Bad Blood: A Novel [Mass Market Paperback]

...and I've read every one, in order. "Bad Blood" combines all the aspects of a Fairstein novel: obscure New York history (sometimes it's too long and very boring; in this case, it was fascinating), a trip to Martha's Vineyard (mercifully short this time), a usually riveting mystery, and a cast of characters we've learned to love.

The book begins calmly enough with Alexandra Cooper prosecuting a very difficult case against a Johnnie Cochran-type defense attorney. The defendant, wealthy society-type Brendan Quillian, stands accused of murdering his wife, Amanda, by manual strangulation. Alex's case is very weak, much more than normal, even though she knows he did it, or hired somebody to do it. We accompany her to the courtroom for several tense, disappointing days--and then all hell breaks lose.

A dangerous explosion in New York's extensive "underground city" that houses Manhatta's entire supply of water (and here is where the fascinating factoids come in) may be an act of terrorism--or some sort of deadly vendetta among rival families who have worked these tunnels for generations. That is bad enough--but what is the connection between snotty Brendan Quillian and the gangs who work below the city? And how will it affect Alex's case?

The book zips through the tale with all the usual elements in place: danger, pathos, drama, and deep, dark secrets, until the denoument, where, for a heart-stopping minute or two, we think her long-time sidekick Mike Chapman might have been killed.

Great stuff. A perfect "beginning of summer" read.

The Hatfields and the McCoys have to take a backseat to the Quillians and the Hassetts, the two feuding families at the center of Linda Fairstein's latest novel. With her ensemble characters --- Assistant DA Alexandra "Alex" Cooper and NYPD detectives Mike Chapman and Mercer Wallace --- working with their supporting coterie, BAD BLOOD is a riveting and truly interesting read.

When Amanda Quillian is found brutally murdered, the team quickly comes to the conclusion that Amanda's husband, Brendan, hired a hitman to do the dirty deed. Brendan is arrested, indicted and defended at his trial by smart, suave Lem Howell. Before becoming a defense attorney, he mentored Alex in the District Attorney's office where they developed an ongoing affection and mutual respect. But when the sparks start to fly in the courtroom, the gloves come off and each fights mercilessly for their side --- that is, until Brendan grabs a court officer's gun and shoots her in the head. For a few moments the chaos becomes the cover Brendan needs to make a clean escape.

Alex, Chapman and Mercer lead the complex investigation into Amanda's murder, discovering who Quillian really is, where he could be hiding and who might be helping him. Their queries take them from Manhattan to the Bronx and then to a "big dig" deep underground in the center of Manhattan, where an old murder surfaces that leads to another related killing --- both of which are the underlying events for the hatred between the families.

The third-generation Irish workers on site are the descendants of their immigrant grandfathers who first descended into the black hole that would take them 60 feet down to a dark and dangerous workplace. They burrowed their way through bedrock and mud to build the subway systems, "gas mains, housing for electrical wiring, sewers and shafts of every variety --- as well as the two antiquated tunnels that have carried billions of gallons of fresh water daily, for almost a century, from upstate to the five boroughs...all built by a small cadre of construction workers known as sandhogs. They have not only created this underground kingdom but they are the only men ever to see most of it."

Fairstein came to writing after 25 years as the founder and head of the Sex Crimes Unit, which is still a linchpin in the workings of the NYPD. (Olivia Benson, the female lead in the long-running television series "Law and Order," is based on the author.) And in the same way that viewers of the show are witnesses to sex crimes, readers are informed by Alexandra Cooper (Fairstein's alter ego) that "most people don't treat victims of domestic abuse in the same manner" as other victims --- even now, in the 21st century. As a matter of fact, the subject of "intimate-partner violence" is a running theme in all of Fairstein's books. But have no fear; she writes only to inform, not to preach.

The architecture that holds Fairstein's stories together lies in her plots, her gift for creating likable characters, her ability to keep them fresh each time they appear, and her habit of shaping her tales with heady historical "trivia," which imbues her work with fascinating authority.

BAD BLOOD is not a perfect book. It flags in some places and strains credulity in others, yet the reader is kept wanting more. Fairstein does not write noir nor does she indulge in rock 'em sock 'em antics and cozies; rather, she presents a mystery, plus a team to work together as colleagues and friends in order to solve it. Her audience can count on being firmly and fully satisfied. BAD BLOOD is no exception.

--- Reviewed by Barbara Lipkien Gershenbaum.

This twisted tale of murder and revenge begins with a gripping courtroom scene, and if you've even been a trial lawyer, or a fan of Court TV, every word will ring true. Some scenes are set in the underworld of caverns, wells and tunnels of the "sandhogs" who built the NY water system, and the brotherhood which guards their secrets. The surprise ending involves a DNA twist that no one will ever guess!

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