Review
“In Barnacle Love, a set of interlinked stories, Anthony Da Sa moves with skill and ingenuity between folk tale, myth and narratives of contemporary displacement. The tone is spare and elegiac; the stories are filled with carefully chosen details and sharply drawn characters. They have immense emotional and truthful power.”
–Colm Tóibín
"Barnacle Love is a beautiful debut, haunting and elegiac, capturing lives at once as grittily real and as mythic as the sea that forms them."
—Nino Ricci, author of Testament
"Anthony De Sa's dramatic immigrant history is revealed in this series of linked stories often operatic in their tragic proportions and folk-tale in structure. With emotional power, incidents veer daringly in mood from brutal to tender. Anthony De Sa writes of the unbreakable connections between the old and new worlds with a revelatory passion. I have no hesitation in saying his is an astonishing talent."
—Wayson Choy, author of All That Matters
"This collection of linked short stories speaks poignantly about the wrenchingly opposing forces that can tear a family apart." –Edmonton Journal
"A moving and engaging read, its memorable images and heart's woes sometimes visceral in their power." –The Globe and Mail
"A book of exceptional balance. Tender and raw, morbid and surprisingly gentle. [It] will stay with readers long after the closing pages." –The Vancouver Sun
"Poignant....Irresistible." –Toronto Star
From the Hardcover edition.
–Colm Tóibín
"Barnacle Love is a beautiful debut, haunting and elegiac, capturing lives at once as grittily real and as mythic as the sea that forms them."
—Nino Ricci, author of Testament
"Anthony De Sa's dramatic immigrant history is revealed in this series of linked stories often operatic in their tragic proportions and folk-tale in structure. With emotional power, incidents veer daringly in mood from brutal to tender. Anthony De Sa writes of the unbreakable connections between the old and new worlds with a revelatory passion. I have no hesitation in saying his is an astonishing talent."
—Wayson Choy, author of All That Matters
"This collection of linked short stories speaks poignantly about the wrenchingly opposing forces that can tear a family apart." –Edmonton Journal
"A moving and engaging read, its memorable images and heart's woes sometimes visceral in their power." –The Globe and Mail
"A book of exceptional balance. Tender and raw, morbid and surprisingly gentle. [It] will stay with readers long after the closing pages." –The Vancouver Sun
"Poignant....Irresistible." –Toronto Star
From the Hardcover edition.
Review
Anthony De Sa moves with skill and ingenuity between folk tale, myth, and narratives of contemporary displacement. The tone is spare and elegiac; the stories are filled with carefully chosen details and sharply drawn characters. They have immense emotional and truthful power. Colm T??ib??n
Product Description
Shortlisted for the 2008 Scotiabank Giller Prize
Like Wayson Choy and David Bezmozgis before him, Anthony De Sa captures, in stories brimming with life, the innocent dreams and bitter disappointments of the immigrant experience.
At the heart of this collection of intimately linked stories is the relationship between a father and his son. A young fisherman washes up nearly dead on the shores of Newfoundland. It is Manuel Rebelo who has tried to escape the suffocating smallness of his Portuguese village and the crushing weight of his mother’s expectations to build a future for himself in a terra nova. Manuel struggles to shed the traditions of a village frozen in time and to silence the brutal voice of Maria Theresa da Conceicao Rebelo, but embracing the promise of his adopted land is not as simple as he had hoped.
Manuel’s son, Antonio, is born into Toronto’s little Portugal, a world of colourful houses and labyrinthine back alleys. In the Rebelo home the Church looms large, men and women inhabit sharply divided space, pigs are slaughtered in the garage, and a family lives in the shadow cast by a father’s failures. Most days Antonio and his friends take to their bikes, pushing the boundaries of their neighbourhood street by street, but when they finally break through to the city beyond they confront dangers of a new sort.
With fantastic detail, larger-than-life characters and passionate empathy, Anthony De Sa invites readers into the lives of the Rebelos and finds there both the promise and the disappointment inherent in the choices made by the father and the expectations placed on the son.
From the Hardcover edition.
Like Wayson Choy and David Bezmozgis before him, Anthony De Sa captures, in stories brimming with life, the innocent dreams and bitter disappointments of the immigrant experience.
At the heart of this collection of intimately linked stories is the relationship between a father and his son. A young fisherman washes up nearly dead on the shores of Newfoundland. It is Manuel Rebelo who has tried to escape the suffocating smallness of his Portuguese village and the crushing weight of his mother’s expectations to build a future for himself in a terra nova. Manuel struggles to shed the traditions of a village frozen in time and to silence the brutal voice of Maria Theresa da Conceicao Rebelo, but embracing the promise of his adopted land is not as simple as he had hoped.
Manuel’s son, Antonio, is born into Toronto’s little Portugal, a world of colourful houses and labyrinthine back alleys. In the Rebelo home the Church looms large, men and women inhabit sharply divided space, pigs are slaughtered in the garage, and a family lives in the shadow cast by a father’s failures. Most days Antonio and his friends take to their bikes, pushing the boundaries of their neighbourhood street by street, but when they finally break through to the city beyond they confront dangers of a new sort.
With fantastic detail, larger-than-life characters and passionate empathy, Anthony De Sa invites readers into the lives of the Rebelos and finds there both the promise and the disappointment inherent in the choices made by the father and the expectations placed on the son.
From the Hardcover edition.
About the Author
Anthony De Sa grew up in Toronto’s Portuguese community. His short fiction has been published in several North American literary magazines. He attended The Humber School for Writers and now heads the English department and directs the creative writing program at a high school for the arts. Barnacle Love is his first book and he is currently at work on a novel. He lives in Toronto with his wife and three sons.
From the Hardcover edition.
From the Hardcover edition.
Excerpt. © Reprinted by permission. All rights reserved.
TERRA NOVA
For nothing is fixed, forever and forever and forever, it is not fixed; the earth is always shifting, the light is always changing, the sea does not cease to grind down rock. Generations do not cease to be born, and we are responsible to them because we are the only witnesses they have. The sea rises, the light fails, lovers cling to each other, and children cling to us. The moment we cease to hold each other, the sea engulfs us and the light goes out.
James Baldwin
~ OF GOD AND COD ~
there is nothing he can do. He is lifted high into the air by the swells that roll, break, and crash upon themselves. His dory is smashed, the flotsam scattered: pieces of white jagged wood afloat, tangled in knotted rope, nothing much to grab hold of before the ocean lifts him higher, only to drop him into its turbulent waters, catching him in the current. Again, he pierces the surface, the biting cold filling his lungs as he coughs and sputters. It is the moment he needs. He reaches into his sweater and draws out the crucifix, which glistens in the moon’s light. He twirls it between puckered fingers, places it in his mouth–between his clicking teeth. He feels its weight and shape cushioned on his tongue, closes his blue lips and allows himself to let go, to sink beneath the foaming surface into the dark molasses sea.
Big Lips. Are you here?
~
The Portuguese call it saudade: a longing for something so indefinite as to be indefinable. Love affairs, miseries of life, the way things were, people already dead, those who left and the ocean that tossed them on the shores of a different land–all things born of the soul that can only be felt.
Manuel Antonio Rebelo was a product of this passion. He grew up with the tales of his father, a man who held two things most sacred, God and cod–bacalhau–and not always in that order. His father’s words formed vivid pictures of grizzled brave fishermen and whale hunters who left their families for months to fish the great waters off Terra Nova, the new land. Visions of mothers shrouded in black, of confused wives–the pregnant ones feeling alone, the others glad for the respite from pregnancy–spun in his mind. And then there were the scoured children, waving in their Sunday finery. The small boys bound in worn but neatly pressed blazers and creased shorts. The little girls scattered like popcorn in their outgrown Communion dresses as they watched their fathers’ ascents onto magnificent ships. In his dreams Manuel saw the men with their torn and calloused hands, faces worn, dark and toughened by the salted mist. As a child he would sit by the cliffs for hours, dangling his bare feet over the side of the hundred-foot drop to the shore, kicking the rock with his pink heels, placing his hands over his eyes to shield the sunlight, already yearning for the fading figures of the White Fleet.
“One day I’ll disappear,” he’d say aloud.
He could make out the faint shadow of a large fish that circled just under the skinned surface of the water.
“Did you hear that, Big Lips?” he shouted.
As if in response, the large grouper seemed to stop. Manuel could see the fish’s fins fanning against the mottled blue and green of the ocean’s rocky shallows. He had once befriended one of these gentle giants. The villagers believed that these fish could live for up to one hundred years. This was in part due to the story of Eduarda Ramos, one of the village midwives, who insisted she had reclaimed her wedding band from the belly of a large grouper her son had caught–fifty-three years after she had lost the ring while cleaning some fish by the shore.
As the large fish swam away and disappeared into the ocean’s darker depths, Manuel couldn’t help but wonder if the fish he had named was still alive. If the fish he had just seen was Big Lips.
Manuel’s yearning became a palpable ache. The Azores held nothing for him. The tiny island of São Miguel was suffocating, lost as it was in the middle of the Atlantic. Early in life he knew the world his mother had formed for him was too small, too predictable. He was the oldest boy. But it wasn’t for this reason alone that Manuel carried the burden of his mother’s dreams. He bore a close resemblance to his father: the liquid steel colour of his eyes, his thick stubborn mound of blond hair, and the round angelic features of his face. The blunt noses, darker skin, and almost black, shrimp-like eyes that adorned his siblings had been borrowed from his mother’s side. Manuel thought they were all pretty and he loved them, but he also knew that in his mother’s mind they held no promise.
“You are your father’s son. He lives in you,” she’d sigh. “You possess his greatness.” Manuel felt her breasts pressed flat against his back, her sharp chin digging into his head. “I can smell it in your breath’s sweetness.”
Maria had plucked Manuel out of her brood and he became the chosen one. Her ambitions for her son were firm rather than clear: Manuel would become a man of importance, learned and respected in the village and beyond. He would have the advantage of private tutors, which meant his siblings would need to keep the bottoms of their shoes stuffed with corn husks to clog the holes and keep their feet dry. Manuel was often ashamed of himself as he walked up Rua Nova with his brothers and sisters, his polished shoes shining like the blue-black of a mussel. He would be taught a rigorous catechism by the village priest, Padre Carlos. The teachings of God would make him fair and virtuous.
“It’s all for you, filho,” she’d say, often in front of her other children as they went about, cowering, in their daily chores. It was only because they loved Manuel and never once blamed him for anything they were denied that he began to resent his mother’s cruelty.
His ten-year-old brother Jose came home one day with a sick calf that he walked through the front door and into their narrow dark hallway. Everyone smiled and watched as the brother who loved animals above anything else tugged at the sickly calf, urged it out the back door toward a patch of tall grass. But the pastoral calm was interrupted by the sharp crack of dry wood. Manuel saw his young brother fall to the packed-earth floor like a ball of dough. His cheek lay pressed against the floor, he was afraid to lift his head. He licked the blood that trickled from the corner of his mouth. Manuel looked to his mother, who held the splintered end of the broom over her shoulder. She picked the boy up by the scruff of his collar and he dangled from her clenched fist.
“You get this filthy beast out of here. This is our home, not a barn,” her voice shook.
Jose turned the nervous animal around and, still in a daze, directed the reluctant calf back out the front door. Albina and the others continued their work. Maria Theresa da Conceição Rebelo sat back down on the chair and poured the beans into the sagging lap of her apron. Manuel picked up the broom. Looking straight at his mother, he flung the broken handle across the kitchen. The stoneware bowls that had been carefully set on the barnboard table smashed. He heard the drawn breaths of his sisters. His mother stood and the beans sprung from her apron across the floor. She cocked her hand over her shoulder. He stood still for what seemed like an eternity, challenging her with his glare. She lowered her arm as he stormed after his brother.
He was twelve then. Manuel vowed that somehow he would make it all better. Freedom would provide opportunities for his siblings. But first, he would have to save himself.
Now, at the age of twenty, Manuel maintained an indifference to Maria’s ambitions. Every spring he would venture to the same spot and perch himself on the overhang. He would look out to the sea, feel the warming winds against his pale smooth skin. His still-boyish cowlick pressed against his forehead. He’d carefully roll each of his socks into a ball, stuff them into his new leather shoes, to kick his now yellowed heels against the cliff wall with a vigour that had only intensified during the months he had spent in the mildewed Banco Micaelense, counting out escudos with a vacant smile, throwing open all windows to breathe in the sea, hearing Amalia’s despair on the radio, her riveting outbursts of emotion. He knew it was time to tell his mother.
“Mãe, I’m going away for a while,” he said.
She continued to hang the laundry on the line, the stubborn stains facing the house, the cleaner sides billowing toward the neighbours. She held wooden clothespins in her mouth–sometimes three at a time–securely between her crowded teeth.
“Mãe, look at me,” he urged. “I need to go. I need to be part of a bigger world. I need to know if there’s room out there for me.”
Her job was only interrupted for a fraction of a second. Manuel realized she had been waiting for this. Only yesterday she had walked into the bank, and he had noticed a disguised sadness in her step as she approached him in his white shirt and tie; she had pressed the shirt that morning and was pleased that the crease in his cuff had held. She continued hanging the clothes as if she hadn’t heard. But Manuel could sense her anger, the disappointment in allowing herself to believe it was possible for her children to want for themselves the same things she did. Maria Theresa da Conceição Rebelo stopp...
For nothing is fixed, forever and forever and forever, it is not fixed; the earth is always shifting, the light is always changing, the sea does not cease to grind down rock. Generations do not cease to be born, and we are responsible to them because we are the only witnesses they have. The sea rises, the light fails, lovers cling to each other, and children cling to us. The moment we cease to hold each other, the sea engulfs us and the light goes out.
James Baldwin
~ OF GOD AND COD ~
there is nothing he can do. He is lifted high into the air by the swells that roll, break, and crash upon themselves. His dory is smashed, the flotsam scattered: pieces of white jagged wood afloat, tangled in knotted rope, nothing much to grab hold of before the ocean lifts him higher, only to drop him into its turbulent waters, catching him in the current. Again, he pierces the surface, the biting cold filling his lungs as he coughs and sputters. It is the moment he needs. He reaches into his sweater and draws out the crucifix, which glistens in the moon’s light. He twirls it between puckered fingers, places it in his mouth–between his clicking teeth. He feels its weight and shape cushioned on his tongue, closes his blue lips and allows himself to let go, to sink beneath the foaming surface into the dark molasses sea.
Big Lips. Are you here?
~
The Portuguese call it saudade: a longing for something so indefinite as to be indefinable. Love affairs, miseries of life, the way things were, people already dead, those who left and the ocean that tossed them on the shores of a different land–all things born of the soul that can only be felt.
Manuel Antonio Rebelo was a product of this passion. He grew up with the tales of his father, a man who held two things most sacred, God and cod–bacalhau–and not always in that order. His father’s words formed vivid pictures of grizzled brave fishermen and whale hunters who left their families for months to fish the great waters off Terra Nova, the new land. Visions of mothers shrouded in black, of confused wives–the pregnant ones feeling alone, the others glad for the respite from pregnancy–spun in his mind. And then there were the scoured children, waving in their Sunday finery. The small boys bound in worn but neatly pressed blazers and creased shorts. The little girls scattered like popcorn in their outgrown Communion dresses as they watched their fathers’ ascents onto magnificent ships. In his dreams Manuel saw the men with their torn and calloused hands, faces worn, dark and toughened by the salted mist. As a child he would sit by the cliffs for hours, dangling his bare feet over the side of the hundred-foot drop to the shore, kicking the rock with his pink heels, placing his hands over his eyes to shield the sunlight, already yearning for the fading figures of the White Fleet.
“One day I’ll disappear,” he’d say aloud.
He could make out the faint shadow of a large fish that circled just under the skinned surface of the water.
“Did you hear that, Big Lips?” he shouted.
As if in response, the large grouper seemed to stop. Manuel could see the fish’s fins fanning against the mottled blue and green of the ocean’s rocky shallows. He had once befriended one of these gentle giants. The villagers believed that these fish could live for up to one hundred years. This was in part due to the story of Eduarda Ramos, one of the village midwives, who insisted she had reclaimed her wedding band from the belly of a large grouper her son had caught–fifty-three years after she had lost the ring while cleaning some fish by the shore.
As the large fish swam away and disappeared into the ocean’s darker depths, Manuel couldn’t help but wonder if the fish he had named was still alive. If the fish he had just seen was Big Lips.
Manuel’s yearning became a palpable ache. The Azores held nothing for him. The tiny island of São Miguel was suffocating, lost as it was in the middle of the Atlantic. Early in life he knew the world his mother had formed for him was too small, too predictable. He was the oldest boy. But it wasn’t for this reason alone that Manuel carried the burden of his mother’s dreams. He bore a close resemblance to his father: the liquid steel colour of his eyes, his thick stubborn mound of blond hair, and the round angelic features of his face. The blunt noses, darker skin, and almost black, shrimp-like eyes that adorned his siblings had been borrowed from his mother’s side. Manuel thought they were all pretty and he loved them, but he also knew that in his mother’s mind they held no promise.
“You are your father’s son. He lives in you,” she’d sigh. “You possess his greatness.” Manuel felt her breasts pressed flat against his back, her sharp chin digging into his head. “I can smell it in your breath’s sweetness.”
Maria had plucked Manuel out of her brood and he became the chosen one. Her ambitions for her son were firm rather than clear: Manuel would become a man of importance, learned and respected in the village and beyond. He would have the advantage of private tutors, which meant his siblings would need to keep the bottoms of their shoes stuffed with corn husks to clog the holes and keep their feet dry. Manuel was often ashamed of himself as he walked up Rua Nova with his brothers and sisters, his polished shoes shining like the blue-black of a mussel. He would be taught a rigorous catechism by the village priest, Padre Carlos. The teachings of God would make him fair and virtuous.
“It’s all for you, filho,” she’d say, often in front of her other children as they went about, cowering, in their daily chores. It was only because they loved Manuel and never once blamed him for anything they were denied that he began to resent his mother’s cruelty.
His ten-year-old brother Jose came home one day with a sick calf that he walked through the front door and into their narrow dark hallway. Everyone smiled and watched as the brother who loved animals above anything else tugged at the sickly calf, urged it out the back door toward a patch of tall grass. But the pastoral calm was interrupted by the sharp crack of dry wood. Manuel saw his young brother fall to the packed-earth floor like a ball of dough. His cheek lay pressed against the floor, he was afraid to lift his head. He licked the blood that trickled from the corner of his mouth. Manuel looked to his mother, who held the splintered end of the broom over her shoulder. She picked the boy up by the scruff of his collar and he dangled from her clenched fist.
“You get this filthy beast out of here. This is our home, not a barn,” her voice shook.
Jose turned the nervous animal around and, still in a daze, directed the reluctant calf back out the front door. Albina and the others continued their work. Maria Theresa da Conceição Rebelo sat back down on the chair and poured the beans into the sagging lap of her apron. Manuel picked up the broom. Looking straight at his mother, he flung the broken handle across the kitchen. The stoneware bowls that had been carefully set on the barnboard table smashed. He heard the drawn breaths of his sisters. His mother stood and the beans sprung from her apron across the floor. She cocked her hand over her shoulder. He stood still for what seemed like an eternity, challenging her with his glare. She lowered her arm as he stormed after his brother.
He was twelve then. Manuel vowed that somehow he would make it all better. Freedom would provide opportunities for his siblings. But first, he would have to save himself.
Now, at the age of twenty, Manuel maintained an indifference to Maria’s ambitions. Every spring he would venture to the same spot and perch himself on the overhang. He would look out to the sea, feel the warming winds against his pale smooth skin. His still-boyish cowlick pressed against his forehead. He’d carefully roll each of his socks into a ball, stuff them into his new leather shoes, to kick his now yellowed heels against the cliff wall with a vigour that had only intensified during the months he had spent in the mildewed Banco Micaelense, counting out escudos with a vacant smile, throwing open all windows to breathe in the sea, hearing Amalia’s despair on the radio, her riveting outbursts of emotion. He knew it was time to tell his mother.
“Mãe, I’m going away for a while,” he said.
She continued to hang the laundry on the line, the stubborn stains facing the house, the cleaner sides billowing toward the neighbours. She held wooden clothespins in her mouth–sometimes three at a time–securely between her crowded teeth.
“Mãe, look at me,” he urged. “I need to go. I need to be part of a bigger world. I need to know if there’s room out there for me.”
Her job was only interrupted for a fraction of a second. Manuel realized she had been waiting for this. Only yesterday she had walked into the bank, and he had noticed a disguised sadness in her step as she approached him in his white shirt and tie; she had pressed the shirt that morning and was pleased that the crease in his cuff had held. She continued hanging the clothes as if she hadn’t heard. But Manuel could sense her anger, the disappointment in allowing herself to believe it was possible for her children to want for themselves the same things she did. Maria Theresa da Conceição Rebelo stopp...
