While I remembered this as an unalloyed masterpiece from seeing it in the theater on first release,
I had a few small problems re-seeing it 32 years later.
But, in the end, it is a remarkable film, featuring two amazing performances from Liv Ullman and
Ingrid Bergman as a mother and daughter desperately hashing out old wounds during a visit paid
by the mother, a famous pianist and cold perfectionist. Meanwhile her daughter has clung to old
hurts to the point of self-paralysis.
A moving testament to the need for forgiveness and growth.
But some of the peripheral story elements feel a bit tacked on, and to perhaps stack the deck too
easily to one side, particularly a sickly younger sister that Bergman's character can barely deal with.
It's a minor flaw, since the power of the key confrontations carries the film to the heights (and depths).
But I couldn't help wishing Bergman had trusted us a bit more to work out our own feelings about
two complex characters, as he did with the even more brilliant 'Scenes From a Marriage'.