4.0 out of 5 stars
Why this book is good, Jan 12 2003
This review is from: Blade of the Immortal Volume 10: Secrets (Paperback)
1. The art is simply fantastic. I have never seen an artist able to express feelings or raw emotion or draw an action sequence of a fight so well. If you are one who appreciates art, or pencil art for that matter, Hiroaki Samura is one which you should look at.
2. The fantastic storyline. In "Secrets", which is the 10th book of the Blade of the Immortal series, the plots starts to thicken. Most of the characters have been introduced by now, if you have been following the series, and the story is only going to get darker.
3. This would be a good reason to get the 11th book, Blade of the immortal: beasts.
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5.0 out of 5 stars
"What will these hollow men be good for?", Dec 17 2002
This review is from: Blade of the Immortal Volume 10: Secrets (Paperback)
Due to the accident of the order I read this series in, the last several have been horrendously violent. There can be a certain elegance to the dealing of death, but Hiroaki Samura goes beyond the surface ritual and frequently reminds us that it is not graceful technique, but winning that determines survival. This is an ugly lesson, and Samura never fails to make it clear. In any case, I'd gotten to inured to pieces of people flying all over that I was quite surprised upon reaching 'Secrets' to find the events focused on character development. No doubt, this was intentional on the part of the storyteller, and quite effective.
The book opens upon Anotsu Kagehisa making he was through Kaga on his way to the Shingyoto-Ryu sword school. Its master, Ibane Kensui, has decided to offer the school to Anotsu if he will accept one certain condition. Ibane wants Anotsu to marry Hisoka, his ward. This opens a series of interchanges between Anotsu, Ibane and Hisoka that are quite revealing. Anotsu has actually never been portrayed as an completely evil man, and now we discover that he as some very positive reasons for his actions, nor is he the sort to take thoughtless advantage of Hisoka.
Back in Edo, Manji is recovering (actually, reassembling himself) at Master Sori's painting studio. Sori was the man who originally funded Rin's quest for revenge, and recently Manji has realized that the painter in blood is one of the Shogun's spies. Manji is, as usual, something of an ingrate, and he still cannot bring himself to trust Hyakurin, the woman spy who rescued him from his last disaster. As Manji puzzles this out, he discovers that there will be one more guest at Sori's home, Magatso Taito of the Itto-Ryu, who Manji has fought more than once. In fact, each man thought the other was dead.
Manji discovers that Magatso has left the Itto-Ryu and is searching for the swordsman who killed the woman he loved. Surprisingly, Manji knows the killer as well - Shira, who has a grudge of his own against Manji. The two swordsmen find themselves drawn together against a single enemy. With all this happening, Samura still takes time to show Rin, who is having her own struggles making her way to a showdown in Kaqa.
Taken in total, this is one of the best of the series, reinstating the sense of story line and helping the reader to see some of the characters in a different light. Some mysteries are resolved, and some new questions allowed to surface. This is truly a showpiece of illustration and narrative.
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