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Big Night
 
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Big Night

Minnie Driver , Ian Holm , Stanley Tucci , Campbell Scott    DVD
4.4 out of 5 stars  See all reviews (55 customer reviews)

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Critics tripped all over their big feet to praise Big Night, and in doing so performed a grave disservice to this fine little film. They fooled audiences into believing it was a "super movie" instead of a home movie buoyed by friends and family. Consequently, many viewers were disappointed. Big Night is an intimate look at the immigrant struggle to attain the American Dream, set in New Jersey in the 1950s. Its disproportionate success gave co-directors Stanley Tucci and Campbell Scott, who also star in the picture, the green light to follow up with a smug, unsuccessful second venture called The Imposters. Tucci wrote Big Night with his cousin Joseph Tropiano, and they based the story on the experience of growing up in a large, proud Italian family. The brothers in Big Night--chef Primo (Tony Shalhoub) and businessman Secondo (Tucci)--have come to New Jersey to open a bistro named The Paradise that serves the finest in traditional, authentic Italian cuisine. Their every move is foiled by rival restaurant Pascal's, which serves mile-high servings of spaghetti and meatballs and flasks of bad Chianti at exorbitant prices. Primo is disgusted by the fact that Americans want cheap pasta instead of risotto, so Secondo hatches a plan to boost business: rumor has it bandleader Louis Prima is travelling through and will dine at The Paradise that very night. Secondo gambles to bring the finest dinner ever cooked--at the risk of losing his shirt and being reduced to exile to the old country with his tail between his legs. Big Night is a film that will easily invite comparisons to other "food" fare like Babette's Feast and Eat Drink Man Woman but, though Tucci insists his story is "about the struggle between art and commerce and the risk of staying true to yourself," the media refused to let it stay a small, comparative work. The movie, and the buzz around it, became a parable for the essence of the film itself: art vs. commerce. --Paula Nechak

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Customer Reviews

55 Reviews
5 star:
 (33)
4 star:
 (16)
3 star:
 (1)
2 star:
 (3)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (55 customer reviews)
 
 
 
 
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2.0 out of 5 stars Lets call it Babette II, July 25 2010
By 
Real Charlebois "charlr" (Ottawa) - See all my reviews
(REAL NAME)   
This review is from: Big Night (DVD)
Not the best movie I have seen. The plot drags on, everyone is yelling all the time, somewhat painfull, ... but suddently the party ... a feast à la Babette ... who doesn't want to make a Timpano after this movie? You have to be a food affectionado to enjoy this movie.
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5.0 out of 5 stars Wife's favourite movie, Jan 18 2010
This review is from: Big Night (DVD)
Impossible to find in the stores, this is a very memorable and collectable film that stands the test of temporary popularity. It doesn't fade with time, a testament to the acting, screenwriting and timeless, parallel plot lines of family dynamics, fidelity, the quest (for business survival this time) and the inevitable betrayal on all levels with redemption a barely glimpsed possibility at the end.

This is my wife's favourite movie, as well as a neighbour's - so I ordered two, but too late for Christmas delivery. They became belated holiday gifts. The only issue: I had specified a Canadian supplier to ease cross-border delays, but ended up with DVDs shipped from Kentucky. If I'd known that, I'ld have exedited the delivery.

I'm now the wiser consumer.
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5.0 out of 5 stars Wonderful "Little Film" -- So-So DVD, May 20 2004
By 
Scott Schiefelbein (Portland, Oregon United States) - See all my reviews
(REAL NAME)   
This review is from: Big Night (DVD)
Stanley Tucci, as actor, co-writer, and co-director (with Campbell Scott, who also plays a pitch-perfect small part as a car salesman), deserves a great deal of the credit for this small, intimate, delightful film. But the film resonates because it got so many of the little touches right, from the ensemble cast to the soundtrack to the editing to the cinematography. So there is a lot of credit to go around.

Tucci plays Secondo, the aptly named younger of two Italian brothers who have emigrated to New Jersey from the Old Country. Secondo is the entrepreneur, the guy who wants the big Cadillac. Primo (Tony Shahloub), the older brother, is the magician of a chef. Primo is so good, in fact, that his culinary masterpieces go over the heads of the good folks of New Jersey. When contemplating a wonderful seafood risotto, a diner complains that she can't see the seafood, and that her desired side of spaghetti doesn't come with meatballs (inspiring the wonderful line, "Sometimes spaghetti wants to be alone").

Primo bemoans the fact that he is serving food to Philistines, but the sad fact is that most of the Philistines are eating across the street at Pascal's restaurant. Pascal, played with great zest by Ian Holm, knows that you have to give the customer what he wants -- even if it is culinary sacrilege. The contrasts between the restaurants, from the colors to the lighting to the clientele, could not be more staggering!

Secondo laments to Pascal of his financial woes, but refuses Pascal's (repeated) offer to come work for him. Pascal, being a big-hearted guy, tells Secondo to pull of a "big night," with no holds barred. Pascal will invite his good friend, Louis Prima, who will come, eat, and love Secondo's restaurant. Then, the people will come.

So the story builds to the big night (a side plot regarding Secondo's tortured love life notwithstanding), which is where the movie really takes off.

Organizing the banquet scene into courses, "Big Night" revels in the wonders that can only be brought about by great cooking. The cast has a difficult task -- how do you emote rapture without going over the top? The ensemble cast, which includes Isabella Rosselini, Minnie Driver, and Allison Janney, nails this task just right. The cooking scenes are also hectic and impressive without going over the top, too.

Following the big night, many truths are revealed, perhaps because it is impossible to deceive after having such a wondrous experience. If this film doesn't move you, or inspire you to get thee hence to an Italian restaurant, you have no heart!

But again, the heart of the movie is its dedication to the small touches. From Primo using his cup to tamp down his espresso grounds to the making of a simple omelet, this movie gets it all just right.

The DVD does not have much to offer as far as extras go. What it does have is one heck of little film.

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