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1 of 1 people found the following review helpful
4.0 out of 5 stars
Lusty & Innocent Fun, Jan 12 2002
This movie is unequivocably recommended. The themes are mature and the subtitles use the most common of language. Fortunately the subtitles don't translate the most common of those words as often as they're said in this delightful Spanish farce. The movie is meaningless, but very funny and very entertaining with lots to recommend it. The movie has excellent character development, charming and humorous dialogues, lovely cinematography and an overall attractiveness. The male lead has led an innocent existence in which he spent some time in a seminary, and then has deserted from the army. Now when he meets the four daughters of a libertine aging artist who has befriended him, he wants to make up for lost time. The older three daughters use him for their forbidden pleasures, and don't take the encounters seriously. Being unsophisticated, he falls in love with each until the next one seduces him. He doesn't realize until almost too late, that the youngest actually loves him, although I can't see what qualities he has except for his looks. Oh, that's right, he cooks better than anyone in the family. The costume celebration and its aftermath is one of the most hilarious I've seen in a movie regardless of language. I'm sure there were social messages that without knowledge of Spanish customs and history, were not apparent. There seemed to be a strong association with death. The side story of the young man who is infatuated with the second daughter but can't break away from his mother or tradition, until his frustration causes him to falsely renounce everything his mother stands for, probably symbolizes certain hypocrises in Spain at that point in history as it tried to break away from a moonarchy but couldn't make up its mind. Enjoy!
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1 of 1 people found the following review helpful
4.0 out of 5 stars
Amourous portrayel of Spanish politics, Mar 8 2001
This film is a sly comment of politics in Spain. It was made just after Juan Carlos freed the country from Franco's fascism. On the surface in may seem plotless, but each young lady is representative of a type of governmet, Fernado is the people of Spain, and Manolo the spirit of progress. Much better if you speak Spanish, but delightful for the Anglophone interested in European politics. A real intellectual treat, not for light viewing.
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1 of 1 people found the following review helpful
4.0 out of 5 stars
Warm and rustic, Aug 3 2000
Although this is a Spanish production set during the Spanish Civil War in the thirties, it is a French bedroom farce all the way, and a delightful romp to be sure. Warm and rustic with a light satirical air, "Belle Époque" plays like something from Molière with a touch of Cervantes and a dollop of Shakespeare folded in. Four young women, daughters of Manolo, an ageing Republican artist, played with warmth and a becoming rakishness by Fernando Fernán Gómez, converge one at a time on our very lucky hero (Jorge Sanz) so as to better help him decide which one he really loves. Director Fernando Trueba lets him try all four before a decision is reached. The sex scenes couldn't get by the Vatican, but are so charmingly done that we are delighted. None of your sick, violent Anglo matings here. No rapes, no drugs, no booze, just sweet country coupling all around. The target of the satire is mostly the Catholic church and the Fascists, but the Republicans take some hits as well. The war is entirely in the background except for a little comédie noire scene at the outset where two stupido Fascists soldiers do themselves in. Our hero's foil is a Jerry Lewis sort of mamma's boy romancing one of the daughters with his inheritance and his mother. He flip-flops between the church and the Republicans trying to please mamma and Clara, his enchantress, second daughter of Manolo. Manolo's foil is the parish priest, a hypocritical libertine, who commits most of the deadly sins before expiring by his own hand when the Republicans win (temporarily) the war. The title (in English, "The Age of Beauty") is ironic because of the war, but literal as it refers to the time of our youth. Is it not uplifting to recall our loves instead of our wars, to turn our political and religious hatreds into benign satirical jokes, and to see the beauty of our nature and not our bestiality? The traditional comedy of course ends in marriage, but to whom? I'm betting on the beautiful Penélope Cruz, who was just eighteen when this film was released.
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