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Comment: used, like new !, comes from a private collection, all discs and case in mint condition, ships from Quebec in a yellow bubbled padded envelope , have a nice day ! Buy Canadian for fast, easy and reliable shipping ! Check out my feedback ! check out my other movies for sale ! comme neuf ! Viens d'une collection prive, envoyer du Quebec ! Bonne journee!
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4 out of 5 stars 17 customer reviews

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Product Details

  • Actors: Ray Milland, Maureen O'Sullivan, Charles Laughton, George Macready, Rita Johnson
  • Directors: John Farrow
  • Writers: Harold Goldman, Jonathan Latimer, Kenneth Fearing
  • Producers: Richard Maibaum
  • Format: Black & White, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Subtitled, NTSC
  • Language: English
  • Subtitles: French, Spanish
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • MPAA Rating: NR
  • Studio: Universal Studios Home Entertainment
  • Release Date: Jan. 15 2013
  • Run Time: 96 minutes
  • Average Customer Review: 4.0 out of 5 stars 17 customer reviews
  • ASIN: B00023P4FQ
  • Amazon Bestsellers Rank: #7,951 in DVD (See Top 100 in DVD)
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Product Description

Product Description

Just 24 hours ago his life was perfect. Oscar-winning Best Actor Ray Milland stars in this smart and stylish thriller based on Kenneth Fearing's novel and precursor to 1987's No Way Out starring Kevin Costner. Milland portrays hotshot crime magazine editor George Stroud, who inadvertently becomes the subject of a murder investigation after spending an evening with his boss' (Charles Laughton) mistress. She ends up dead and he is being framed by the actual killer. Meanwhile, at the publishing office, Stroud's competent staff scurries for clues while he finds himself in a race against the clock. It seems the prime suspect they are seeking matches an all-too-familiar description…his own! Maureen O'Sullivan and George Macready co-star in this richly told, often humorous story The New Yorker hailed as "slick and entertaining." Known for its intriguing film noir cinematography and featuring beautiful costumes by Edith Head, this is one suspense classic you won't want to miss.


What if you were asked to investigate a murder in which you were the prime suspect? From this seemingly impossible notion comes a grandly entertaining nail-biter. Charles Laughton plays the punctuality obsessed, slave-driving head of a publishing empire who won't let his crime magazine's star editor (Ray Milland) take a day off to spend with his family. The overworked Milland, having just upset a delayed honeymoon trip for the umpteenth time, goes on a sorrow-drowning, bar-hopping bender with a mysterious woman who, it turns out, is Laughton's mistress. Later that night after Milland has gone home, Laughton murders her, and the next day he assigns Milland to investigate, since a number of clues point to her having spent time with another man that night. Milland, then, must not only find the real murderer but sidetrack the investigation away from himself. That both characters are solving the crime in tandem yet unwittingly working toward pinning the murder on each other is at the heart of The Big Clock's labyrinthine brilliance. Helping bring out the dark humor in this adaptation of Kenneth Fearing's noir novel (included in the Library of America's Crime Novels collection) is Elsa Lanchester as a high-strung painter who can sketch the prime suspect (Milland), a time-bomb plot device that only adds to the already unbearable suspense. This is a taut, lean thriller, superbly handled by director John Farrow, who never fails to remind his audience through repeated use of clocks, timepieces, and watches that all too often in our lives that ticking sound is the enemy. This was remade in 1987 with Kevin Costner as No Way Out. --Robert Abele --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

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Top Customer Reviews

Format: VHS Tape
It is a real pleasure to rediscover obscure films from years ago which are still of interest today and "The Big Clock" (made in 1948) falls into this category and is well worth seeing again. At the start of this compelling thriller we find Ray Milland hiding in the "Big Clock" of the title wondering to himself how he ever got involved in murder and deception when he is just a hard working married man devoted to his family and career and completely innocent of any crime. As was usual in forties films at that time we now go into a lengthy flashback which explains everything. Ray Milland plays George Stroud who is the crime editor for "Crimeways Magazine" which specialises in solving real life crimes. Charles Laughton is Earl Janoth, head of the Janoth publishing empire which produces many successful magazines including "Crimeways". George accidentally meets up with Pauline York (Rita Johnson) in a bar unaware that she knows Janoth and is in fact his mistress - George spends the evening with her and goes back to her apartment. Unfortunately he is seen with the girl in several places quite publicly so when she is later found dead in her apartment Stroud finds himself falling under suspicion. Janoth forces Stroud to investigate the case but his personal involvement with the girl means that many witnesses can identify him as being with her on the night she was murdered. He has to use all his investigative skills to keep himself in the clear and track down the real murderer. Wife Georgette Stroud (Maureen O'Sullivan) is not very sympathetic as she is anxious to take the family on holiday (and plans to do so with or without George). Elsa Lanchester has a very good cameo role as Louise Patterson, an eccentric artist who plays a significant part in the unfolding drama.Read more ›
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Format: DVD
Paramount Pictures presents "THE BIG CLOCK" (9 April 1948) (95 min/B&W) (Fully Restored/Dolby Digitally Remastered) -- A woman has been murdered, and a witness has a description of a suspect leaving her apartment --- A magazine editor (Ray Milland) knows that he is the man that the witness saw - but he's innocent, and he must investigate the crime and pretend to search for the suspect --- He only has an hour to nail his boss, the real killer (Charles Laughton), before being identified himself --- Maureen O'Sullivan (Mrs. Farrow) helps him out, George Macready is Laughton's evil sidekick, and Elsa Lanchester turns up in a brief, but funny and marvelous bit part.

Milland's performance is great as he runs the spectrum of behavior from a sort of affable cockiness in the beginning, to severe anxiety as the suspense builds --- Charles Laughton is simply amazing as always --- His Janoth character is a detestable autocrat, yet his rakish behavior coupled with a vermouth dry sense of humor makes him the core delight of the film.

Under the production staff of:
John Farrow [Director]
Jonathan Latimer [Screenplay]
Kenneth Fearing [Novel]
Richard Maibaum [Producer]
Victor Young [Original Music]
Daniel L. Fapp [Cinematographer]
John F. Seitz [Director of Photography)
LeRoy Stone [Film Editor]
Roland Anderson [Art Director]
Hans Dreier [Art Director]
Albert Nozaki [Art Director]

1. John Farrow [aka: John N.B. Villiers-Farrow] [Director]
Date of Birth: 10 February 1904 - Sydney, New South Wales, Australia
Date of Death: 28 January 1963 - Beverly Hills, California

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Format: DVD
Happily married or would be if he was not a workaholic George Stroud (Ray Milland) works for a crime magazine publishing company. The megalomaniac owner and ironfisted controller of the magazine is Earl Janoth (Earl Janoth). Earl's mistress Pauline York (Rita Johnson) insults him one too many times and in a fit he dispatches her. Now who can he pin the dirty deed on? Sure the uppity George Stroud. To make matters worse it seems that Stroud, who tells his wife (Maureen O'Sullivan) he was working late, was actually seen as the unnamed man by several witnesses in the presence of Pauline.

Looks like it is curtains for Stroud. He just keeps getting in deeper and deeper. Time is getting scarcer as we watch "The Big Clock". I see no way out. Do You?

This black and white film based on a novel by Kenneth Fearing with screen play by Jonathan Latimer could have easily been a Hitchcock. You will want to own a copy to fine the nuances' mist the first time around.
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Format: DVD
"The Big Clock" is a brilliant labyrinth of dark humor and cyclical twists and turns - rather like riding a funhouse car into the murky blackness of uncertainty but with the nervous expectation that you are about to be frightened out of your mind. The film is a taut, lean thriller that presents a curious predicament for its hero, George Stroud (Ray Milland). He's a star reporter who is assigned to cover the murder of a mysterious woman by his punctually obsessed editor, Earl Janoth (Charles Laughton). There's just one little wrinkle that needs to be overcome; the overworked Stroud not only knows the woman in question but spent the night with her before she met with her untimely demise. There's also something else to consider; the woman was Janoth's mistress. Now the question arises for Stroud: how to accurately cover the scoop, report all the facts, expose the killer and keep his own name out of the proceedings. Both men are feverishly working to solve the crime, unwittingly culminating in accusations that will expose both their prior relationships with the corpse. Elsa Lanchester appears as Louise Patterson, the high-strung painter whose sketch of the prime suspect slowly begins to take on the figure of George Stroud. "The Big Clock" was remade in 1987 as the Kevin Costner thriller, "No Way Out".
THE TRANSFER: The gray scale is solid, deep and rich blacks and very smooth looking whites. There are instances where contrast levels appear somewhat low and fine detail seems slightly out of focus. Often there's a muddy quality to the image. Occasionally pixelization breaks apart the background information - but only briefly and usually between dissolves. There's also a minor hint of edge enhancement that is barely noticeable. The audio is mono but very nicely cleaned up. There are no extras.
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