Best Of [Best of]

Over the past year I have been doing a review of all the major country blues artists that I can get material on. High on that list would be the performer on this CD, the legendary Mississippi Fred McDowell. Before discussing this CD, however, let me put this blues man in context. I first heard Brother McDowell and his magnificent slide guitar riffs as a backup to some of "Big Mama" Thornton's early blues numbers like "Little School Girl" and "The Red Rooster". I have also noted elsewhere that McDowell performed a very important service to the continuation of the country blues tradition when he provided mentorship to the great modern folk/country/blues singer songwriter Bonnie Raitt.

Ms. Raitt has profusely acknowledged his influence and just a peep at her own work demonstates the truth of that influence. Furthermore there is another place where McDowell has demonstrated his vast influence. That is on The Rolling Stones. Their main blues influence might have been another Delta product, Muddy Waters, but the Stones did a cover of McDowell's "You've Got To Move" (and gave him the royalties for his cancer treatment) on their Sticky Fingers album that has withstood the test of time. All these anecdotes are presented for one purpose- to show, if anyone needed showing, that Mc Dowell rightly takes his place with the likes of Bukka White, Skip James, Son House and Mississippi John Hurt as the legends of country blues.

For those not in the know the theme of the country blues is about rural life, about picking cotton in the Delta (or hard scrabble farming elsewhere) and, most importantly, about those Saturday night bouts with booze, women and worked up passions that could go any which way, including jail and the graveyard. McDowell follows that tradition although on a number of cuts here, those in which he is accompanied by his wife's singing along, he will also pay homage to the deeply religious expression of the travails of black existence at the turn of the 20th century Jim Crow South.

The most famous exemplars of that tradition are of course Blind Willie Johnson and the Reverend Gary Davis but others, including McDowell have taken a turn at that end of the blues spectrum in order to sanctify "the devil's music". Needless to say you must listen to "You've Got To Move", "Levee Camp Blues", "Good Morning Little Schoolgirl" and "Kokomo Blues" here.

Ever wonder where Bonnie Raitt got that funky version of "Kokomo Blues"? Well, check out Fred McDowell's classic recordings from 1964, where he feels acoustic, but plays electric... A funky, slightly grungy electric style that is tremndously soulful. McDowell's slide work doesn't seem technically advanced, but it is charged with power, and completely arresting. Raitt took that power and smoothed it out a bit -- you might find you like the unburnished originals even more! Nice selection of some of McDowell's best recordings on the Arhoolie label.

A great collection of songs by one of the premier bluesmen. McDowell's slide guitar is staggeringly powerful. I've never heard anyone quite like him. The one major drawback here is that "61 Highway" isn't included, but you could throw together any 20 songs of McDowell's and it would be amazing. The man could do no wrong when it came to the blues. It's simple stuff: If you like music, you need this.

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