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Bacon's Eye: Works on Paper Attributed to Francis Bacon from the Barry Joule Archive
 
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Bacon's Eye: Works on Paper Attributed to Francis Bacon from the Barry Joule Archive [Paperback]

John Hoole (Foreword), Georgia Mazower (Editor), Mark Sladen (Introduction)
5.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

During his lifetime, Francis Bacon maintained that he painted directly onto canvas without the benefit of preparatory studies. Since his death in 1992, however, several groups of works on paper have come to light, offering amazing new insights into Bacon's working methods and personal obsessions. "Bacon's Eye" showcases a unique collectiion of works on paper that were bundled up and given by the artist to his friend Barry Joule just prior to his death. This collection includes a remarkable album of 70 oil sketches that relate to his work from the '50s and '60s, as well as over 900 "working documents": images torn from books, magazines and newspapers that have been painted and sketched over, revealing an artist's-eye-view of some of the most important people and events of the 20th century. As of yet, these works have not been officially recognized as being by Bacon. Permission to to show these works alongside finished paintings was denied by the Bacon Estate. The gallery, 21 Publishing, and a host of Bacon experts firmly believe in the authenticity of these works. This book, along with an exhibition at the Barbican Gallery in London, are a means of allowing the public to judge for itself.

Edited by Georgia Mazower. Foreword by John Hoole. Introduction by Mark Sladen. Essay by Mark Sladen.

116 color and 6 b&w.
9.25 x 12 in.

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5.0 out of 5 stars Bacon's Eye-the closest focal point through his instincts, Mar 16 2003
This review is from: Bacon's Eye: Works on Paper Attributed to Francis Bacon from the Barry Joule Archive (Paperback)
This soft cover book is the best collection to date of Bacon's instinct's on photo's as "a record" for motion and emotion, which led, as far as I am concerned, to his "violent colours and form's" that produce an "incredible, emotional charge which is "an impressive sort of violence".People often speak of Bacon's work's as violent, but Bacon said himself that he never saw any violence(in terms of a negative, painful meaning) in his work's.Bacon did see a violent execution in Picasso's work's through colour and form.
Bacon did state his work's were positively charged with incredible emotion's through his colours and forms which might be veiwed as violent ,but in the positive.I also feel, as Bacon did, that word's diminish an artist's work's, so that is why I am qouting him so often from the book "Francis Bacon In conversation with Michel Archimbaud".Bacon's Eye is full of photo's, some of his early unseen work's, and his use of colour and form after veiwing the photo's in the book.There is also an interview with Barry Joule, a close friend of Bacon, at the end of the book.
Bacon gave Joule a thousand never seen work's on paper before his death.This book has only some of them, and I would love to see the remainder if ever published some day, but you will get a much indepth look at Bacon's work from the one's supplied.This book is not to be passed by if you want something rare and intimate of the artist.If you were to compare this book to the one other book featuring Bacon's drawing's, which name I can not recall right now, Bacon's Eye is ten times better.It also has different textured paper for the plates and the interview section.
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4 of 4 people found the following review helpful
5.0 out of 5 stars Bacon's Eye-the closest focal point through his instincts, Mar 16 2003
By frederick g hartman - Published on Amazon.com
This review is from: Bacon's Eye: Works on Paper Attributed to Francis Bacon from the Barry Joule Archive (Paperback)
This soft cover book is the best collection to date of Bacon's instinct's on photo's as "a record" for motion and emotion, which led, as far as I am concerned, to his "violent colours and form's" that produce an "incredible, emotional charge which is "an impressive sort of violence".People often speak of Bacon's work's as violent, but Bacon said himself that he never saw any violence(in terms of a negative, painful meaning) in his work's.Bacon did see a violent execution in Picasso's work's through colour and form.
Bacon did state his work's were positively charged with incredible emotion's through his colours and forms which might be veiwed as violent ,but in the positive.I also feel, as Bacon did, that word's diminish an artist's work's, so that is why I am qouting him so often from the book "Francis Bacon In conversation with Michel Archimbaud".Bacon's Eye is full of photo's, some of his early unseen work's, and his use of colour and form after veiwing the photo's in the book.There is also an interview with Barry Joule, a close friend of Bacon, at the end of the book.
Bacon gave Joule a thousand never seen work's on paper before his death.This book has only some of them, and I would love to see the remainder if ever published some day, but you will get a much indepth look at Bacon's work from the one's supplied.This book is not to be passed by if you want something rare and intimate of the artist.If you were to compare this book to the one other book featuring Bacon's drawing's, which name I can not recall right now, Bacon's Eye is ten times better.It also has different textured paper for the plates and the interview section.
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