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Product Description
Product Description
This guide to playreading for students and practitioners of both theater and literature complements, rather then contradicts or repeats, traditional methods of literary analysis of scripts.
Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict, theatricality, and the other crucial parts of the superstructure of a play. He includes guides for discovering what the playwright considers the play’s most important elements, thus permitting interpretation based on the foundation of the play rather than its details.
Using Hamlet as illustration, Ball assures a familiar base for illustrating script-reading techniques as well as examples of the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards and Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.
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Most helpful customer reviews
5.0 out of 5 stars
A great book to teach the art of reading and writing a play,
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This review is from: Backwards & Forwards: A Technical Manual for Reading Plays (Paperback)
I have used this book as the basis of several theatre and playwriting classes that I have taught. Ball's language is simple, though the words he creates to explain his theories, such as "trigger" and "heap" (a trigger is the moment when people's motivations are exposed, while a heap is the result of that action) make it it easy for any non-theatre person to grasp the clever concepts. By having a person read a play backwards, Ball shows how to grasp the playwright's intentions, and the character's movements. It's a basic theatrical literary theatre that is surprisingly effective, especially in trying to teach young writers how to create a play. I highly recommend this book to the theatre neophyte as well as the theatre professional.
5.0 out of 5 stars
A Must-Have, Especially For Directors,
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This review is from: Backwards & Forwards: A Technical Manual for Reading Plays (Paperback)
David Ball's Backwards and Forwards is a concise, to-the-point handbook useful to anyone involved in theatre. He, step-by-step, gives methods of analyzing a play, using Hamlet as an example. This is a very useful technique, whereas some books of lesser quality will give information with no examples of application.As an aspiring director I found the content very helpful, rudimentary, and although at times basic, always insightful. A must-have.
5.0 out of 5 stars
Demystifying the Playwriting Process,
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This review is from: Backwards & Forwards: A Technical Manual for Reading Plays (Paperback)
David Ball's book is a must-have for all students and professors of theatre. It demystifies the playwriting process and presents a simple, down-to-earth explanation of why a playscript works the way it does. In a word, it explains how scripts work. I find the deceptively simple explanations help the novices in my Introduction to Theatre classes understand how playscripts are put together and make a fun game of script analysis for these students--a concept that is often hard to communicate to Intro students. At the same time, it make so much sense that it becomes the cornerstone for Beginning Directing, Playwriting, and Script Analysis students. Students whom I teach using Ball's ideas always come through the semester with a lot of self-esteem because having such a solid cornerstone allows their creativity to take off in unexpected directions.
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