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2 of 2 people found the following review helpful
4.0 out of 5 stars
Joan Crawford's Second To Last British "Horror", Film, Dec 10 2003
This review is from: Berserk (VHS Tape)
"Berserk!", always comes in for a great deal of flak along with Joan Crawford's last film made two years later "Trog". Certainly they couldn't even begin to compare to the efforts from Joan's glory days at MGM, and Warner Bros. When titles such as "Grand Hotel", "The Women", "Mildred Pierce", "Possessed", and "Sudden Fear", come to mind these later British thriller/horror efforts from the late 1960's definately look poor indeed. However I always believe that "Berserk!" is an enjoyable outing to watch and Joan Crawford, being the real pro that she always was gives this little effort her absolute all like she still was starring at MGM. In "Berserk!" also known by its English title "Circus of Blood", Crawford plays Monica Rivers the owner and mistress of ceremonies of a travelling circus. She is a woman hardened by the school of hard knocks common in circus life where beneath the fun and the bright costumes there exists a hard and cold existence. Monica rules the circus with a firm hand and always with an eye on increasing her profit margin on the acts she has perform at the circus. When a series of fatal accidents begin occuring during the performances Monica sees that behind these tragedies is a way to increase publicity for the circus. The rest of the circus performers become very scared with what is going on among them when it is revealed that the fall suffered by Gasper the Great from the tightrope was no accident and that his line had actually been cut. Monica comes into direct conflict with her business manager/sometime lover Dorando (Michael Gough) over how to handle the investigation into the "accidents". When he wants out from the circus Monica refuses and Dorando also finds himself jealous of Monica's attraction to much younger replacement Trapeze artist Frank Hawkins (Ty Hardin) who has turned up at the circus looking for work, replaces the deceased Gasper in the show and worms his way into Monica's affections. Shortly Dorando is also found murdered in the Big Top further scaring the circus performers, in particular the brassy Matilda (Diana Dors), who is one half of an act where she is sawn in half. She blames Monica for the murders but before she can prove anything she too dies while performing. To complicate matters for Monica her unruly young daughter Angela suddenly turns up at the circus having left her school. She joins the knife throwing act. Monica's romance with Frank however runs into rough seas when he begins blackmailing her for a share of the circus profits and then he too finds a stray knife in his back while he is performing on the high wire. After an investigation by Scotland Yards Superintendant Brooks (Robert Hardy) it is revealed that Angela is the murderer and has long harboured an insane hatred of her mother after years of neglect. To get her total attention Angela has been "removing" those that take up her mothers time. Finally losing the last of her sanity Angela attempts to kill Monica however she herself is struck down by lightening outside the Big Top and dies in the rain. Vintage melodrama perhaps but "Berserk!", has a whole series of talented British performers to create interest in a fairly ordinary story. Michael Gough as Monica's tired business associate has a wonderful rapport with Joan Crawford and his few scenes in the first part of the story are very well acted. Diana Dors, just starting to move out of her earlier glamour girl roles that often hid the fact that she was a very fine actress is excellent as the cheap, tarty circus performer who meets a grisly end under a cutting saw. Judy Geeson in her first film role is effective as the young daughter who is finally revealed as the villianess of the piece. Her innocent playing of her part is well enough done to create the right suspense when all is revealed at the end. Joan Crawford of course is the focal point of "Berserk!". In the first of her two Herman Cohen British based movies, Joan has often been accused of having no judgement in excepting this low budget feature. However as she said in a number of interviews, she quote, "wanted to remain a working actress, not just an ex performer plugging softdrinks (Pepsi)" unquote. In the absense of any better roles being offered to her "Berserk!" at least kept her in the limelight. The rich colour and great circus atmosphere of the film is well done and although not totally exciting there were far worse films made in that decade both before and after "Berserk!". Joan certainly looks the part of a glamourous ringmistress.Even in such a low budget production long after her great years of stardom Joan still showed that she was a true star in the old meaning of the word by insisting that famed costume designer Edith Head be especially hired to create her sensational two piece leotard outfit that she wears throughout the picture. While far from the best horror circus thriller you will see "Berserk!" is not the total mess that alot of people make it out to be. I enjoy it for the lively later day Joan Crawford performance is contains but also because of the fact that no matter how cheap the production was Joan tackled it with the same commitment and seriousness that she did her great productions from earlier decades. "Berserk!", is a good little mystery to spend 90 minutes with. Enjoy
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15 of 17 people found the following review helpful
5.0 out of 5 stars
59-year old Crawford is a terrifying vision in fishnets!!!!, Aug 3 2007
By the masked reviewer - Published on Amazon.com
This review is from: Berserk (VHS Tape)
"There's nothing certain in show business," Joan Crawford tells us in the aptly titled 1967 gem Berserk. "We've eaten caviar, and we've eaten sawdust." Connoisseurs of Bad Big-Top Movies We Love like Big Circus, Carnival Story and The Greatest Show on Earth can be certain of one thing, though: Berserk--which features Crawford looking even more butch and self-enchanted than usual--offers up the tastiest mouthful of sawdust to be found anywhere in this demented genre. When 59-year-old circus ringmaster Crawford (a terrifying vision in her trim tuxedo jacket and fishnet stockings) introduces her world-famous high-wire soloist, the audience is definitely not ready for what happens next: the high wire snaps and coils around the performer's neck, leaving him dangling above their upturned faces. Oblivious to the human tragedy, a post-show Crawford busies herself with the night box-office receipts. "How can you be so cold-blooded?" asks her business partner. "We're running a circus, not a charm school," Crawford growls, going on to point out that the violent death will be good for business. Then she changes tack. "What can I do to cheer you up?" she queries. "I just may let you tuck me in tonight." God forbid! Even with Vaseline smeared on the lens and strategic shadows cast across her face, our star looks, at best, like a short, male senior citizen in elaborate drag. The next day, who should turn up but a high-wire soloist in need of a job. The suspiciously useful newcomer is strapping studmuffin Ty Hardin, who is soon embroiled in a torrid affair with Crawford, despite the fact that he's 22 years her junior. The biggest scare in this whole movie is the appearance of a postcoital Crawford, done up in a negligee and a big-hair wig. "Long ago I lost the capacity to love," she purrs, very believably indeed. "If you want me to spell it out for you, I will. What we have is no more than a greeting card. Maybe not as friendly." Just as you're thinking that's not exactly what you'd say if you looked like an aging female impersonator and had somehow gotten Ty Hardin into bed, Hardin replies, "You're playing a dangerous game!" When Crawford's business partner is murdered, the circus performers get agitated. The magician--obviously the thinker in the group--announces, "It is clear to me there is a killer loose." Enter blowsy, badly bleached blonde tootsie Diana Dors (who was at one time hailed as England's answer to Marilyn Monroe--i.e., Jayne Mansfield with bad teeth). As the magician's new paramour/assistant, Dors expresses her view that bosswoman Crawford is the killer. Overhearing this, Crawford snaps, "You slut!" Whereupon Dors demonstrates the accuracy of this assessment by boozily coming on to Hardin. You may want to memorize Hardin's reply for your own future use: "You're peddling your merchandise at the wrong booth." When Hardin tosses Dors out on her rear--literally--a high-water mark in cinema cattiness is reached as an onlooking circus babe croaks, "You must be more careful, you'll damage your brain!" Happily, a nail-scratching, wig-pulling catfight ensues. Enter Crawford's unhappy teen daughter (Judy Geeson) who's just been expelled from charm school. "Let me stay here with you," she pleads to her mom. "The circus is in my blood like it's in yours." Speaking of blood, the next big-top demise occurs when the magician saws Dors in two for real. Now even Crawford is afraid. "I've got the jitters!" she confesses to Hardin. "I'm not made of stone!" Actually, wax is what we were thinking. Doing what anyone whose circus is being torn asunder by a psychopath would do, Crawford throws a gigantic party, at which she confesses to Hardin that she's made him her partner: "You'll have 25 percent of the circus and 100 percent of me." When charm school dropout Geeson appears to be sulking her way through the shindig, Crawford wonders out loud if the girl is spoiled. "You certainly never lacked anything," she points out. "No, except what I needed most...you!" the teen shrieks, bolting into the night. "I have an eerie feeling the killer will strike again at any moment," Crawford murmurs. Hmmm. Is this just a doting mom's wishful thinking? We don't want to spoil the ending for you, but suffice it to say that Berserk parallels its star's real life in some amusing ways. The on-screen Crawford often had her hands full with pesky teen daughters--think Mildred Pierce, Strait-Jacket, Della--but for cinematic subtext on the offscreen Crawford's doubts about her adopted daughter Christina, Berserk is unsurpassed.
5 of 5 people found the following review helpful
5.0 out of 5 stars
Joan rules the screen once more!, Oct 3 1999
By bangnoj@paulsmiths.edu - Published on Amazon.com
This review is from: Berserk (VHS Tape)
Joan did not like talking about her later films, they were in a way not the Crawford style. I like Berserk, which I believe was also called "Circus of Horrors" because it is another low budget masterpiece. The bearded lady, the midget, the strong man, and everyone else were all great. Joan was great in Mildred Pierce, Rain, and Flamingo Road, but this side of Joan you must see. The ending will surpise you, when I saw Berserk the first time I thought Joan was the murderer. After seeing this movie go out there and buy or rent Baby Jane, Strait Jacket, I saw what you did, and Trog. Also be sure to get the Night Gallery episode with Joan in it.
9 of 11 people found the following review helpful
5.0 out of 5 stars
Great widescreen transfer!, Sep 17 2011
By jrc "jrcasey" - Published on Amazon.com
This review is from: Berserk (DVD)
Columbia has finally unleashed BERSERK on DVD, albeit on DVD-R. The transfer is gorgeous and presented at 1.85:1 aspect ratio for the time ever on home video. Perhaps the folks at Sony will get around to releasing Autumn Leaves, Esther Costello, Harriet Craig, and They All Kissed The Bride (Columbia's other Crawford titles not yet out on DVD.
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