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Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood Paperback – May 8 2012


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Introduction * In the spirit of a textual historicity * David Lynch: the making of a post-classical auteur * Meanings and authorships in Dune * Critical theory and 'cruel jokes': principle of ethics and pleasure, and the reception of Blue Velvet * Twin Peaks: the rise and fall of a public auteur * Brand Lynch * Receiving Mulholland Dr.: 'a contemporary film noir directed by David Lynch' * Conclusion --This text refers to the Hardcover edition.

About the Author

Antony Todd is Senior Lecturer in Film Studies, London College of Communication, University of the Arts, London.

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