Ben Hur Bilingual

It is difficult to compete with the big-screen blockbuster that has become a classic, but that is precisely what this British-Canadian miniseries attempts to do -- approach a famous story from a new and exciting modern perspective. In many ways it succeeds, and in others it fails.

As children, Judah Ben Hur and Messala are the best of friends, spending their time pretending to chariot race with the work horses and shooing Judah's younger sister Tizrah away from them. Then the fateful day comes when Mesalla's important father in Rome sends for him, and the illegitimate son must leave his adopted family behind. Many years later, Judah (Joseph Morgan) has grown into a man and at the bidding of his mother Ruth (Alex Kingston), agrees to become engaged to the beautiful Esther (Emily VanCamp). Their slow fondness for one another is beginning to bud when news arrives that Messala (Stephen Campbell Moore) has returned and requested an audience. He is not the man Judah remembers... cold and ambitious, with a mind more inclined toward the lax morality and power-hungry ideals of Rome, he has been assigned to protect the arrival of Pontius Pilate (Hugh Bonneville) to Jerusalem. There are concerns of an impending uprising and a plot against the new governor's life.

His demand that Judah inform him if he hears of any such plots of insurgency upset Tizrah (Kristen Kreuk) and threaten to drive a wedge between them. And when a horrific accident nearly ends the life of Pilate as he enters Jerusalem, the lives of the Ben Hur family will never be the same -- leading Judah on a journey of self-discovery, vengeance, and redemption that in some ways is glorious and in others woefully lacks the religious drive of the original. I have incredibly mixed feelings about this miniseries because in many ways it is glorious and vastly improves on the better-known film -- it has much better dialogue, far better characterization, and makes better use of its time. The character development is improved, lesser figures are fleshed out more, and there is an even more apparent sense of urgency beneath it, as Judah desperately tries to avenge his family. The costume design is luxurious and it really makes you feel as if you are walking the streets of Rome or peering through windows in Jerusalem. We also get a much more empathetic and tragic view of Messala.

Unfortunately, along with these improvements come a hearty dose of content that make it inappropriate for family viewing -- and the gradual realization that Christianity has been stripped as much as possible from the story, so watered down that it leaves the inevitable conclusion feeling somewhat pale. There is no mention of Judah's mother or sister having heard of Jesus or desiring to ask for Him to heal them, and although Esther is a follower, she never mentions Him or His influence in her life. Judah has two encounters with Christ and both are important, but not to such an extent that if you were unaware of the storyline you would comprehend how much this changes him. In addition to this, a Greek whore is introduced and becomes sexually involved with Judah while he is in Rome and later when he returns to his home in Jerusalem. There is one explicit, lengthy sex scene between them, with movement and nudity; we later see her breasts again as she tries to entice him into bed.

The cast is quite good, particularly in the lesser roles where a number of talented actors find their footing as Romans. Though they play Pilate as a bit of an oaf at the start I quite liked him at the end, in part thanks to the actor's dedication. I also enjoyed seeing Kristen Kreuk in a more serious role, but alas, both she and Alex Kingston are under-used. And in spite of my disappointment in the usage of the role of the whore, I found her to be a really interesting character. There are some beautiful scenes and patches of dialogue that express the story quite well, including the great battle at sea, but I also feel compelled to mention that the film takes historical liberties and is never completely accurate in its depiction of Jewish rituals and laws. (Lepers are seen wandering the streets, interacting with people!) I wish they had left out the problematic elements and added a bit more of the salvation aspect of the original novel, because from a a non-biased viewpoint, this would have become the definitive version for me.

Other than some of the acting, this mini-series has little to show for it. Consistent with the view that Hollywood has turned against Christianity and become obsessed with sex, this mini-series severely minimizes Jesus Christ, and is inconsistent with the author's original intent.

Lew Wallace, the Christian author who wrote BEN HUR, would not have been pleased with the portrayal of Judah Ben Hur, who was a righteous man. Instead, this mini-series glorifies lasciviousness and is quite explicit about it. Unlike the original BEN HUR with Charleton Heston, this is definitely not a family movie. This is unfortunate, as Lew Wallace's BEN HUR had such an uplifting message.

The 2010 mini-series "Ben Hur" isn't bad, as light Friday night entertainment goes. Still, "Ben Hur" without the Christ seems very strange indeed. OK, Jesus isn't entirely absent from the story, but he plays a much less central role than he should (except for 10 minutes at the very end). Instead, Judah Ben Hur seems more interested in harlots. And I don't mean Mary Magdalene, LOL. Some of the actors are superb, others feel bland, and the story doesn't grip the viewer as the movie with Charlton Heston did. Part of me only wants to give this "Ben Hur" two stars, but in the end, I'll nevertheless give it three. Ave!

› Go to Amazon.com to see all 4 reviews  3.2 out of 5 stars