When these recordings were made, the Band had been backing Bob Dylan on and off for nine years, so they were used to his idiosyncrasies, and they provide superb, muscular backing all the way through.
Dylan, as usual, significantly alters some of his songs, ending up with a somewhat harsh version of "Lay Lady Lay" and a slightly tuneless "Ballad Of A Thin Man". But almost everything else is great, or at least good.
He does three acoustic solo tunes at the beginning of disc 2, of which "Just Like A Woman" is the best and "It's Alright, Ma" the worst, but everything else is band-backed (in more ways than one!).
And the Band are a joy to hear. They bring out the best in Dylan on fiery live renditions of "Most Likely You'll Go Your Way", "Rainy Day Women", "Highway 61 Revisited" and "All Along The Watchtower", as well as the inevitable "Like A Rolling Stone", which almost matches the power and majesty of the so-called "Royal Albert Hall" version.
Robbie Robertson provides excellent guitar work, particularly on "It Ain't Me Babe", Levon Helm was always one of the greatest rock n' roll-drummers, Rick Danko's bass playing on "Knockin' On Heaven's Door" is masterful, and Garth Hudson's organ provides texture and the characteristic, swirling sound of Bob Dylan's greatest-ever backing group.
The Band's own songs generally work very well also. "Endless Highway", "Up On Cripple Creek", "The Weight" and "The Shape I'm In" are the best (this is not the first time I've wondered why the late Richard Manuel sang "I Shall Be Released" in a falsetto), and even though the songwriting of Robbie Robertson and that of Bob Dylan are quite different, they don't clash too badly at all.
The sound is very good, and both Dylan and the Band play with lots of energy, making this a thoroughly enjoyable documentation of the last coorporation between Bob Dylan and the Band.