Bette Midler: Still Divine [Hardcover]

Mark Bego's book is the closest thing we've got right now to a definitive, somewhat linear bio, but it still leaves much to be desired.

I do appreciate that Bego (clearly a fan in his own right) takes the time to go in depth with Midler's albums, making sure every track is commented upon and giving us loads of quality info about the recording process. I love hearing about why certain songs were chosen, discarded, arranged the way they were, et cetera.

The most in depth album commentary in this book is in regards to Bette's *Songs From the New Depression.* The more I read about this lost possibility, the more curious I am to hear the material. It genuinely sounds like it could have led Midler's career in a completely different, more upward musical direction. I do hope Atlantic Records gives Klingman the master tapes back.

No other book has given me a clear picture of what Bette's days at the Continental Baths were like, and I am grateful for that. Such a vivid description of the place and the time. It must have been a ball.

This is also the first telling of Bette's life that gives an indication that Aaron Russo (Bette's manager in the 70's) and Bette were never romantically involved at all. However, the narrative seems fuzzy on whether or not that is entirely accurate.

The aspect of Bette's career that seems to get shortest shrift is her movies. Each one is given a full plot synopsis, which in my opinion, isn't a good idea, for it ruins the movies for newer fans or people who have not seen them. These plot synopses seem to be masking some glaringly obvious missing information. No 'tales from the set' are told. No comments from co-stars or directors (except in the Jinxed section) on what it was like to work with Bette beyond your standard "press-kit" comments.

Even so, there are still some interesting tidbits spread out here and there. One of them is that Anne Archer and Donna Mills where considered for the role of Hillary Whitney in Beaches!

One rather odd thing is the use of numbers in parenthesis after every single quote. I've never seen a device like that in a book, and it made me feel like I was reading a college term paper. Although, on the flip side, I appreciate the quotes are there -- it ensures a degree of accuracy and if I ever want to look up these articles, it's a good resource.

Also, there is serious need for a fact-checker / proof-reader here. Too many noticeable spelling errors, character or actor names misprinted or mis-spelled, etc. I don't want to blame the writer entirely, because this stuff should be checked before going to press.

All in all, I recommend this book, but more for the fact that there really isn't a quality Midler bio out there to compare it to. Perhaps there never will be, unless Bette decides to tell her own story.