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Bitches Brew
 
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Bitches Brew [Original recording remastered, Extra tracks]

Miles Davis Audio CD
4.4 out of 5 stars  See all reviews (19 customer reviews)
Price: CDN$ 14.89 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Bitches Brew + In A Silent Way + Kind Of Blue
Price For All Three: CDN$ 34.89

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  • In A Silent Way CDN$ 10.00

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Product Details


Disc: 1
1. Pharaoh's Dance
2. Bitches Brew
Disc: 2
1. Spanish Key
2. John McLaughlin
3. Miles Runs The Voodoo Down
4. Sanctuary
5. Feio

Product Description

From Amazon.com

Bitches Brew was a shot across the bow of jazz insularity, and, much like the Beatles' Sgt. Pepper before it, it drew upon elements both inside and outside the mainstream to fashion an avant-garde, yet extremely influential, take on popular music's relation to modernism, and vice versa. As such, Miles Davis became a lightning rod for jazz's transformation (or corruption as some diehards insist), and by mixing the fundamental elements of collective improvisation with fulminating dance rhythms, psychedelic electric textures, polytonal harmonies and a freely inflected brand of blues phrasing (as reflected in his own Kind of Blue-brand of modalism and the parallel directions of Hendrix, Cream, Sly Stone, James Brown, and Marvin Gaye), Davis signaled a sea-change in jazz. However, producer Teo Macero's spooky, compressed mix tends to suck all the air out of the room, emphasizing the often static nature of Harvey Brooks's bedrock Fender bass heartbeats, while obscuring the complex polytonal/polyrhythmic web of volatile harmonies, colliding cross-rhythms and contrasting melodic lines. Bitches Brew is a modern jazz masterpiece screaming for a critical reassessment (and a re-mix), but nothing can obscure the crafty tension and release of Davis's turn over a "Sex Machine"-styled ostinato on "Spanish Key," nor the spatial collective "&mysterioso" and epic breadth of the title tune. --Chip Stern

Product Description

The revolution was recorded: in 1969 Bitches Brew sent a shiver through a country already quaking. It was a recording whose very sound, production methods, album-cover art, and two-LP length all signaled that jazz could never be the same. Over three days anger, confusion, and exhilaration had reigned in the studio, and the sonic themes, scraps, grooves, and sheer will and emotion that resulted were percolated and edited into an astonishingly organic work. This Miles Davis wasn't merely presenting a simple hybrid like jazz-rock, but a new way of thinking about improvisation and the studio. And with this two-CD reissue (actually, this set is a reissue of the original set plus one track, perfect for the fan who's not so overwhelmed as to need the four-CD Complete Bitches Brew box), the murk of the original recording is lifted. The instruments newly defined and brightened, the dark energy of the original comes through as if it were all fresh. Joe Zawinul and Bennie Maupin's roles in the mix have been especially clarified. With a bonus track of "Feio"--a Wayne Shorter composition recorded five months later that serves both as a warm-down for Bitches Brew and a promise of Weather Report to come--this is crucial listening. --John F. Szwed

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Customer Reviews

19 Reviews
5 star:
 (13)
4 star:
 (3)
3 star:
 (1)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (19 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
5.0 out of 5 stars Give it time..., Jun 14 2004
By A Customer
This review is from: Bitches Brew (Audio CD)
Considering that this album has some extremely talented artists, including John McLaughlin, Lenny White, and many more, the album is really a unique experience. It takes time, however. The first time I listened to it, I thought, What is this CRAP? Why is this claimed to be such a landmark? It took me a few listens before I really started liking it.

On the first disc, Miles experimented heavily with effects and tape loops (if you read the liner notes, it states that the real beginning of Bitches Brew actually begins at about the 3 minute mark). These songs are extremely lengthy, and over the 20-some minutes of experimentation, they surprisingly manage to maintain some highly listenable improvisation. Some people will find it really odd, and that is ok; I admit the music tends to loose its melody at times, but it never loses its intensity.

The second disc contains the same improvisation, only (from what I noticed), much more melodic and rhythmic. These songs tend seem to have a more traditional jazz layout, the bass and drums maintain pretty much the same throughout the songs, and the other instruments build on them and make it interesting. The beauty of these songs is the incredibly catchy bass lines, especially in Miles Runs the Voodoo Down and Spanish Key. John McLaughlin, naturally, does the majority of soloing on his self-titled song (although this song lacks Miles entirely). Sanctuary is a mellow ending, much like an electric Flamenco Sketches (which is on the album Kind of Blue). This is by far my favorite disc.

Many people compare this album to Kind of Blue or Rock'n'roll in general, and I find that a bit unfair. This album is really neither Jazz nor Rock in particular, its a fusion. However, I must advise that I found this album particularly more listenable after I became better accquainted with the jazz genre and Miles Davis' music. This album is really amazing, just listen carefully!

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5.0 out of 5 stars Interesting, May 24 2004
By 
Michael Walton (Perry, GA United States) - See all my reviews
(REAL NAME)   
This review is from: Bitches Brew (Audio CD)
Bitches brew is a revolutionary album. It is not, however, your normal, run-of the-mill jazz album. This album is for mind expansion. This is for you to listen to and try to understand what is being said. Of course if you're not a musically adventureous person, then I warn you, don't get this album.
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5.0 out of 5 stars Pryors choice, May 23 2004
This review is from: Bitches Brew (Audio CD)
Any album that gets two thumbs up from the one & only Richard Pryor is cool with me, and Miles Davis 1969 set 'Bitch's Brew' is one of the all time jazz records. A dark, trippy, at times even hellish soundscape of deep and dense rythmn and instrumentation. Miles was exploring the darkside here & as usual his vision always carries it through. Miles pushes the boundaries again and this is a great companion to 'Kind Of Blue', more than worth checking out. And two discs no less, you can't go wrong here.
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