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Bel Canto Paperback – Jul 28 2005

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Product Details

  • Paperback: 352 pages
  • Publisher: Harper Perennial (July 28 2005)
  • Language: English
  • ISBN-10: 0060838728
  • ISBN-13: 978-0060838720
  • Product Dimensions: 13.5 x 2 x 20.3 cm
  • Shipping Weight: 340 g
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (427 customer reviews)
  • Amazon Bestsellers Rank: #23,467 in Books (See Top 100 in Books)

Product Description

From Amazon

In an unnamed South American country, a world-renowned soprano sings at a birthday party in honor of a visiting Japanese industrial titan. His hosts hope that Mr. Hosokawa can be persuaded to build a factory in their Third World backwater. Alas, in the opening sequence, just as the accompanist kisses the soprano, a ragtag band of 18 terrorists enters the vice-presidential mansion through the air conditioning ducts. Their quarry is the president, who has unfortunately stayed home to watch a favorite soap opera. And thus, from the beginning, things go awry.

Among the hostages are not only Hosokawa and Roxane Coss, the American soprano, but an assortment of Russian, Italian, and French diplomatic types. Reuben Iglesias, the diminutive and gracious vice president, quickly gets sideways of the kidnappers, who have no interest in him whatsoever. Meanwhile, a Swiss Red Cross negotiator named Joachim Messner is roped into service while vacationing. He comes and goes, wrangling over terms and demands, and the days stretch into weeks, the weeks into months.

With the omniscience of magic realism, Ann Patchett flits in and out of the hearts and psyches of hostage and terrorist alike, and in doing so reveals a profound, shared humanity. Her voice is suitably lyrical, melodic, full of warmth and compassion. Hearing opera sung live for the first time, a young priest reflects:

Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven.
Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give, even in a novel so imbued with the rich imaginative potential of magic realism. But in a fractious world, Bel Canto remains a gentle reminder of the transcendence of beauty and love. --Victoria Jenkins --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Opera and terrorism make strange bedfellows, yet in this novel they complement each other nicely. At a birthday party for Japanese industrialist Mr. Hosokawa somewhere in South America, famous American soprano Roxanne Coss is just finishing her recital in the Vice President's home when armed terrorists appear, intending to take the President hostage. However, he is not there, so instead they hold the international businesspeople and diplomats at the party, releasing all the women except Roxanne. Captors and their prisoners settle into a strange domesticity, with the opera diva captivating them all as she does her daily practicing. Soon romantic liaisons develop with the hopeless intensity found in many opera plots. Patchett (The Patron Saint of Liars) balances terrorism, love, and music nicely here. Anna Fields has a pleasant voice and reads clearly, although she doesn't differentiate among the characters especially well. The tape quality is excellent. Recommended for large public libraries. Nancy R. Ives, SUNY at Geneseo
Copyright 2001 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

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Customer Reviews

3.7 out of 5 stars

Most helpful customer reviews

16 of 17 people found the following review helpful By GeekSquadofOne on June 3 2009
Format: Paperback
Bel Canto

I highly recommend this book, it is very interesting.

When I started reading this book I thought it was going to be a boring "hostege changes the life of their captor" book which follows the same generic plot line shown in a million other novels published. Lets just say I was wrong and I finished it in a day because I could not put it down.

I have not read any of Ms. Patchett's novels before this one so I don't have anything to compare it to, but this is a must read.
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3 of 3 people found the following review helpful By Amy on July 26 2008
Format: Paperback
Many people had recommended this book to me, and eventually my book club chose it as our monthly selection. While I feel this novel is worth reading, it is by no means an easy read. The setting is the confines of a Vice President's home in a South American country, in which a group of inept and somewhat sympathetic terrorists take a group of international dignitaries and an opera diva hostage.

The narrative point of view shifts between several characters, never really allowing for full character development. The constant shifting between characters creates a choppy and clumsy writing style that is, at times, difficult to read. In addition, the plot takes an eternity to unfold, while the reader is repeatedly and redundantly shown how desirable and how beautiful the opera diva, Roxane Coss, is to the others. Annoyingly, the author also assumes that everyone, characters and readers alike, are enchanted by and enamoured with opera, and subsequently the opera singer and her vocal practices take centre stage over the issues of social justice the terrorists are trying to call attention to.

The last chapters of the novel generate the most narrative tension and excitement as the hostages and terrorists finally establish meaningful relationships with each other. The most striking contrast is between the privileged lives of the dignitaries and the opera star, who even in their confinement maintain this status, alongside the poverty and illiteracy of the terrorists, who really end up as the most interesting and sympathetic characters in the novel. The conclusion of the novel seems quite unfair, unjust, and unneccessary in light of other possibilities. [Amy MacDougall]
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3 of 3 people found the following review helpful By Grady Harp TOP 100 REVIEWER on Nov. 21 2002
Format: Paperback
I resisted reading Ann Patchett's BEL CANTO because it seemed that the recommendations came primarily from readers who don't want anything more in a book than a romantic escape from today. Now I'm wondering what is so wrong with that sort of recommendation! BEL CANTO is a good read: it captures your interest, creates a microcosm, populates the pages with people you would like to know, and keeps its story confined to one place so that the afterburn of the tale can be appreciated. Patchett knows how to keep a storyline moving even though the premise of a terrorist coups taking over a birthday party in the Vice President's mansion in a South American country and holding the hostages for nearly a month seems to stretch credibility. But given the tale (some suggest this is based on a true incident in Lima, Peru????) the author seems to want to demonstrate that within the confines of a claustrophobic camp of terrorists/hostages the saving thread is music - specifically Opera at the hands of a very Renee Fleming-like singer. Being an opera addict, it is easy for me to see how whiling away the days of captivity listening to opera might be a satisfying refuge, but to stretch that feeling to a whole amalgam of types begs indulgence. Love blossoms everywhere despite the circumstances. The ending is abrupt and unexpected and a bit too tidy. One can take umbrage with the author's spoon feeding us translations of famous arias, getting bogged down in vocal techniques, overusing the concept of a translator, etc, but in the final analysis she creates a story that does have a fine moral statement about our state of being in a world surrounded by the threat of terrorism. If somehow we can remember this little book when things turn against us, Patchett will have succeeded in writing more than the entertaining book this most assuredly is.
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2 of 2 people found the following review helpful By A Customer on June 27 2003
Format: Paperback
When I reached page 50 of Bel Canto, I told myself that this book wasn't going to be worth the time it would take to finish. It was boring, improbable--not in the good opera way; in the bad soap opera way--the characters were thin and uninteresting, and the storytelling was totally uninspiring. So I thought about putting it down. But, like so many people, I'm afraid, the reviews got the best of me. I'd heard such good things about this book, I thought I had to give it a chance. So over the next long, agonizing week, I finished the whole thing. For my efforts, I was rewarded with 250 pages of the same tedious junk and an ending so...I'm sorry, it's the only word...STUPID that you just won't believe it. You'll close the book and say...huh? You'll wonder what the hell was that all about. And you'll kick yourself for not stopping back at page 50.
I don't know who writes these good reviews, but come on, people! This book is a complete stinker. Go ahead, if you don't believe me. Read it and see.
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1 of 1 people found the following review helpful By Heather Pearson TOP 500 REVIEWER on June 3 2010
Format: Paperback
The Peruvian government is hosting a party for Japanese business man Mr. Hosokawa. In honour of his birthday, and in an attempt to encourage him to open a factory in their country, they have hired opera singer Roxanne Coss to perform at the party. Unknown to them, terrorists plan to invade the party and take the President hostage. These plans are thwarted when they find that the President is not in attendence and in his place they take all the party attendees as hostages.

I listened to this as an audiobook that I downloaded from my library. It was read by Anna Fields and produced by Blackstone Audio. When I first listened to an excerpt I was a bit put off by the thick, almost too thick accent, of the reader and I remember rolling my eyes and thinking "oh no, not another overly fake accent". I decided to download anyway and give it a try. I'm glad I did as I later found that the guests at the party were from many countries and they spoke a number of languages which the reader aptly portrayed.

While Mr. Hosokawa and Roxanne Coss and their budding romance were the main focus of the story, it was to Gen, Mr. Hosokawa's translator, that the greatest role fell. Without him, everything would have fallen apart due to mis-understandings and mis-communications. It seemed to me that he was the 'sounding board' between the terrorists, the hostages, and the outside world. Most of the time he provided simultaneous translations, but at other times, he would wait before carrying messages between parties. Time for reflection or just for Gen to hold onto some control?

The character of Messner, the Red Cross representative, played the important roll of keeping the story grounded.
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