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B Day

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B Day + Dangerously in Love + 4
Price For All Three: CDN$ 27.13

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Product Details

  • Audio CD (Sept. 5 2006)
  • Number of Discs: 1
  • Label: Sony Music Canada
  • ASIN: B000H0MKGA
  • In-Print Editions: Audio CD  |  LP Record
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Bestsellers Rank: #12,509 in Music (See Top 100 in Music)

1. Deju Vu
2. Get Me Bodied
3. Suga Mama
4. Upgrade U
5. Ring The Alarm
6. Kitty Kat
7. Freakum Dress
8. Green Light
9. Irreplaceable
10. Resentment

Product Description

Product Description

Beyonce is back with her second album, the all-star-produced B'Day. Guests include Jay-Z, T.I., and Ne-Yo. B'Day has plenty of featured artists and duets - as Beyonce's co-producers include Rich Harrison, The Neptunes and Swizz Beatz. B'Day's first single is "D‚ja vu" featuring Jay-Z and co-produced by Rodney Jerkins.


History may prove Beyoncé's B'Day to be a rare double-whammy of an achievement. Not only is it destined to hold up as one of the thumpingest, most polished-sounding discs of 2006, it's also bound to loose a new phrase into the popular lexicon: a "freekum dress" (n.), as described on a same-named track halfway through this excellent CD, is a "right-fittin'" garment owned by every woman; "when they act wrong, that's when you put it on." Linguistic hijinks aside, here is Beyoncé as the public rarely sees her: fully liberated and artistically fearless. "Ring the Alarm," a big-banging, fire-alarm-clanging wake-up call to a cheating man, finds her seething; "Kitty Kat," a feline-like size-up of a stale relationship helped along by the still innovative Neptunes, shows her spurned; the womanly, fire-in-the-belly come-on "Suga Mama" gets her way, way worked up; and the crackling, vocally volcanic "Resentment" steeps her in Aretha-caliber soul. For all the disc's solo trailblazing, though, where it really soars is on one of two duets with Jay-Z: While "Up Grade U" chugs along entertainingly enough about the good life ("I'm talkin' spa bags and fly pads and rooms at the Bloomberg"), opener "Deja Vu" blasts out a bomp-bomp beat nobody with a head to nod could resist. Cake, candles, and Cristal or no, B'Days rarely get this good. --Tammy La Gorce

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Customer Reviews

3.9 out of 5 stars

Most helpful customer reviews

5 of 6 people found the following review helpful By Reviewer on Sept. 6 2006
Format: Audio CD
Most disappointing album of 2006 so far. The warning sign was there, even before the album officially hit the streets. In the time leading up to its release, the album cover art was here on Amazon and I could only think: "Beyonce is easily one of the ten most naturally beautiful singers today...why put her on the cover sporting the same eerie expression as a blow-up doll?" (I don't think this was supposed to be intentionally experimental, like a Bjork album cover.) It would prove prophetic, since actually listening to the album confirms the worst: it SOUNDS just as synthetic and soulless, too. In essence, "B'Day" is the musical equivalent of a Jerry Bruckheimer-produced movie: Millions of dollars thrown into production without any ideas laid down as a foundation. And if the album has a musical cousin, it would be any one of the last few Michael Jackson albums, with the same, shrill feel to their songs. (Just remember the annoying "Scream" as point of reference.) It would have been enough at the very least for "B'Day" to repeat the formula that made "Dangerously in Love" successful. Maybe the bar was raised with the release of Christina Aguilera's "Back to Basics," an album that is light on its feet, bursting with life, and, above all, sexy and FUN. But then again...so was "Dangerously." Who sucked all the life out of the Beyonce of "Crazy in Love" and "Baby Boy" and replaced her here with a human jackhammer without an ounce of sublety or nuance? The plodding beats behind her are annoying enough (and present throughout) -- does she have to impersonate them, too? Beyonce has a VOICE, and she actually used it in "Dangerously." "B'Day" just turns it into another instrument and chops it up in the mix. Any song can serve as an example, but the worst and most tone-deaf is "Ring the Alarm.Read more ›
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By Jenny J.J.I. TOP 500 REVIEWER on June 23 2007
Format: Audio CD
When I heard `Déjà vu' on the radio repeatedly I still wasn't quite impress. But then I heard `Ring the Alarm' I had decided to check it out. B'Day is one of those rare albums that popular artists release that completely throw away all previous conceptions. Shedding her good girl image and reveling in angst and sexual provocateur, B proves that she's more relevant than ever. I do like this album but Beyonce borrows from a lot of people style (which she thinks is original) because `Déjà vu' is Teena Maire all day long. Moreover, you can tell she wrote `Upgrade U,' `Ring the Alarm' and `Freakum Dress' because they are not as sharp lyrical as the rest of the songs. If you are a true Beyonce fan you should know she writes her true feelings in her music. Although she is a quiet as kept type of person, Beyonce has few talents and also reveals much of herself through her music.

The Neptune's produced song `Kitty Kat' features Beyonce crying out for some lovin'. It has elements of Kelis, Marvin, and all the soul-singers, yet it's still fresh and original. On the slow jam `Irreplacable,' B sounds out on love lost and mistakes you shouldn't made. It's beautiful but still very funky. Another highlight includes the bizarre `Freakum Dress,' where Beyonce sings about enticing a stranger 'cos she ain't getting any from her man. All of this is done over the clammering Rich Harrison production. I really don't care about the amount (or quantity) of tracks that is place in an album as long as it shows some quality.

If I were to take a poll with 10 people, 7 out of 10 would prefer her freshman album rather than this one. I am very open minded to change and I embrace her new image which is sexy and physical. This album isn't bad but not fantastic.
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By Deinara on April 6 2007
Format: Audio CD
At the end of the production of the first release, I guess the fans clapped loud enough for her to return to the stage and do an encore...and what an encore it turned out to be...better than the actual show!!!

I really like the new material and, like most fans I am sure, wish it had been the in the original release...but I forgive her. The addition of "beautiful liar", "welcome to Hollywood", "still in love", and "flaws and all" add much needed variety to the mix,and more favorably showcase Beyonce's versatility.

I really like "welcome to Hollywood" and hope it becomes the next hit single. It was originally a song on Jay-Z's "Kingdom Come", with Jay rappin' and Bee doing the melodic hook for the song. When I heard she was going to put the song on the re-release and would be singing Jay's rap I was not sure I would like it. But as always, she did a fantastic job with the song, and it keeps its original integrity.

"Flaws and all" is a really lovely ballad. The song is very intimate and personal...Of the two new ballads on the album ("still in love" is the other) this one is my favorite.

The addition of the Spanish music CD is terrific! I was not sure how doing "Irreplaceable" and "Listen" in Spanish would sound, but her non-Latino fans will be just as delighted to hear them. My favorite song is this group is the duet "Amor Gitano" with Alejandro Fernandez. The song is a Telemundo network TV series theme. This powerful duet is very passionate, melodic and romantic.

The "haters" want to slam Beyonce for doing a re-release after putting out an original album, but Mariah Carey did the very same thing with her last album and she did not add as much new material as Bee, and didn't even wait three months before putting it out there!!
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