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Black & White Photography [Paperback]

Michael Busselle
4.1 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

May 1998 Better Picture Guides
Under this book's expert guidance, even amateur photographers can create the dramatic effects of tone and texture that top professionals achieve using black-and-white film. This third title in a series is specially sized to fit most camera bags and shows how to produce black-and-white photos that have mood, atmosphere, and a certain mystique that cannot be achieved by using color. 190 illustrations.

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Customer Reviews

Most helpful customer reviews
5.0 out of 5 stars Helpful and interesting March 18 2001
An innovative approach to teaching aspects of Black & White photography that works very well: Each two page spread has a main photo that is used as an example. The author sets out what he saw when he first encountered the situation; what he was thinking about how to make a good photograph; and what he did to make the photograph. There is also usually a "Rule of Thumb" sidebar on the same spread, as well as several other photos or drawings that help to make the point. The graphic design layout keeps it very interesting, all I can saw is that it is not layed out like a normal book, and the layout helps with the learning process.
Perhaps more importantly, the photographs are good. You can go back and look at this book over and over to tighten up your technique or to just admire the photos. The series title is "Better Picture Guides", and this book really will help you take better pictures, and is almost worhty as a small coffe table book.
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I expected concrete advices on exposure, lightning, how to see in black and white, specificities of b&w films, specific filters for b&w and got nothing. 90% of the book is made of generic, basic, uninteresting generalities on composition, camera, lenses... Technical details don't help at all: for each lense used, I would like to have the 35mm equivalent, shutter speed / diaphragms, paper gradations are never mention, neither the why or how of the exposure. Discussion of low key & high key is a joke. The seeing/thinking/acting structure of the book got on my nerves very fast, as is the very bad use of typography. Photos are flat and uninteresting, I don't think I saw one for which I thought "Gee, I'd like to shoot photos like that". All in all, I was completely disappointed.
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3.0 out of 5 stars Love the concept, but... June 11 2001
By Sirena
I really like the concept in this series of photography books. Think about what attracts you about the image, then work to get that effect in the finished product. It's a very useful and systematic approach which one can follow in the field. My problem with this particular book in the series, as well as with his color photo book, is that his finished images don't move me. I kept thinking about the Ansel Adams remark, "Inside many a picture there's a good photograph waiting to come out", and I yearned to crop the image to something which had more effect.
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4.0 out of 5 stars For the thoughtful only March 23 1999
By A Customer
This book is set up in a pleasing and calm style that eases the reader through various situations. The photographer is urged to go slowly and consider all the aspects of the situation he/she has encountered. Too often, many photographs are taken in great haste where slowing down and really seeing all the aspects of a great shot could result in wonderful work. This book helps enormously. Some of the technical data offered could be more extensive. The author never shares f-stop and shutter speed numbers.
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