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From Publishers Weekly
Beatrix Potter (1866–1943), creator of the immortal Peter Rabbit, is known as an avid writer of comical illustrated letters to friends and as an assertive marketer of her illustrations, and this lively volume also captures her energetic participation in Victorian-era natural history research and conservation. Environmental historian Lear (Rachel Carson: Witness for Nature) relates that, as a child in an upper-middle-class family, Potter sketched flowers, dead animals and live lizards, insects and rodents that she brought home. "Rabbits were caught, tamed, sketched, painted" by young Beatrix and her brother, Bertram. In 1893, while traveling with her pet rabbit, Peter Piper, and seeking unusual fungi with self-taught mycologist Charles McIntosh, Potter jotted an illustrated note "about a disobedient young rabbit called 'Peter' " to an ailing child friend and sketched Peter's nemesis, a McIntosh–look-alike farmer called Mr. McGregor, creating "two fictional characters that one day would be world-famous." Lear judges Potter "a brilliant amateur" naturalist who expressed strong convictions about land preservation. Potter's witty journals, with their close observations of people, animals, objects and places, serve as the basis for Lear's engrossing account, which will appeal to ecologists, historians, child lit buffs and those who want to know the real Squirrel Nutkin, Mrs. Tiggy-Winkle and Benjamin Bunny. A movie, Miss Potter, also releases in January. 16 pages of color illus., 8 pages of b&w illus. not seen by PW. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Beatrix Potter had a passion for place that found aesthetic expression in the beautifully realized natural settings of her celebrated children's books (The Tale of Peter Rabbit, etc.) and also practical expression in her less-well-known role as a successful landowner, farm manager, and sheep breeder. Accordingly, Lear, who is a professor of environmental history, gives special attention to the places that provided the settings for Potter's books and for her real-life evolution as a shrewd businesswoman and ardent preservationist of the rural landscape of her beloved Lake District (when she died in 1943, she left vast holdings of land and property to Britain's National Trust). The social settings and circumstances of Potter's early life as a Victorian child of sometimes stultifying privilege are also beautifully realized. And Lear's depiction of Potter's later struggle for personal and financial independence invests an otherwise quiet life with drama and even a degree of suspense. Potter was a famously close observer of the world around her, and Lear is an equally close observer of her subject. The result is a meticulously researched and brilliantly re-created life that, despite its length and accretion of detail, is endlessly fascinating and often illuminating. It is altogether a remarkable achievement. Michael Cart
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
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First Sentence
IT WAS A COLD, WET November day in 1918. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
IT WAS A COLD, WET November day in 1918. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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