Quill & Quire
Elise Moser’s first novel calls to mind the phrase “a can of worms,” in particular its associations with sordidness and tangled knots. The life of Moser’s protagonist, Julia, has lately come to resemble such a sordid tangle. Since her estranged mother’s death, she’s discovered she has a sister, who was given up for adoption before her parents’ marriage, and she also finds herself attracted to her lover’s wife. While trying to unravel these knotted relationships, Julia begins to realize that the people around her possess inner lives far richer than she previously suspected. As a character, Julia resembles Narcissus intriguingly intertwined with Lewis Carroll’s Alice, moving from looking in a self-obsessed way at the looking glass to looking through it. The setting for her transformation is Montreal, a city that Julia feels “is colonizing her body.” Montreal is an island, which is something Julia erroneously believes herself to be. And though it is common for contemporary urban novels to make their settings de facto characters, Moser’s Montreal is unusually well-realized, with geographic references that go beyond mere signifiers and instead vividly reflect the city for those of us who don’t know it well. Moser’s evocative prose extends to her depictions of corporeality and food. Bodies secrete and smell, nerves quake, and fine hairs twitch, while an ugly tomato is cut to reveal “firm meat, almost the colour of human flesh.” Meals are described in remarkable detail, which is fitting given that “[Julia] loves to eat with people who also love to eat, especially if they are unselfconscious about it.” Of course, any can of worms will likely be packed just a little too full, and this one is no exception. Although the narrative’s effusiveness is in keeping with Julia’s character, the vivid writing occasionally gives way to excessive exposition. Moser has created a story strong enough to stand on its own without so much explanation.
Book Description
Julia is in limbo. Her mother has just died and her married lover, Nicholas, has gone missing in Morocco. Thirsting for love, for sex, for connection, she grasps at the trailing threads of those who have left her behind: a birth certificate, issued two years before she was born and kept secret from her; and memories of Nicholas, his touch, his scent, his every action consuming her waking moments and filling her lonely nights.
Her need to fill the void is so great that when Deepa, Nicholas's wife, walks through her door, they begin a passionate affair, carried along by desire and desperation. This — along with the mysterious birth certificate — leads Julia to question where she fits in other peoples’ lives, and where she has fallen through the cracks.
Her need to fill the void is so great that when Deepa, Nicholas's wife, walks through her door, they begin a passionate affair, carried along by desire and desperation. This — along with the mysterious birth certificate — leads Julia to question where she fits in other peoples’ lives, and where she has fallen through the cracks.
About the Author
Born in Brooklyn, NY, Elise Moser holds an Honours BA from McGill and is the current president of the Quebec Writers' Federation. Her short stories have been published and broadcast in Canada, the U.S., and across the Commonwealth. Her stories "Malke's Baby" and "Advanced Pilates Tickle Trunk" have won the CBC/QWF Short Story Competition in 2004 and 2006 respectively. After many years working as a buyer at Paragraphe Bookstore in Montreal, Elise is now familiar to many stores across the country as a sales rep with Lexa Publishers' Representatives. She is also the Literary Editor of The Rover, an electronic independent review of arts and culture. Elise lives in Montreal.