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Backwards & Forwards: A Technical Manual for Reading Plays Paperback – Jul 7 1983


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Product Details

  • Paperback: 104 pages
  • Publisher: Southern Illinois University Press; 1st Edition edition (July 7 1983)
  • Language: English
  • ISBN-10: 0809311100
  • ISBN-13: 978-0809311101
  • Product Dimensions: 14 x 1 x 21.6 cm
  • Shipping Weight: 136 g
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: #47,485 in Books (See Top 100 in Books)

Product Description

Review

<DIV>

“In fewer than 100 pages, this marvelously instructive book shows how to unlock the secrets of plot, character, theme, exposition, imagery, motivation, conflict, theatricality and pacing… Our editor says he learned more about dramatic structure in the few hours he spent with this 96-page book than he has in his 20-years of theater experience.”—Stage Directions

</DIV>

About the Author

<DIV><DIV>David Ball is Professor of playwriting, acting, theater history, and literature at Carnegie-Mellon University and Artistic Director, Pittsburgh Metropolitan Stage Company. He has published two plays, Assassin! and an adaptation of Woyzeck, and has written and directed more than one hundred plays in professional, academic, and community theaters.</div></DIV>


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2 of 2 people found the following review helpful By Mark S. Turvin on April 5 2001
Format: Paperback
I have used this book as the basis of several theatre and playwriting classes that I have taught. Ball's language is simple, though the words he creates to explain his theories, such as "trigger" and "heap" (a trigger is the moment when people's motivations are exposed, while a heap is the result of that action) make it it easy for any non-theatre person to grasp the clever concepts.
By having a person read a play backwards, Ball shows how to grasp the playwright's intentions, and the character's movements. It's a basic theatrical literary theatre that is surprisingly effective, especially in trying to teach young writers how to create a play.
I highly recommend this book to the theatre neophyte as well as the theatre professional.
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2 of 2 people found the following review helpful By T. Newton on May 18 2000
Format: Paperback
David Ball's Backwards and Forwards is a concise, to-the-point handbook useful to anyone involved in theatre. He, step-by-step, gives methods of analyzing a play, using Hamlet as an example. This is a very useful technique, whereas some books of lesser quality will give information with no examples of application.
As an aspiring director I found the content very helpful, rudimentary, and although at times basic, always insightful. A must-have.
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1 of 1 people found the following review helpful By D. L. Ehlers on March 5 2000
Format: Paperback
David Ball's book is a must-have for all students and professors of theatre. It demystifies the playwriting process and presents a simple, down-to-earth explanation of why a playscript works the way it does. In a word, it explains how scripts work. I find the deceptively simple explanations help the novices in my Introduction to Theatre classes understand how playscripts are put together and make a fun game of script analysis for these students--a concept that is often hard to communicate to Intro students. At the same time, it make so much sense that it becomes the cornerstone for Beginning Directing, Playwriting, and Script Analysis students. Students whom I teach using Ball's ideas always come through the semester with a lot of self-esteem because having such a solid cornerstone allows their creativity to take off in unexpected directions.
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1 of 1 people found the following review helpful By Jp Christy on Dec 25 1998
Format: Paperback
A friend who teachs drama and directing at a local college recommended this book to me after he'd read a script I'd written. Not only is it a fast and interesting read, it offers simple and sometimes brilliant techniques for understanding and evaluating plays, movies, and even books. Even if you never plan to act or write, this well-written little book will enhance your appreciation of good story-telling. And if you ever had to endure discussions of "Hamlet" in high-school or college, you'll likely be surprised by Ball's unique take on the character as an example of dramatic writing.
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