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Bang Crunch [Hardcover]

Neil Smith
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Product Description

From Publishers Weekly

Montreal-based translator Smith debuts with nine stories, some of which hit the mark. In The B9ers, a man forms a support group for people who have had benign tumors removed, and that's where the action stops: a weak subplot involving fraud by a representative of an orphanage fails to give the story much bite. In Isolettes, a woman has a baby with the use of her friend's sperm, yet when catastrophe strikes after the birth, the general airlessness of the writing makes it hard to access her feelings. Similarly, the collection's longest story, Jaybird, profiles an ambitious actor led into an extremely revealing performance by his agent's secretary under false pretenses, but the denouement unfolds mutedly. Smith's poise finds its best home in Extremities, which follows a pair of gloves from one owner to another and finally through a murder, and in the title story, in which a woman ages forward too rapidly, and then backward just as rapidly. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Paperback edition.

Review

Bang Crunch is a wonder. Devastatingly witty, heartfelt and wise. YOU MUST READ THIS BOOK.”
—Miriam Toews

Praise for Neil Smith:

“Smith’s numerous talents collapse the distance between maniacal violence and the insecurities and inadequacies beneath the surface of daily life.”
The Globe and Mail

About the Author

Neil Smith is a Montreal writer. He has won an honourable mention at the National Magazine Awards, first prize at the Eden Mills Writers’ Festival, and was nominated for the Journey Prize three times. His writing has appeared in The Journey Prize Stories, Coming Attractions 04, The Malahat Review, The New Quarterly, Fiddlehead and Maisonneuve.

Excerpt. © Reprinted by permission. All rights reserved.

ISOLETTES

Blue tube, green tube, clear tube, fat tube. A Dr. Seuss rhyme. The tubes run from robotic Magi gathered around the incubator, snake through portholes in the clear plastic box, then burrow into the baby’s pinkish grey skin. One tube up her left nostril. One tube down her throat. One tube into an arm no wider than a Popsicle stick. One tube tunnels into her chest. The skin of her chest is so thin. The baby’s mother can almost see the tiny organs beneath, the way shrimp is visible under the rice paper of a spring roll. The baby doesn’t move. Doesn’t cry. To the mother, the baby, with its blue-black eyes, is an extraterrestrial crash-landed on her planet. Hidden away and kept alive by G-men while they assess what threat this tiny alien might pose.

“What kind of mother will you be?” Jacob asked. He and An sat side by side on a braided rug watching a flickering candle on An’s coffee table. An said, “I won’t be a mommy who bores people with the trials and tribulations of teething.” Jacob disagreed: “You’ll be like those TV-commercial moms who fret over whether to buy two-ply or three-ply toilet paper.” From the coffee table, An picked up a blue ceramic cup, the kind used for espresso, and handed it to Jacob. “Real traditional,” she said. “Real Norman Rockwell.” Jacob grinned and stood, stretching his long legs. While he was in the bathroom, An got up and dropped a jazz CD in her player. Then she went into her bedroom and lay on her bed. Before the first song ended, Jacob came out of the bathroom. “You were fast this time,” An said. Jacob replied that he’d been practising at home. He handed her the espresso cup and kissed her forehead. “I don’t love you,” he said. An replied, “I don’t love you, too.” After he’d let himself out of the apartment, An drew Jacob’s semen into a syringe. She hiked up her peasant skirt and slid off her underwear. Then she lay on her bed, two pillows propped beneath her rear. It was the first time with the pillows: gravity, she reasoned, would help.

Neonatal Intensive Care Unit. Otherwise known as NICU. The doctors pronounce it NICK U, as if it were a university. “Our kid is studying at NICK U,” Jacob jokes with a nurse, who stares at him blankly. An thinks of NICK U as a baby hatchery, one that smells like the stuff dentists use to clean teeth. The incubators, a dozen aquariums, are not in neat rows, but here and there, the way progressive schoolteachers arrange desks. Ventilators hum, monitors flash, alarms sound, a baby makes a noise like a gobbling turkey. Meanwhile, neonatologists complete their rounds. Some spill a hot alphabet soup of acronyms–ROP, BPD, C-PAP–in An’s lap. Others say, with a hand on her shoulder, “We realize how stressful this must be.” To them all, An wants to yell: “Nick you!” Better yet: “Nick off and die!”

Four months into An’s pregnancy, Jacob moved into a top-floor apartment in her building. He called the place the pent-up suite because, according to An, the former tenants, a sulky husband and wife, were passive-aggressives. To exorcise the couple’s demons, Jacob wandered around his stacks of moving boxes spritzing a citrus deodorizer. “If marriage is an institution,” he said, “married people should be institutionalized.” An wondered if this was a veiled reminder: that she and Jacob were not a couple, that they weren’t bookends propping up Dr. Spock’s Baby and Childcare. Still, the move into her building had been Jacob’s idea. An concurred, though. Proximity without intimacy: it sounded good to her. She had no desire to actually live with Jacob or any other man. Men’s bathroom habits, the Q-tips caked with earwax they left on the sink, depressed her. In her foolish twenties, she’d shared a loft with a boyfriend whose puppy-dog good cheer had made her want to drive him out into the country and leave him there. “Maybe more marriages would last if couples didn’t live together,” she said to Jacob as he unpacked a food processor the size of a space probe. “Maybe couples should buy two semi-detacheds and each live on either side,” she added. Jacob laughed his nose-honking laugh. “That’s why you always strike out at love, An,” he said. “You’re so semi-detached.”

Between the twenty-third and twenty-fourth week of An’s pregnancy, the placenta began to separate from the uterine wall. Semi-detached, An thought, when the doctor told her. By this time, she was lying under a spotlight in the emergency ward of the Royal Victoria Hospital. Her contractions were a minute apart. A nurse, the one who’d injected her with antibiotics earlier, yelled out, “Cervix fully effaced!” The warm amniotic fluid trickled over An’s thighs, and the obstetrician soon announced, “She’s crowning,” as if An herself were Queen Victoria. Then came the huge, irresistible urge to push. When the neonatologist lifted her newborn daughter, An saw the tiny infant bat the air with one arm as if to clear everyone away, the doctors, the nurses–even her exhausted, terrified mother.

Though An hadn’t wanted a baby shower, Jacob gave her one anyway. The theme, fittingly, was showers. The weather co-operated by drizzling. First, they took in the stage musical Les parapluies de Cherbourg, co-starring An’s mother, Lise, who played an umbrella-shop owner in Normandy who meddled in her daughter’s affair with a kind-hearted mechanic. The daughter got pregnant by the mechanic but ended up marrying a diamond importer she didn’t love but grew to respect. During the standing ovation, Jacob whispered, “Only the French can make a comédie musicale depressing.” Backstage, Lise pulled An into her dressing room and shut the door. Her stage makeup was as cracked as a Rembrandt.
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