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BASIC WRTGS NIETZSCHE
 
 

BASIC WRTGS NIETZSCHE [Hardcover]

Friedrich Nietzsche
4.6 out of 5 stars  See all reviews (19 customer reviews)

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Hardcover, May 12 1977 --  
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Basic Writings of Nietzsche Basic Writings of Nietzsche 4.6 out of 5 stars (19)
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A better title for this book might be The Indispensable Writings of Nietzsche. Indeed, the six selections contained in Walter Kaufmann's volume are not only critical elements of Nietzsche's oeuvre, they are must-reads for any aspiring student of philosophy. Those coming to Nietzsche for the first time will be pleased to find three of his best-known works--The Birth of Tragedy, Beyond Good and Evil, and On the Genealogy of Morals--as well as a collection of 75 aphorisms drawn from Nietzsche's celebrated aphoristic work. In addition, there are two lesser known, but important, pieces in The Case of Wagner and Ecce Homo. Kaufmann's lucid and accurate translations have been the gold standard of Nietzsche scholarship since the 1950s, and this volume does not disappoint.

Anyone who has slogged their way through the swamps of German philosophical writing---in Kant or Hegel or Heidegger--will find Nietzsche a refreshing and exhilarating change. The selections are well chosen, and a cover-to-cover read will aptly depict Nietzsche's philosophy. In this volume the reader will find many of Nietzsche's polemical (and frequently misunderstood) ratiocinations on Christianity, Socrates, Germany, and art. Here, too, are his seminal and unforgettable critiques of Western morality ("That lambs dislike great birds of prey does not seem strange: only it gives no ground for reproaching these birds of prey for bearing off little lambs"). For philosophical fireworks, Nietzsche can hardly be matched. His brazen defiance of intellectualism's conventions still rings in contemporary thought because he practiced philosophy with a hammer. --Eric de Place --This text refers to the Paperback edition.

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Introduction by Peter Gay
Translated and edited by Walter Kaufmann
Commentary by Martin Heidegger, Albert Camus, and Gilles Deleuze
 
One hundred years after his death, Friedrich Nietzsche remains the most influential philosopher of the modern era. Basic Writings of Nietzsche gathers the complete texts of five of Nietzsche’s most important works, from his first book to his last: The Birth of Tragedy, Beyond Good and Evil, On the Genealogy of Morals, The Case of Wagner, and Ecce Homo. Edited and translated by the great Nietzsche scholar Walter Kaufmann, this volume also features seventy-five aphorisms, selections from Nietzsche’s correspondence, and variants from drafts for Ecce Homo. It is a definitive guide to the full range of Nietzsche’s thought.
 
Includes a Modern Library Reading Group Guide

--This text refers to the Paperback edition.

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Front Cover | Copyright | Table of Contents | Excerpt | Index
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4.6 out of 5 stars (19 customer reviews)
 
 
 
 
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8 of 9 people found the following review helpful:
5.0 out of 5 stars The meaning of Power, Feb 2 2004
By 
Milton P. Jones, Jr. (Huntsville, AL United States) - See all my reviews
There is a common view that Nietzsche was an atheist. He certainly encourages this view, but as Walter Kaufmann says, he commonly attacked what he valued. There is no doubt that Nietzsche opposed the Jewish and Christian Gods. He said he opposed the Jewish religion because it gave rise, in his view, to Christianity. The view of Paul Tillich that he opposed the god who deprives the individual of subjectivity is beyond much doubt. Kaufmann puts it in terms of Nietzsche's struggle for creativity. He opposed the god which is identified with natural law and causality. To understand this opposition one must understand the God whom Tillich says Nietzsche says must be destroyed, which is natural law, spacial relationships and most of all the mechanistic nature of causality. To understand this one must visualize the balance, the principal characterisktic of God in the Old Testament of the Bible. To grasp this takes more than a little doing. It is hidden in texts. If, however, you try a little experiment, you will be able to actually see the God whom Nietzsche thought had to be destroyed. Take a pencil and hold it at the center between your fingers and move one end up and the other down. Notice that if one end goes up the other goes down. This is IF and THEN; between them is the shaft of the pencil, which is AND. The movement of the pencil is a moving syllogism. It is the beginning of the infinity of causal relationships which Spinoza considers. It is also a lever, the fundamental machine, the basis of the mechanical nature of the universe. It is also the principal of economics; let yourself think of the balance for trade and you will see. Money on one side and goods on the other. If the fulcrum is in the center, the match is even; if the fulcrum is nearer one end, mechanical advantage and economic advantage can be seen and understood. It is also the principle of justice.
It is the breaking of the balance, the breaking of the visualized relationship between cause and effect which is the essence of Christianity. Nietzsche opposed Christianity not because it anulled visualizing the mechanical relationship between cause and effect, but rather because it changes the meaning of the word "meek" to be what it has come to mean in the expressionin "The meek shall enherit the earth" rather than the Old Testament meaning of "logical". Moses, the author of logic in the Bible was said to be the meekest man who ever lived. "Meek" in Judaism meant subordinate to God, not subordinate to other humans. God in the Old Testament shows himself in balance, so Moses is the lawgiver of logic, not humility before other men and his people before other peoples. Nietzsche says "Fight! Do not work" and he means create from nothing, do not move around things already created. "I love that which creates something greater than itself and dies," says Nietzsche. The human mind independent of the rule that governs the universe and not timid before others--this is what Nietzsche meens by "The Will to Power". It is also what Nietzsche means by "God is dead." As Kaufmann points out, it is more than the Protestant "invention" of the individual, it is the knowing self, aware of the governing power of the universe, creating in spite of this knowledge, refusing to be timid before other men whom Nietzsche calls the "Ubermench" or Superman.
The "Ubermench" KNOWS, but he and CREATES rather than simply moving about "dead ideas", he acts knowing that the LAW of the universe may destroy him. But the "Ubermench" will CREATE before he is destroyed by the world whose governing law he understands. The "Ubermench" is not an ignorant man not seeing the order of the universe, whose mind and spirit are where "Ignorant armies clash by night." Nietzsche knows that pain is part of his creativity. He accepts that pain. He knows that the mockery of the crowd who do not know as he knows may come, but he is willing to suffer that. If this interests you, see my review of Paul Tillich's "Courage to Be".

Historian Will Durant in his book "The Story of Philosophy" has a very different and unflattering view of Nietzsche. Durant thought Nietzsche was simply a neurotic who had nothing wrong with him which could not have been cured by the love of a good woman.

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Great Starter, Dec 24 2003
This book helped me understand the basic, elemental criticisms and beliefs of Nietzsche. It contained several of his works and allowed me to deeply understand other, more complex philological writings later on.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Jenseits von Gut und Bose, Oct 14 2002
By A Customer
This is very simply an extraordinary book. Some of Nietzsche's best writings are included in this book, all translated by Walter Kaufmann - Kaufmann being, of course, one of the greatest scholars of German literature (and Nietzsche in particular) of the twentieth century.

The translation seemed very good to me, and I've enjoyed Kaufmann's translations before - particularly his book "Goethe's Faust" is one of the best poetic translations I've ever read.

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