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Back To Black


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Back To Black + 21 + Come Away with Me
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Product Details

  • Audio CD (Dec 12 2006)
  • Number of Discs: 1
  • Label: Universal Music Group
  • ASIN: B000KG5THI
  • In-Print Editions: Audio CD  |  LP Record  |  Blu-ray Audio
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (38 customer reviews)
  • Amazon Bestsellers Rank: #872 in Music (See Top 100 in Music)

Product Description

Ivor Novello Award Winner, Mercury Music Prize and Triple Brit Nominee Amy Winehouse, Follows the Release of her New Single "rehab" and Recent Sell-out Mini-uk Tour, with the Hugely Anticipated Release on October 30th of her New Album "back to Black". On "back to Black", the Follow-up to her Platinum Debut "frank" which Established her as One of the Most Exciting and Challenging Artists in Pop Music, Amy Confirms, Beyond Any Reasonable Or Unreasonable Doubt, What a Truly Remarkable Talent She Is.

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Customer Reviews

4.7 out of 5 stars
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Most helpful customer reviews

17 of 18 people found the following review helpful By Just in Miami on Dec 19 2006
Format: Audio CD
As for her voice: where does it come from, this extraordinary sound?
The music poures out of her, a stream of weathered, seasoned phrases, seemingly without effort, and mercifully without any of the ululating and over-emoting that blights so many performances in the soul-jazz field in which Winehouse operates.
For her, what matters is the quality of the notes, not the quantity.

Amy Winehouse is, of course, almost as famous for her behaviour as for her music; tabloid newspapers in recent months have been peppered with the striking visage of this north London Jewish girl, accompanying lurid reports of her latest night on the razz. But here, on this fantastic set, she'd done so in moderation, because she seemed focused and together.
"Back to Black", is a more soulful and stripped-down collection than her jazzier debut, "Frank". The influence of girl groups from the 1950s and early '60s is plain: plinky keyboards, parpy brass, trebly guitar.

Some excellent background vocals provides weight and depth, while she and her band do a brilliant job of recreating the big soulful sound conjured up in the studio by producer Mark Ronson.
In songs such as "Me & Mr Jones", "Back to Black", "Love is a Losing Game" and "Rehab", we may hear the sound of Phil Spector, of Muscle Shoals, of the Shirelles and the Supremes.

But this is no mere retro soul show: these are not pastiches, but real emotional journeys from a woman with real emotional experiences.
She is a standout talent with a nice line in bitchy put-downs and a wondrous voice reminiscent of Dinah Washington.
Even so, her second album has surpassed all expectations.
This is the best British soul album in absolutely ages, a complete package of lovingly recreated Motown/60s girl group sounds, caustic, often excruciatingly honest lyrics, great finger popping tunes and a voice that does sexy and smouldering and dismissive contempt with equal alacrity.
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5 of 5 people found the following review helpful By JB on Jan. 19 2007
Format: Audio CD
I just bought this album as I came across a sample of her stuff on a website. Love it. Can't wait to listen to Frank. I rarely write reviews, but I just love this album and love Amy's voice/style. I've been waiting for an artist/album like this. Not as impressed with some of the newer R&B/soul bluesy pop out there right now and find myself often listening to a lot of older jazz and R&B when I'm in the mood for that kind of style. A really interesting mix of influences comes through on this album - Dinah Washington, Aretha Franklin, 60s girl groups, and modern R&B. Just love it. Highly recommended! I particularly like the upbeat numbers - i.e. Rehab.
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13 of 14 people found the following review helpful By Adarsh Amin on Dec 19 2006
Format: Audio CD
"Back to Black" is that rare thing: an album you can listen to from beginning to end, in order, over and over again - and find a new favourite every time.

Strutting, defiant she pokes the finger at past lovers demanding, sweetly, "What kind of f**kery is this?" (" Me & Mr Jones" ) and keeps us waiting four songs before the title track peaks - or plunges - into the crux of her theme. It begins with a pacing, pulsing piano chord before sinking into depression. "I died a hundred times...You go back to her, and I go back to...I go back to..."

Reluctant to accept defeat, resolution is deferred as the "I go back to..." refrain gathers strength until, beaten down to a whisper by the piano, she puts us out of our misery.

Back to...black. Yet, just when she seems ready to pack up her guitar and reach for the nearest bottle, drums kick in with the wistful, resigned "Love is A Losing Game", Winehouse's reworking of the archetypal 'getting over him' song. Piling metaphor on top of metaphor; she is relentlessly philosophical. Love is a losing hand, she declares; love is a fate resigned. Love - love is a losing game.

One criticism of the album is that it's too short. After packing 11 songs into just over 34 minutes of alcoholic, iconic crooning she bows out, presumably to go and "smoke [her] home grown".

The end result is a taut show reel that leaves us salivating, willing us to press play again - and move from the playfully titled last track 'Addicted' back into 'Rehab'. It's circular, compulsive. Were it not for the amount of bleeps needed - and the difficult of getting a song whose main refrain is "you smoke all my weed man" past the censors - each would be worthy of radio play, especially the motowny, doo woppish, "Me & Mr Jones".
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10 of 11 people found the following review helpful By joemacktheknife on March 19 2007
Format: Audio CD
In U.K. Amy Winehouse has been a tabloid regular recently with tales of anoxeria, addiction, and drunken TV appearances, but she really should let her music speak for itself . . . especially when it's as good as this.

Her debut, "Frank", was sometimes stodgy and definitely over praised, but no praise is too high for this unashamedly retro, but beautifully observed and realised take on classic girl group pop and Motown soul.

The 11 songs all sound like great lost classics from the 60s, snappily written with a mix of bitterly caustic lyrics and finger popping tunes, then delivered in a voice that alternates sexy smouldering with dismissive contempt.

She started last year amid criticism from all corners over her dramatic weight loss and ended it heralded as the new queen of UK cool; with hair messier than a sleepover with Pete Doherty, a mouth like a drunken fish wife and an album swelling with the kind of lump-in-throat emotional soul last heard sometime in the late 70s, somewhere in Detroit

Hence it was somewhat of a surprise when it reared its sultry head again in 2006. With near genius production from hip pop mainstay Mark Ronson (who also had a finger in the tasty pie that was Lily Allen's debut), stomping, romping punk-rock-jazz was the order of the day as Ms Winehouse showed everyone what being a real lady is all about.
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