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After the tight plotting and quirky intensity of
Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is,
The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hairnetted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. Be sure to watch with snacks in hand, because
The Big Lebowski might give you a giddy case of the munchies.
--Jeff Shannon
Review
Those who preferred the cut-and-dry, linear plotline of the Coen brothers' Fargo (1996) might be advised to stay away from the duo's gleefully absurd follow-up, The Big Lebowski. The film doesn't have much use for established storytelling techniques; it's more of a series of bizarre vignettes, which might be a problem if they weren't so funny. The title character, brilliantly played by Jeff Bridges, is a latter-day, stoner version of Philip Marlowe; it's one of the many homages the Coens make to films of decades past. The supporting players -- including John Goodman as Lebowski's buddy, and John Turturro as the wonderfully profane bowling champ Jesus -- are excellent as well.
Lebowski performed tepidly at the box office, perhaps because of the inevitable post-Fargo backlash. Much like the Coens' earlier cult classic Raising Arizona (1987), it's the kind of film that audiences either love or hate. ~ Matthew Doberman, All Movie Guide