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Beauty and the Beast (The Criterion Collection) [Blu-ray]

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Product Details

  • Actors: Josette Day, Jean Marais, Jean Cocteau
  • Format: AC-3, Black & White, DTS Surround Sound, Full Screen, NTSC
  • Language: French
  • Region: Region A/1
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Criterion
  • Release Date: July 19 2011
  • Run Time: 93 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (65 customer reviews)
  • ASIN: B004WPYO8I
  • Amazon Bestsellers Rank: #24,534 in DVD (See Top 100 in DVD)

Product Description

Product Description

The sublime adaptation by Jean Cocteau (Orpheus) of Mme. Leprince de Beaumont’s fairy-tale masterpiece—in which the true love of a beautiful girl melts the heart of a feral but gentle beast—is a landmark feat of motion picture fantasy, with unforgettably romantic performances by Jean Marais (Orpheus) and Josette Day (Les parents terribles). The spectacular visions of enchantment, desire, and death in Beauty and the Beast (La Belle et la Bête) have become timeless icons of cinematic wonder.

• High-definition digital transfer from restored film elements, with uncompressed monaural soundtrack
• Composer Philip Glass’s opera La Belle et la Bête, presented in 5.1 DTS-HD Master Audio as an alternate soundtrack
• Two commentaries: one by film historian Arthur Knight and one by writer and cultural historian Sir Christopher Frayling
• Screening at the Majestic, a 1995 documentary featuring interviews with cast and crew
• Interview with cinematographer Henri Alekan
• Rare behind-the-scenes photos and publicity stills
• Film restoration demonstration
• Original trailer, directed and narrated by director Jean Cocteau, plus restoration trailer from 1995
• PLUS: A booklet featuring an essay by film critic Geoffrey O’Brien, a piece on the film by Cocteau, excerpts from Francis Steegmuller’s 1970 book Cocteau: A Biography, and an introduction to Glass’s opera by the composer


This is definitely not the Disney version. While it remains faithful to the plot of the classic fairy tale by Leprince de Beaumont, Jean Cocteau's 1946 French romantic fantasy is the product of a sophisticated, mature sensibility in its tones and textures and, above all, in its surprising emotional power. With sparkling black-and-white imagery that, for once, is actually dreamlike rather than cute or kitschy, and with a Beast (Jean Marais) who is almost as glamorous with his silky blonde facial hair as he is clean shaven, the movie casts a seductive spell. It might actually be a little too rich and unsettling for kids. Even the costumes and the draperies are entrancingly ornate. Viewers intoxicated by this enveloping vision should consider moving on to Cocteau's even more aggressively other-worldly 1949 masterpiece Orpheus, in which Marais plays the doomed poet of ancient Greek legend, updated to a Parisian "punk" milieu of motorcycles and black leather. --David Chute --This text refers to an out of print or unavailable edition of this title.

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4.8 out of 5 stars
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1 of 1 people found the following review helpful By JohnK on Feb. 24 2004
Format: DVD
Cocteau's BEAUTY AND THE BEAST will leave an impression on those who are about to see it for the first time. Anyone who has seen it already will be able to recount multiple favorite images and delight in expounding upon them. Film in the hands of some people seems to become more malleable. Cocteau is one such weaver of images whose fantasy world is at the same time childlike and foreboding - innocent as a puppet theatre ,then dark as sin.
The film mixes fantasy and reality by presenting time spent in the ordinary world in straightforward, unambiguous scenes and juxtaposing these with theatre-like sequences that represent the parallel world of enchantment. Surreal set pieces, mists and blackness define the borders of the Beasts domain.
From the Beasts smoking hands after the kill to the living arm sconces and the couples flight in the end, simple effects seem to gain impact from the bare uncomplicated nature of them thrust out into view like magic tricks.
Composed like paintings the rich imagery conspires with stellar black and white photography
to produce a seeming mid range of silver smoke and shimmering highlights.
Anyone into or discovering film should acquaint themselves with this highly original sence of cinema that has lured admierers for almost six decades.
This adaptation of a fairytale will be best understood by adults but should be shared with children as well.
Small children will be uneasy in the presence of the Beast who looks a far cry from a cartoon character. Also, someone older will have to read the subtitles to them but in a darkened room that might make it even more effective as a fairy tale experience.
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Format: Blu-ray
Tourné sur neufs mois dès la fin de la Deuxième Guerre, au mois d'Août 1945, Cocteau a réinterprèté "La Belle et la Bête", conte de Madame Leprince de Beaumont, dans une poésie cinématographique des plus importantes de l'histoire du cinéma.

Accompagné de ses amis dont les acteurs Jean Marais et Marcel André, le décorateur Christian Bérard, Marcel Escoffier comme costumier, et Georges Auric comme compositeur, Jean Cocteau a accueilli dans sa troupe d'autres gens admirables. Artistes de talents tels Mila Parély et Nina Germon dans le rôle des soeurs Félicie et Adélaïde, Michel Auclair dans le rôle du frère Ludovic, Doudou dans le rôle de Diane, et Josette Day dans le rôle de la Belle. Sublime découverte pour Cocteau que cette actrice dont le naturel, la pureté et la subtilité de jeu font d'elle l'actrice idéale pour ce rôle. Parmi les collaborateurs techniques, Henri Alekan (chef opérateur) et René Clément (assistant réalisateur) ont soutenu Cocteau. Notamment Clément qui a réalisé certaines séquences du film dans le château de la Bête alors que Cocteau agonisait sous des maladies épouvantables à l'Institut Pasteur. Détail qu'il décrit bien dans son journal de tournage, disponible pour les intéressés.

Loin de raconter l'histoire que l'on connaît déjà, Cocteau profite de ce film pour l'enrichir avec des antagonistes très importants, soit Ludovic, le frère de la Belle, son ami Avenant dont l'amour pour la Belle dévoile en lui une âme très dangereuse, mais aussi un pavillon magique dans le château.
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Format: DVD
The 1947 French Cocteau classic, "La Belle Et La Bete" (Beauty and the Beast)was revolutionary in its day and on this new DVD, we get all the scoop on the making of this film and the masterpiece of French cinema. There is commentary by cultural historians and film critics, insight from the director, cinematographer and the cast and even more impressive, the opera by Phillip Glass, which he modeled after this same film. The film stars Josette Day as Belle and a costumed and frightening Jean Marais as the Beast. This film was released when World War II still weighed on people's shoulders. The French cinema was taking the film world by storm. It would be only one of many Cocteau films, though most assuredly his best work. The most impressive aspect of this film is its special effects and cinematography. Cocteau infused the film with surrealism and magic, enhanced by special effects which were new at the time, though tame and old-fashioned by today's standards. Before the digital, computer-generated image, there was "camera tricks". Cocteau was wise to make a film set to an enchanted fairy tale. He was able to make the bewitched castle seem alive. There is a prevailing eerie mood. Gargoyle, stone statuary, noctunal moods, voices, talking mirrors and doors, doors which open and close on their own and dimly lit candelabrum made the interior of the Beasts castle supremely Gothic and sensational.
As far as the acting goes, the cast does a good job at deliviring a good performance eventhough they are portraying fantasy characters. Josette Day is a beautiful and noble heroine as Belle and the Beast, monstrous in looks but gentle of spirit and kind hearted in a more human way. The story is more true to the original concept of Beauty and the Beast. This is not to be mistaken with the Disney 1991 animated film. There is very little cuteness and charm in this one. It's presented as a serious work of cinema. A must have for cinema students.
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