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In this 30th entry in one of mystery fiction's longest-running and best-loved series, Spenser--the tough yet sensitive Boston private eye with no first name--takes on an unsolved murder nearly three decades old. The client, an actress, is a friend of Paul Giacomin, Spenser's surrogate son (who first appeared in 1981's Early Autumn). Her mother was slain by leftist radicals at a bank holdup in 1974, and now she wants to know who fired the shot. As Spenser digs into the past, he soon learns that powerful people on both sides of the law want the case left alone--badly enough to kill.
These death threats provide a fine excuse for Hawk, Spenser's extremely scary (yet sensitive) bad-guy pal, to tag along in nearly every scene as bodyguard. The interaction of the two friends is one of this series's familiar pleasures, as is the presence of Susan Silverman, Spenser's longtime love interest. Another pleasure is Parker's stripped-down prose, a marvel of craftsmanship as smooth as 18-year-old Scotch. (Plus we get the first meeting between Spenser and Jesse Stone, hero of another Parker series.) Alas, the whole enterprise feels a little tired. The plot never generates much sustained suspense, and the author's adoration for his central characters renders them at times almost cartoonesque. Still, Back Story is excellently prepared comfort food, even if it isn't five-star cuisine. --Nicholas H. Allison
Spenser's respectable 30th outing (he debuted 30 years ago in The Godwulf Manuscript) finds the veteran Boston PI teaming briefly with Jesse Stone, the cop hero of a newer Parker series (Death in Paradise, etc.). The move works because Parker plays it low-key, presenting Stone as just one of many characters who cross Spenser's path as the PI-hired by a friend of his adoptive son, Paul, for the princely sum of six Krispy Kremes-digs into the 28-year-old murder of a woman during a bank robbery; the friend is the slain woman's daughter and wants closure. Before Spenser bumps into Stone, the top cop in Paradise, Mass., he connects the killing to the daughter of big time Boston mobster Sonny Karnofsky, an old foe. When Spenser won't back off, Karnofsky threatens Spenser's girlfriend, Susan, then orders a hit on the PI. Enter as protection longtime sidekick Hawk; other series vets make appearances too on Spenser's behalf, including cops Belsen and Quirk and shooter Vinnie Morris. An interesting new character, a Jewish FBI agent, also helps out. The repartee between Spenser and Hawk is fast and funny; the sentiment between Spenser and Susan and the musings about Spenser's code are only occasionally cloying; and there's a scattering of remarkable action scenes including a tense shootout in Harvard Stadium. Series fans will enjoy this mix of old and new, but the title kind of says it all: this series, probably the finest and most influential PI series since Chandler, could use some forward momentum.
Copyright 2003 Reed Business Information, Inc.
Each time I finish a Spenser novel, I feel I have had enough, perhaps for a long time. But then a few weeks later I am hungry for one again. Read morePublished 16 months ago by Len David Petry
You know a series is in a rut when the author can't even introduce a new dog into the mix! The trio of Spenser, Hawk and Susan is so overly familar at this point that a different... Read morePublished on July 9 2004 by Dangle's girl
Remember, summertime is coming and this is a good pool or beach book in the classic Robert Parker style. Easy to pick up and put down - it is a relaxing, non-stressful read.Published on April 12 2004
This was the first Parker book I ever read. I picked it up in an airport out of desperation when I had nothing left to read. Read morePublished on March 10 2004 by Bob Neubauer
If I could have given this story zero stars I would have. The story wasn't interesting and the characters were flat. Read morePublished on March 9 2004
Robert Parker continues to keep Spenser fresh, energetic and fun to read.
Thirtysome novels into the series, "Back Story" finds Spenser and Hawk looking into a twenty-eight... Read more
When one picks up a Spenser novel one used to expect clever dialogue, likeable characters and a good story line. Read morePublished on Dec 2 2003 by Rick Mitchell