From Publishers Weekly
Chris Minnaar is a South African novelist who recounts his many loves in this long, melancholy second-person confession to his dead friend and would-be lover, Rachel. Born to privilege in a wealthy Afrikaner family, Chris is seduced when he is eight by an older cousin, beginning the string of encounters—about 20—that stretch over 70 years and make up the bulk of the book. Chris begins his adult life as a lawyer, but abandons that career when his first novel becomes a sensation. His recounted amorous adventures are interrupted by family scenes (overbearing father dies early; mother eventually suffers from dementia) and by the good times he has with Rachel (whom he loves but doesn't bed) and her photojournalist husband, George. The trio discuss opera, fine wines, art, literature, gourmet cooking and very little politics, the one topic that hangs over the novel like an invisible cloud. Although South African novelist Brink (
A Dry White Season) is a master stylist, Chris's encounters—they meet, they bed, they part—become tedious. The sex scenes are more clinical than erotic, and after a while one senses the strain of coming up with a new attribute to distinguish each successive lover from the rest.
(Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Highly erotic, erudite, intricate, and dense, Brink's latest U.S. publication presents the life of South African author Chris Minaar. Brink weaves three strands through the story: the record of his last love, twentieth-entury South African history as experienced through his sexual relationships, and the onset of the Iraqi war as viewed on Minaar's television. For Minaar, these ruminations end a writer's block and allow him to look back on a life filled with sexual exploits and political activism. Brink masterfully relates Minaar's decisions and actions to Mozart's
Don Giovanni, Dostoyevsky's
Idiot, and Sophocles'
Antigone. Minaar, his love Rachel, and Minaar's parents are delicately, exquisitely drawn characters. Alas, his many female loves fare less well--after awhile it's hard to recall which of the extensive group may be a topic of conversation. Through Minaar, Brink explores the losses of aging--with all the regrets and the few comforts. An engrossing read, Brink's tour de force will delight readers of literary writing and European political fiction alike. Purchase accordingly.
Ellen LoughranCopyright © American Library Association. All rights reserved
