Back to Black [Import]

 

 

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As for her voice: where does it come from, this extraordinary sound?
The music poures out of her, a stream of weathered, seasoned phrases, seemingly without effort, and mercifully without any of the ululating and over-emoting that blights so many performances in the soul-jazz field in which Winehouse operates.
For her, what matters is the quality of the notes, not the quantity.

Amy Winehouse is, of course, almost as famous for her behaviour as for her music; tabloid newspapers in recent months have been peppered with the striking visage of this north London Jewish girl, accompanying lurid reports of her latest night on the razz. But here, on this fantastic set, she'd done so in moderation, because she seemed focused and together.
"Back to Black", is a more soulful and stripped-down collection than her jazzier debut, "Frank". The influence of girl groups from the 1950s and early '60s is plain: plinky keyboards, parpy brass, trebly guitar.

Some excellent background vocals provides weight and depth, while she and her band do a brilliant job of recreating the big soulful sound conjured up in the studio by producer Mark Ronson.
In songs such as "Me & Mr Jones", "Back to Black", "Love is a Losing Game" and "Rehab", we may hear the sound of Phil Spector, of Muscle Shoals, of the Shirelles and the Supremes.

But this is no mere retro soul show: these are not pastiches, but real emotional journeys from a woman with real emotional experiences.
She is a standout talent with a nice line in bitchy put-downs and a wondrous voice reminiscent of Dinah Washington.
Even so, her second album has surpassed all expectations.
This is the best British soul album in absolutely ages, a complete package of lovingly recreated Motown/60s girl group sounds, caustic, often excruciatingly honest lyrics, great finger popping tunes and a voice that does sexy and smouldering and dismissive contempt with equal alacrity.

In U.K. Amy Winehouse has been a tabloid regular recently with tales of anoxeria, addiction, and drunken TV appearances, but she really should let her music speak for itself . . . especially when it's as good as this.

Her debut, "Frank", was sometimes stodgy and definitely over praised, but no praise is too high for this unashamedly retro, but beautifully observed and realised take on classic girl group pop and Motown soul.

The 11 songs all sound like great lost classics from the 60s, snappily written with a mix of bitterly caustic lyrics and finger popping tunes, then delivered in a voice that alternates sexy smouldering with dismissive contempt.

She started last year amid criticism from all corners over her dramatic weight loss and ended it heralded as the new queen of UK cool; with hair messier than a sleepover with Pete Doherty, a mouth like a drunken fish wife and an album swelling with the kind of lump-in-throat emotional soul last heard sometime in the late 70s, somewhere in Detroit

Hence it was somewhat of a surprise when it reared its sultry head again in 2006. With near genius production from hip pop mainstay Mark Ronson (who also had a finger in the tasty pie that was Lily Allen's debut), stomping, romping punk-rock-jazz was the order of the day as Ms Winehouse showed everyone what being a real lady is all about.

"Back to Black" is that rare thing: an album you can listen to from beginning to end, in order, over and over again - and find a new favourite every time.

Strutting, defiant she pokes the finger at past lovers demanding, sweetly, "What kind of f**kery is this?" (" Me & Mr Jones" ) and keeps us waiting four songs before the title track peaks - or plunges - into the crux of her theme. It begins with a pacing, pulsing piano chord before sinking into depression. "I died a hundred times...You go back to her, and I go back to...I go back to..."

Reluctant to accept defeat, resolution is deferred as the "I go back to..." refrain gathers strength until, beaten down to a whisper by the piano, she puts us out of our misery.

Back to...black. Yet, just when she seems ready to pack up her guitar and reach for the nearest bottle, drums kick in with the wistful, resigned "Love is A Losing Game", Winehouse's reworking of the archetypal 'getting over him' song. Piling metaphor on top of metaphor; she is relentlessly philosophical. Love is a losing hand, she declares; love is a fate resigned. Love - love is a losing game.

One criticism of the album is that it's too short. After packing 11 songs into just over 34 minutes of alcoholic, iconic crooning she bows out, presumably to go and "smoke [her] home grown".

The end result is a taut show reel that leaves us salivating, willing us to press play again - and move from the playfully titled last track 'Addicted' back into 'Rehab'. It's circular, compulsive. Were it not for the amount of bleeps needed - and the difficult of getting a song whose main refrain is "you smoke all my weed man" past the censors - each would be worthy of radio play, especially the motowny, doo woppish, "Me & Mr Jones".

Yet it's a little too introspective for the airwaves. Even the cover is dark. Where first album "Frank" pictured a grinning, pink clad Amy dragging a dog on a lead, this one shows her languid on a chair in an empty classroom, peering moodily out from between gothic fronds.

Well, it is called "Back to Black". Noticeably thinner (her shrinking frame has elicited mutterings of 'anorexia' from interviewers) and more angst-stricken, undercutting the powerful, almost masculine voice is a dissonant note of fragility - despite the bold reassurance of lines like "I'll battle till this bitter finale/Just me, my dignity and this guitar case." ("Some Unholy War").

Unlike "Frank", a bright-eyed newcomer surveying the musical landscape, Back to Black is a leap into the abyss of self-exploration. In contrast to her 2003 debut, there are no jazz standards covered and her writing credits appear on every track, oozing intimacy.

It works: we're poised on the edge of her cliffhanger. Let's just hope she doesn't fall off.

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4.0 out of 5 stars Black is Beautiful!
There is no doubt that Amy Winehouse had a gift in this genre of music. She made me relive a period & time of music that was so original. So much soul, blues... Read more

Published 8 days ago by C. Preston

5.0 out of 5 stars Poignant and Painful
Listening to "Back to Black" after Amy's death this past summer is difficult. When the cut "Rehab" begins, one feels anger almost, that Amy did not, in fact, go to rehab and... Read more

Published 2 months ago by Claudia Baker

5.0 out of 5 stars Back to Black: Deluxe Edition
Love...love...love it. Amy Winehouse was an incredible artist with an unique smoky, jazzy sound and her death is a tremendous loss to her fans.

Published 4 months ago by bart

5.0 out of 5 stars Excellent album
As surprising as it sounds, when Amy was still among us, I didn't have the chance to hear her once. I knew about her name, but never bothered listening to her music. Read more

Published 4 months ago by GuyT

4.0 out of 5 stars Amy
Fantastic voice and a great album. Her death is a total shame and one of the greatest losses of talent to the music world.

Published 6 months ago by Bluesman

5.0 out of 5 stars Does not get any better than this!
When I purchase the album over 2 years ago, I said to myslef that this artist & CD would not be remembered. I was completely wrong! One of my best purchase till this day. Read more

Published on Jan 30 2010 by Martine

5.0 out of 5 stars Fantastic! A Classic for sure!
Every single track is fabulous. Each one a masterpiece. The music has a 50's and 60's feel but the lyrics and style are bang up-to-date. Read more

Published on Jan 7 2010 by G. Barlow

5.0 out of 5 stars the real deal
I bought this CD after hearing a couple of very good Amy Winehouse songs on the radio. I loved this CD the first time I played it. Read more

Published on Dec 26 2009 by mocha

5.0 out of 5 stars The goods
Old school soul cooly mixed with jazz, rnb, pop and reggae vibes. Much different than her first record 'Frank' but more mature sounding. Read more

Published on Aug 17 2009 by Andrew Campbell

5.0 out of 5 stars Fantastic Listen!
Amy may be trainwreck, but her music is anything but. This is a great album. Every song is listenable, with a couple that are going to be classics. Read more

Published on Feb 18 2009 by Kevin Ogren

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