|1. Black Celebration|
|2. Fly On The Windscreen-Final|
|3. A Question Of Lust|
|5. It Doesn't Matter Two|
|6. A Question Of Time|
|8. Here Is The House|
|9. World Full Of Nothing|
|10. Dressed In Black|
|11. New Dress|
|12. But Not Tonight|
Just because the mood was dark also did not mean "Black Celebration" stayed mired in dirges. The frantic tempo of "A Question of Time" continued DM's ongoing string of modern rock dance singles, keeping them astride the likes of New Order and positioning them as the anti-Duran Duran. (Even though all three of these bands were at their creative peaks in this period.) The DM videos were getting better and it was just one more album before all three bands were world wide massive stars at the same time!!! (Duran Duran with "Big Thing," New Order with "Substance" and Depeche Mode with "Violator.") It was certainly heady times for lovers of synth-rock, and "Black Celebration" remains one of my favorite CDs from that period.
The title track sets the tone for the album very effectively, using a thick layer of menacing bass under twinkling melodic keynotes. "Black Celebration" is not quite as dark as most of the other songs on this album; but maybe it's really just that it is a declaration of the need to hang onto whatever happiness we can in the face of all-encompassing misery. A perfect opening to a near-perfect album.
The eerie underlying synth of the first track evolves into the backdrop for the second: "Fly on the Windscreen." This is DM at their gloomiest; a pummeling bass underpins the need for human contact as a reminder that there is such a thing as life.
"A Question of Lust" begins a hat trick of delicate songs sung by Martin Gore. It's an earnest, airy tale of the needless suspicion of jealousy in a relationship that probably won't last. A shimmering, sad ballad in an album of despair, yet a nice bounce-back from "Windscreen."
"Sometimes," the next song, is I believe very underrated -- I've seen someone deride it as an ersatz "Somebody," which is really not at all accurate. It employs only Martin's voice, echoed in a strange fashion, over a lazy, very pretty piano piece.Read more ›