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Beginning Of Spring [Paperback]

Penelope Fitzgerald
4.4 out of 5 stars  See all reviews (9 customer reviews)
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Book Description

July 15 1989 Flamingo
Penelope Fitzgerald's Booker Prize-shortlisted novel about a troubled printworks in Moscow. Frank Reid had been born and brought up in Moscow. His father had emigrated there in the 1870s and started a print-works which, by 1913, had shrunk from what it was when Frank inherited it. In that same year, to add to his troubles, Frank's wife Nellie caught the train back home to England, without explanation. How is a reasonable man like Frank to cope? How should he keep his house running? Should he consult the Anglican chaplain's wife? Should he listen to the Tolstoyan advice of his chief book-keeper? How do people live together, and what happens when, sometimes, they don't?

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In March 1913, Frank Reid's wife abruptly leaves him and Moscow for her native England. Naturally, she takes their daughters and son with her. The children, however, only make it as far as the train station--and even after returning home remain unaffected by their brief exile. "They ought either to be quieter or more noisy than before," their father thinks, "and it was disconcerting that they seemed to be exactly the same." Frank's routines, however, drift into disorder as he tries desperately to take charge of life at home and work. Even his printing plant is suddenly confronted by the specters of modernization and utter instability.

In Penelope Fitzgerald's fiction, affection and remorse are all too often allied, and desire and design seem never to meet. Frank wants little more than a quiet, confident life--something for which he is deeply unsuited, and which Russia certainly will not go out of her way to provide. The Beginning of Spring is filled with echoes of past wrongs and whispers of the revolution to come, even if the author evokes these with abrupt comic brio. (In one disturbance, "A great many shots had hit people for whom they were not intended.") As ever, Fitzgerald makes us care for--and want to know ever more about--her characters, even the minor players. Her two-page description of Frank's chief type compositor, for instance, is a miracle of precision and humor, sympathy and mystery. And the accountant Selwyn Crane--a Tolstoy devotée, self-published poet, and expert at making others feel guilty--is a sublime creation. His appetite for do-gooding is insatiable. After one fit of apparent altriusm, "Selwyn subsided. Now that he saw everything was going well, his mind was turning to his next charitable enterprise. With the terrible aimlessness of the benevolent, he was casting round for a new misfortune." As she evokes her household of tears and laughter, Fitzgerald's prose is as witty as ever, rendering the past present and the modern timeless. --Kerry Fried --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Booker Prize-winner Fitzgerald ( Offshore ; Innocence ) reveals here the depth of a distinct and imaginative talent to amuse. Set in Moscow in the spring of 1913, the story concerns an English household that has fallen apart with the unexpected flight of Nellie Reid, a good and proper wife and heretofore devoted mother of three young children. (Fitzgerald is especially good at very droll children.) Nellie's husband, Frank, must carry on with his family and printing business while holding out hope for her return. A mysterious young woman from the countryside--she may be a dryad--is engaged to care for the children, and the plot, such as it is, takes many unexpected turns. But one doesn't read Fitzgerald for plot structure so much as for her sheer powers of invention: her novel raises more questions than it means to answer. Rich in subtle characterizations, wit and wonderfully textured prose, Fitzgerald's seventh novel succeeds in evoking the very essence of life one long-ago spring at 22 Lipka Street.
Copyright 1989 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.4 out of 5 stars
4.4 out of 5 stars
Most helpful customer reviews
5.0 out of 5 stars An intricate portrait in time Jun 28 2010
By Friederike Knabe TOP 50 REVIEWER
Format:Paperback
Imagine Moscow in 1913: The Russian society is in transition; traditional political structures are being challenged by popular movements; industrial technological advances are leading to workers' unrests; an atmosphere of foreboding is palpable in every strata of society including among the English expatriates in Moscow. Frank Reid, an English business man, born and raised in Moscow, is highly conscious of the changing political landscape. After years of training in Western Europe he has returned to Moscow with his young family to take over his father's large printing press operations. Following an apparently harmonious and organized period during which the family had settled, Frank's wife Nellie suddenly departs without warning, leaving Frank to balance challenges at work with new responsibilities at home with his three children.

Penelope Fitzgerald's novel weaves a delicate and gracefully imagined portrayal of the man at the centre, his attempts at normalcy despite inner doubts and conflicts. In fact, all her characters are exquisitely drawn and remain memorable beyond the reading of the novel. Selwyn Crane, the poetry-writing accountant who is also a follower of the Tolstoyan movement, is one such character, who is endearing despite his rather bumbling personality. Amongst other, possibly questionable, advice he recommends to Frank to hire the young Russian peasant girl, Lisa Ivanovna, as a governess for the children. She remains a mysterious, yet attractive, character and may not be as innocent and placid as she appears.

Frank's consistent efforts to stay out of the political turmoil of the moment, by refusing to use his presses for political pamphlets and other such material, are in some way mirrored by the author's concentration on the private lives of her protagonists. However, the complex realities of the day are always present, bubbling under the surface, subtly evoked and touched on by Fitzgerald, almost as an aside, through brief vignettes of specific incidents or, and especially, as part of the different lively conversations. Reading the exchanges between Frank and his various very engaged counterparts - whether other expatriates or Russian business partners - is a constant delight.

While the novel is not really plot driven at all, it is full of off-beat scenarios that underscore Fitzgerald's much appreciated sense of humour and irony. Finally, Moscow in March cannot be imagined realistically without the weather. Fitzgerald succeeds superbly as she weaves her suggestive descriptions of the unpleasantness of the wet, grey, icy, foggy atmosphere of the late winter into the story and the moods of the character. One scene stands for many: Frank takes a different, rather unpleasant route home through slush and ice along the river to escape an encounter with an older English woman who the minister's wife may want to suggest as a governess for Frank's children.

Fitzgerald's writing is a delight for her lively depicted characters, her often understated yet affecting portrayal of social conditions and human relationships, set in a specific period of time. Having previously read Blue Flower with great interest and enjoyment, I was highly motivated to read this novel. Her novel adds a lovely intricate portrait of a group of Muscovites that included English expatriates to the rich Russian literature dealing with that period in time. Finally, I have to admit to a personal bias as regards the theme and time characterized in this novel. Having inherited a distant family connection with Moscow, I have visited Moscow several time and studied Russian language and culture. Despite the time lag to 1913, some aspects of Fitzgerald's novel still ring very authentic to me. [Friederike Knabe]
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5.0 out of 5 stars Brilliant and subtle writing Oct 10 2001
By A Customer
Format:Paperback
A truly beautiful and moving book permeated with humor, insight and compassion. It describes an English family living amidst the overwhelming chaos of life in Moscow in the early nineteenth century. Penelope Fitzgerald reminds one of Jane Austen with her soft, ironic touches and delicately-drawn characters.
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4.0 out of 5 stars Almost Perfect Dec 10 2000
By lisia
Format:Paperback
This book was really good. It showed Russia's personality beautifully. Although it was an intriguing story, it lacked a lot of action. If you're looking for a book with a somewhat non-existent plot, then this would be great for you. Just when you expect the story to get more interesting, it ends. There isn't much of a conclusion so the story doesn't really wrap itself up. I found it somewhat frustrating, how it just ended in a sentence. It is a very well written novel. It wasn't very long, which was nice. Fitzgerald does an excellent job describing Russia and the characters' feelings. Although it can be boring and dry at times, the reader truly becomes thrown into the lifestyle of a very interesting Russian family.
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