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Badlands (Widescreen/Full Screen)
 
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Badlands (Widescreen/Full Screen)

 PG (Parental Guidance Suggested)   DVD
4.3 out of 5 stars  See all reviews (44 customer reviews)

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From Amazon.co.uk

Still one of American cinema's most powerful, daring film-making debuts, Terrence Malick's Badlands is a quirky, visionary psychological and social enigma masquerading as a simple lovers-on-the-run flick. Inspired by the 1958 murders in the cold, stark badlands of South Dakota by Charles Starkweather and Caril Ann Fugate, the film's plot, on the surface, is similar to that of other killing-couple films, like Bonnie and Clyde and Gun Crazy. Martin Sheen, in an understated, sophisticated performance, plays the strange James Dean-like social outcast who falls in love with the naïve Sissy Spacek--and then kills her father when he comes between them. The two flee like animals to the wilderness, until the police arrive and the killing spree begins.

What sets the film apart from others of its genre is Malick's complicated approach. Gorgeous, impenetrable images contrast sharply with Spacek's nostalgically artless narration, serving as ironic counterpoints, blurring concrete meaning and stressing that nothing this horrific is simple. Malick observes, rather than analyses, the couple in a manner as detached and apathetic as the couple's shocking actions. No judgment or definitive motivations are offered, though Malick's empathy often leans toward his senseless protagonists, rather than the star-struck society that makes killers famous. Compared with the interchangeable uniform cops who hunt them and the film's other nameless characters stuck in suburban banality, the couple are presented like tarnished, warped andfrustrated results of squelched individuality.

Badlands, on one level, views America's suffocating homogeneity and, conversely, its continued obsession with celebrities (individuals considered different but adored) as hypocritical. Ambiguous and bold, the movie hints that society may be as guilty as the killers. --Dave McCoy

Amazon.com Essential Video

Still one of American cinema's most powerful, daring filmmaking debuts, Terrence Malick's Badlands is a quirky, visionary psychological and social enigma masquerading as a simple lovers-on-the-lam flick. Inspired by the 1958 murders in the cold, stark badlands of South Dakota by Charles Starkweather and Caril Ann Fugate, the film's plot, on the surface, is similar to that of other killing-couple films, like Bonnie and Clyde and Gun Crazy. Martin Sheen, in an understated, sophisticated performance, plays the strange James Dean-like social outcast who falls in love with the naïve Sissy Spacek--and then kills her father when he comes between them. The two flee like animals to the wilderness, until the police arrive and the killing spree begins.

What sets the film apart from others of its genre is Malick's complicated approach. Gorgeous, impenetrable images contrast sharply with Spacek's nostalgically artless narration, serving as ironic counterpoints, blurring concrete meaning, and stressing that nothing this horrific is simple. Malick observes, rather than analyzes, the couple in a manner as detached and apathetic as the couple's shocking actions. No judgment or definitive motivations are offered, though Malick's empathy often leans toward his senseless protagonists, rather than the star-struck society that makes killers famous. Compared with the interchangeable uniform cops who hunt them and the film's other nameless characters stuck in suburban banality, the couple are presented like tarnished, warped and frustrated results of squelched individuality.

Badlands, on one level, views America's suffocating homogeneity and, conversely, its continued obsession with celebrities (individuals considered different but adored) as hypocritical. Ambiguous and bold, the movie hints that society may be as guilty as the killers. --Dave McCoy


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Customer Reviews

44 Reviews
5 star:
 (28)
4 star:
 (8)
3 star:
 (5)
2 star:    (0)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (44 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
5.0 out of 5 stars "I found this toaster.", Mar 8 2004
By 
D. Knouse (vancouver, washington United States) - See all my reviews
(REAL NAME)   
This review is from: Badlands (Widescreen/Full Screen) (DVD)
This is a film with a skewed perspective. Both main characters, played brilliantly by Sissy Spacek and Martin Sheen are on the run for murder; they are in love, and both dwell in their own fantasy-lands far from any normal idea of reality. Believe it or not, the title phrase that I used here sums up this movie completely. Let me put it into its context. Martin Sheen's character, "Kit," drags his first murder victim down into the cellar of the house and while there he glances around, then grabs the first thing he sees and returns upstairs. Upon his arrival he says, "I found this toaster." He then places it on the counter like he just discovered The Holy Grail. His character's utter detachment from what he's just done is both creepy and morbidly hilarious. I once heard something in a movie that I will relate here: A genius tends to create his own Moral Universe. I believe that, but I also believe the opposite to be equally true. Apparently, the same idea holds true for socio-pathic, psychotic morons. These characters are so lost in their own personal "Wonderlands" that they create their own set of emotions, remorse not being on their very short list. Martin Sheen is the heart of the film, and dominates every scene he is in. However, Sissy Spacek plays the perfect foil to "Kit" and his left-of-center view of life. Her cold and submissive performance is echoed in the objective narration of the film, where she accepts what is happening at all costs because "Love" can't be wrong. What was especially unnerving for me was that I couldn't help but be charmed by these two very disturbed young people. They have an endearing quality that comes, I think, from their child-like perspective of the world. Everything is seen in simple terms, without any complexity of emotion. This film is a strange adventure about two very strange characters. What makes this story all the more compelling is that it is based on actual events. This is the first film from acclaimed director Terrence Malick, and my personal favorite of his from his small, 3-film catalog. His other films are "Days of Heaven" and his remake of the classic film "The Thin Red Line." Another film with the same ambience as "Badlands" is "At Close Range" which was released in 1986, and stars Sean Penn, Mary Stuart Masterson, and Christopher Walken. Both films are worth owning. I hope my review was helpful. Have a great day.
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1.0 out of 5 stars A beautiful film, a mangled release, Sep 12 2011
This review is from: Badlands (DVD)
I love this movie, and I was very much looking forward to the advertised widescreen release. However, when I popped in the DVD and saw the dread words "This film has been edited to fit your TV screen", my heart sank. I'll keep it for the pristine picture; however, I hope Warner Bros. Entertainment gets their act together, fixes this problem soon, and gives this film the widescreen release it so richly deserves.
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1.0 out of 5 stars Impossible d'ajustez votre appareil, Sep 8 2011
By 
Charles Gagnon "Charles" (Montréal, Québec, Canada) - See all my reviews
This review is from: Badlands (DVD)
Les films de Terence Malick sont toujours d'une grande poésie visuelle. Badlands ne fait pas bande à part. Sur le boitier il est indiqué que le film est en version panoramique ce qui est faux, il est en version «télé». C'est l'horreur! Un film de Malick ne peut être visionner dans ce format réducteur. Je déconseille complètement cette version.
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