Im one of those people who occasionally wonders about the moment of conception-and cultural motive for-the books that get written these days. What was it, for instance, that set off Barbara Gowdy to write The White Bone? What triggered Javier Cercass Soldiers of Salamis? With books as good as these two, wondering instantly transports you to the stratosphere of human imagination and moral proclivity. Such books come from a nexus of causes too complicated to parse without writing a book of ones own, and thus they stay with you, and become part of your own intellectual and moral cogitation.
And then there are the books that you get in a single roll of your eyes, because the motives behind them are transparently entrepreneurial and mercantile: books like In Bad Taste? The Adventures and Science Behind Food Delicacies. Here is a book almost certainly occasioned by a novelty news story about an ultra-pricey Indonesian coffee that has to be collected from the scat of the palm civet, which are animals renowned for having the skankiest behinds in the animal universe this side of the baboon family. The book project was almost certainly conceived by the marketing department of the publisher, and it takes only the lightest touch of malice to script the in-house dialogue between senior and junior flak that led to its commissioning. It likely began, glancingly, in the vicinity of the coffee room, thus:
Did you read that item in the paper this morning about this coffee called Kopi Luwak?
No. Whats special about Kopi Luwak?
Well, its about $600 a pound, for one thing. And for another they make it from some sort of cat shit in the Far East.
Coffee from cat shit? Thats truly gross.
Yeah, really. Worse than eating deep fried bugs, or whatever.
Then, scene II: twenty minutes later:
Ive been thinking about this cat shit coffee. Maybe we can get a book out of it. I mean, whoa, just think about all the Foodies running around these days with that disposable income. Theres got to be a market for a book about all the weird and gross food around the world and how it gets to our tables.
Who would know anything about that in this country?
Well, they do a lot of cutting edge stuff on food production up at the University of Guelph. And didnt I see some guy from there on television recently with Jay Ingram? Why dont you make a few calls and see if theyve got anyone with the expertise and the right sense of adventure. Make sure he has his own travel budget, though. Meanwhile Ill assign a research for a day or two, and well see what she can find.
The find turned out to be Dr. Massimo Francesco Marcone, who is a former University of Guelph technician and now adjunct professor (it means part-time) and Ph.D noted by the universitys website as a co-investigator of biodegradable soy-polymer delivery systems for slow release of micronutrients and biologically active compounds.
Now, I really dont know much about Dr. Massimo Francesco Marcone because as an adjunct professor the universitys website doesnt bother to list him or his credentials. Hes done some on-camera work for Discovery Canada, and Jay Ingram, the Discovery host, enthusiastically endorsed the book. So did one of the TV shopping bags, Anna Wallner, along with several other media figures who arent famous for their reading habits. I havent seen Dr. Massimo perform on television, so I cant comment on his performance abilities. Nor, as a layman, can I offer expert testimony on his science, except to note that although he seems to have a fairly hard time distinguishing between scientific fact and belabouring the obvious, whenever he actually gets down to offering serious analysis of matters scientific, hes pretty interesting.
That said, Im always a little suspicious of non-medical doctors who insist on the honorific, and I harbour similar suspicions about people who have long names that they insist on others knowing all about. It seems to me in both cases that this constitutes pumping oneself up in public, and one should thus be on the lookout for either a too-volatile ego in the vicinity, and/or a shortage of substance being covered up.
Not that we should all have names like Sting or Shakira or live by the aw shucks code, but Im sure you get what Im driving at. And really, I have no strong opinion as to whether the former applies to Dr. Massimo. My counter-suspicion is that he is, in his frantic way, a likeable character I just dont want to hang out with personally. What I can say with a little bit of authority is that Dr. Massimo writes the most overexcited prose Ive read in many moons, and that it is a problem. In fact, his prose style is so over-the-top that its worth taking apart a couple of passages from the book-which Ill chose more or less at random-to see whats going on.
Lets start with this one, drawn from a passage where hes traveling with an Australian coffee entrepreneur and a couple of German journalists to see where and how Kopi Luwak coffee is produced:
Water and mud flowed down from the hillside, making it even more difficult to see where the debris ended and the road started. We kept edging father over to the right, until I could see that our wheels were just inches from going over the escarpment. I nervously shouted out to Albert to be careful, lest we go over the side and plunge to our deaths in the darkness of the night. Albert, in a nervous but controlled voice, told me not to look as he had everything under control. He informed me that as a ships captain he was prepared for every eventuality and that this would be no different just because we were on dry ground. Albert was confident-I was anything but!
Slowly we moved further head, my heart pounding all the more as I waited for us to roll off the side of the escarpment. Finally, our wheels spun faster and we were catapulted forward, clear of the rocks, mud, trees, and other assorted things that tumbled down into the darkness. Albert turned to me; his face covered in sweat, and asked how I was doing. I told him I had been praying all the way and, thanks to God, my prayers had been answered. I looked behind me and noticed that Nunu and Detlef were sleeping in the back, totally oblivious to what had just occurred.
This passage is a slightly hilarious demonstration of emotional hyperactivity. Somewhere fairly far in the background it serves as a description of a vehicle making its way across a mudslide in the Third World. More important, it contributes nothing to our understanding of Kopi Luwak, which concerns slightly oversized felines squatting on the jungle floor, and has nothing to do with high drama. From a narrative view, this is much ado about nothing much, and thats likely why the German journalists slept through it. Its just an overwrought description of what was going on inside Dr. Massimos hyperactive brain. After another 50 pages of this sort of stuff, the thing I was clearest about was that I wouldnt get into a car with this guy unless a couple metres of duct tape had been wrapped around him and a gag stuffed in his mouth, because he back-seat drives everything so relentlessly hed drive any normal person off the road and possibly off their rocker.
As a work of writing, the problem here is more serious than a penchant for backseat driving. Mr. Massimo fusses and fabulates throughout the book, worrying about 9/11, the general threat of terrorism, and volcanoes and asteroids, as if such things were threats that pertain exclusively to him, not to all of us. He is, I suspect, one of those guys whose on/off switch is permanently in the on position, and thus hes perpetually on everything, and perpetually ragging on everyone.
This falls more in the realm of irritating than evil. Its almost certainly the energy source that got him onto Discovery, and to the exotic and occasionally stressful locations researching the book took him to. For that, more power to Dr. Massimo. But with everything being on permanent overdrive, it makes for exhausting reading at best. At worst, it makes you think that someone has maliciously handed Dr. Massimo a manual on how to do personal journalism, and that he has misread the dictum that hes supposed to be part of the narrative to mean that he has to provide constant iteration of his emotional states as the narrative backbone.
A page onward from the one I quoted, theres another telling passage-one that is also repeated in different formulation dozens of times along the way-which brings us to stand, metaphorically, in front of Dr. Massimos curriculum vitae and be reminded that all this is happening in the name of science, and that he, Massimo Francesco Marcone, is the scientist of record:
Finally, we had reached the land of the luwak, or palm civet. I had shed my distinctive white lab coat for camouflage, mystery, and subterfuge in the dead of night. I could barely contain my excitement, and my work had only just begun.
Several pages later, we get a similarly self-inflating description:
There at the door stood the village chief whom we had seen earlier in the day. In his hand he held the leg of a wild deer caught earlier in the day and this was to be our evening meal. I took the leg, still covered with the brown fur of the recently slaughtered animal, examining it with the eyes of a scientist and the same skepticism that I would have brought to bear in my laboratory thousands of kilometers away. But this was my dinner, so I put away my scruples.
All of this blah, blah, blah, leaves us with a book that should have been about 48 pages long. Its about Kopi Luwak plus some add-ons: Cazu Frazegu maggot-riddled cheese (from Italy), birds nest soup ingredients (from Malaysia and Indonesian), argan oil (Morocco), escamoles (red ant pupae caviar from Mexico) and Can-Am morel mushrooms (on the subject of which I knew, at the end of the chapter, exactly as much as I did going in: that theyre expensive; that they taste better than button mushrooms; and that morel gatherers dont give out the location of their picking sites). Theres nothing gross about morels and their harvesting, except maybe the secrecy about where to find them. There are, of course, mushrooms that will make you vomit or even die, so maybe this is gross-by-proximity.
Here, as elsewhere in the book, you easily see how television-thin the materials are, and the degree to which Dr. Massimo and his vision of himself in a white lab coat is interfering with what he does have to deliver to us. At one point, he conducts organoleptic tests, which consist of frying up the morels in butter, feeding them to his friends, and judging the relative quality on whether they say um or ugh. Ive been running organoleptic tests for years without knowing it, I guess, thinking I was merely entertaining my friends.
This sort of thing can get, well, irritating after awhile, particularly if youre a dedicated Foodie, and really do want the goods Dr. Massimo is supposed to deliver, and mostly doesnt.
But then this is book manufactured by a marketing department, and its level of moral cogitation, for all the science in it, is a lot closer to zero than it is to, say, a Barbara Gowdy novel. Its not completely fair to blame Dr. Massimo for what in the end, is a dogs breakfast of a book, and a deluge of blah, blah, blah. Both he and the subject matter deserved a lot more editing than either got, if only to ensure that the subject of the book really was weird food, and not the author.
Brian Fawcett (Books in Canada)