This movie will seem very familiar to most long-time movie watchers as it is in many ways a remake of the vintage screwball comedies of the early '30's but with a decidedly '90's twist.
The heroine of the film is Maggie, a young woman who has dropped out of university to try and find herself as an artist. She also supplements her income from painting by working at a bookstore which serves the LesBiGayT (Lesbian-Bisexual-Gay-Transsexual) community of a small British Columbian town.
Maggie's life is greatly complicated when, on the same day, she begins to fall in love with an itinerant painter named Kim, and she receives word that her mother and teenage brother are going to be coming to town to stay with her. This is particularly problematic because Maggie hasn't disclosed her sexual orientation to her family.
A certain amount of predictable hijinks ensue as Maggie tries to keep her family from deducing the truth about her relationship with Kim. She also, of course, must keep them from figuring out that anything is "out-of-place" about her friends and co-workers. As well, there are several sub-plots introduced to give the film more political relevancy, including Canada's strict censorship laws and the subject of anti-transsexual discrimination in the LesBiGayT community, however they are not especially well developed.
In conclusion, this film is very funny at some points, but moves very predictably at others. It is a rather light-hearted take on lesbian romance and coming-out issues, but the sub-plots occasionally weigh it down. Since most of the sub-plots contained enough potential to be films of their own, the film-makers could have dropped some of them from this picture to spend more time exploring Maggie and Kim's relationship. That said, I would recommend this film to anyone who enjoys romantic comedies and has an open mind.