Joe Klein as the author of Primary Colors. Foster also took on the case of an oddball California bag lady who many believed to be the elusive Thomas Pynchon. His contributions to the Unabomber case takes us inside the tangled mind of Ted Kaczynski. And, in the final chapter, Foster makes a surprising-and heartening-discovery about a beloved holiday icon.

As entertaining as it is eye opening, Author Unknown shows us how Don Foster uses his unusual methods to search out the hidden identities behind anonymous documents of all kinds. Anyone who reads this remarkable book will find it impossible to read-or write-in the same way as before.

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This fascinating book describes how an English professor became a detective, sort of. Don Foster still teaches literature at Vassar College, but he's recognized as an expert in attributional theory--the idea that everybody has literary fingerprints, or, as he puts it, "no two individuals write exactly the same way, using the same words in the same combinations, or with the same patterns of spelling and punctuation." Foster is now an expert at identifying anonymous authors. He fell into this line of work accidentally. As a graduate student who spent his days reading forgotten Elizabethan texts, Foster stumbled upon "A Funeral Elegy" by one "W.S." Through careful research, recounted in Author Unknown, he showed that it was, in fact, a long-lost poem of Shakespeare's. His claim was controversial; a chapter on this experience is as much a lesson in academic politics as attribution theory. "To propose an addition to the Shakespeare canon is like announcing that you've found a lost book of the Bible, due for inclusion in future editions," he writes. "History shows that it is usually the attributor who gets burned." For Foster, however, it became a launching pad.

In what is his most interesting chapter, Foster explains how he deduced Joe Klein was "Anonymous," the author of the bestselling book Primary Colors. He also became involved in the Unabomber case and a search for the identity of the mysterious novelist Thomas Pynchon. Foster is sometimes said to use computer programs to determine an author's identity, but this is only partly true: he employs searchable databases, and then conducts all of the comparative analysis himself. "Give anonymous offenders enough verbal rope and column inches, and they will hang themselves for you, every time," he writes. The first three chapters--focusing on Shakespeare, Klein, and the Unabomber--are the best part of the book; the rest of it, at times, feels like filler. Yet as a whole, Author Unknown is a compelling blend of autobiography, detective story, and literary analysis. --John J. Miller --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

HThe Elizabethan scholar from Vassar College who unmasked Joe Klein as the "Anonymous" who wrote Primary Colors now shakes up Yuletide verse with a reattribution of "A Visit from St. Nicholas." The selected cases of literary detection that lead up to this final surprise are the scholarly equivalent of FBI psychological profiler John Douglas's Mindhunter. Foster's textual forensics have put "A Funeral Elegy" by "W.S." into the Shakespeare canon and helped put Unabomber Ted Kaczynski in prison. His accounts of his high-profile roles in transatlantic Shakespearean squabbles and journalistic whodunits are both personable and page-turning. Whether it's because the statistical side of Foster's methodology is rather technical or that his critics have dismissed him as a "professor with a computer program," he mostly sticks to describing the fingerprints of word choice and telltale punctuation rather than lexical databases and verbal probabilities. In his case for a Scots-Dutch Revolutionary War major, Henry Livingston Jr., as the author of "A Visit from St. Nicholas" and against puritan Manhattan professor Clement Moore, to whom it is traditionally attributed, he argues from not only lively biographic inference but also such small, telling details as the adverbial use of "all" and the Scottish origins of "snug." While lexiphiles will enjoy such minutiae, any book lover can savor the irony of how an Elizabethan elegy eventually put a literary scholar on the trail of a serial murderer. (Nov. 7)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Most helpful customer reviews
5.0 out of 5 stars Fascinating! Mar 12 2004
Format:Hardcover
After reading the introduction, I was hooked. I knew I'd have to read the whole thing, no matter how tedious and technical it might be. Lucky for me, it was neither. With the exception of a sometimes dull first chapter, it was a lively and entertaining book.

Foster's "literary detection" began with his doctoral thesis. He found a poem he thought likely to have been written by Shakespeare. He comparing writing styles, specific words, references and other "internal evidence" to known Shakespearian works. With this, Foster was able to determine that yes, "A Funeral Elegy" was written by the Bard himself.

Due to the press he received by this announcement, he was contacted for his opinion on the anonymous author Primary Colors. Using the same methodology, he successfully pinpointed the author as Joe Klein--who denied it vehemently for some time before admitting his authorship.

In addition to these highly publicized cases, Foster writes about his un-used work on both Unabomber case and the Talking Points, his angering of some Thomas Poyner fans and the truth behind "Twas the Night Before Christmas."

This was an entertaining and enlightening book that I highly recommend. It's certainly the only non-fiction book I've ever stayed up late to read! I give it a 9.5 out of 10.

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4.0 out of 5 stars Literary detections makes good reading Jan 26 2004
Format:Hardcover
Don Foster is the guy who figured out who wrote Primary Colors, the anonymously published novel that satirized Bill Clinton's 1992 presidential campaign and for a time had all of Washington wondering who done it. Foster fingered Joe Klein as the culprit using a method he had first applied in his doctoral dissertation to "A Funeral Elegy," a 17th-century poem that was written by a certain "W.S." after the death by homicide of William Peter of Exeter. Foster determined that the W.S. in question was in fact William Shakespeare.

Foster's method of attributional detection involves examining the internal evidence of "questioned documents"--the vocabulary, orthography, spelling, and punctuation used by the author--and comparing his findings to the known writings of some finite number of likely suspects. Writers leave their marks on manuscripts unconsciously, Foster explains, as surely as gloveless burglars leave their fingerprints, their identities betrayed in their phrasing and word choice, in the body of authors whose styles they unwittingly emulate, in their commas and ampersands.

Foster's Shakespearian bombshell landed him on the front page of the New York Times early in 1996. His celebrity resulted in this mild-mannered English professor being called upon to apply his attributional techniques to a great many other cases, some of them headline-making, in which the authorship of an important document was in question. In his fascinating book Author Unknown Foster discusses six of the cases in which he has been involved, from his investigation of the Unabomber's literary produce after Ted Kaczynski's arrest, to a study of the Talking Points document Monica Lewinsky once handed Linda Tripp, to a debate about who really wrote "The Night Before Christmas." You think the man responsible for jollying up Saint Nick and transforming Christmas into a wretched holiday for the rapacious was Clement Clarke Moore, that birchen-rod-loving Biblical scholar who hated dance and song and noise and all things fun but wasn't above taking credit where it wasn't due? Think again.

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Format:Hardcover
Foster is a good writer and does a good job telling his "detective stories". Unfortunately, in 2002 Foster admitted that the main feather in his cap, his attribution of the "Funeral Elegy" to Shakespeare, was wrong; other Shakespeare scholars had demonstrated that it was almost certainly written by John Ford. Another widely touted "discovery" from this book, that Clement C. Moore plagiarized "A Visit From St. Nicholas", has been subject to fairly convincing counter-arguments by several writers, including Stephen Nissenbaum, that I haven't seen Foster respond to at length. Even before then I thought Foster's case against Moore was weak because most of it seemed to center on the argument that Moore wasn't the right type of personality to write the poem, rather than any strong textual evidence. What next, argue that Dr. Seuss couldn't have written any of the books attributed to him because he never had children? Foster seems like a sincere person, and he has a very innovative methodology, but you have to wonder whether being in the spotlight has led him to pick up some very sloppy research and scholarship habits. This is still a book worth looking at if you happen to find it in a library or bargain table, but make sure you have some grains of salt handy.
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Most recent customer reviews
4.0 out of 5 stars Thought-provoking, fun to read.
This was a fun book to read. It gave a general feel for what literary attribution is all about, which is why I got the book, but also kept me interested with its suspenseful... Read more
Published on Aug 12 2003 by Utah Jim
5.0 out of 5 stars "Quick, Watson, to the manuscript!"
One would think that a book by and about a literary detective would be about as exciting as sitting in a traffic jam waiting for the light to change, but Foster's sharp wit and... Read more
Published on Jan 3 2003 by David Group
4.0 out of 5 stars Scholarly suspense.
It catches you right at the start when the author is disputed. It reads like a novel bent on making the edge of your seat the only place that you want to be. READ THIS!!
Published on July 9 2002 by Menotyou
2.0 out of 5 stars Pettiness undercuts potentially fascinating content
I ordered two copies of this book, hoping to learn more about literary forensics, a science virtually invented by author Don Foster, but found the material tainted by the Foster's... Read more
Published on April 11 2002 by Ellen E Kennedy
5.0 out of 5 stars Excellent
This was an excellent book - well written, interesting, and funny. In the book, Foster does not come across as someone looking for notoriety, as the two reviews by jameson infer. Read more
Published on Nov 10 2001
5.0 out of 5 stars Who would have guessed it'd be a page-turner?
When I bought this book, I expected I'd find interesting reading on an arcane topic, but I was happily surprised to find just how interesting lexiconigraphical (I sure hope that's... Read more
Published on Nov 8 2001 by Denise Every
1.0 out of 5 stars Fake, fraud! But most witnesses are dead....
For the most part, Foster likes to discredit people who can't stand up and defend themselves. Shakespeare and Moore are, after all, DEAD. Read more
Published on Nov 1 2001 by jameson
1.0 out of 5 stars Charlatan
Short and simple - the man can match photos of two apples if the light is on - put him in the dark and ask him to do a bit of detective work and the man can't tell an apple from a... Read more
Published on Oct 31 2001 by jameson
4.0 out of 5 stars A Good Read Regardless
Author Unknown is Foster's account of his new-found status as an expert in literary attribution, that is, discovering who really wrote a document when the author is unknown or... Read more
Published on Sep 29 2001 by Douglas E. Welch
2.0 out of 5 stars Moore on Clement Clarke Moore (revised, more detail)
Give this poem back to Clement Clarke Moore! The book by Foster is missing the family connection between John Jay (grad. Read more
Published on July 9 2001
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